Opera mauve
Smoky black
Gainsboro
Goldenrod
Cerise pink
0
0
2
8
0
PANTONE Rubine Red
Parameters:
HEX Triplet:
#D12368RGB:
209, 35, 104CMYK:
0, 100, 22, 3HSL:
336°, 83%, 82%Closest colors:
in RGB:
Dogwood rosein PANTONE:
PANTONE 214in RAL Classic:
RAL 4010in RAL Design:
RAL 010 50 50in RAL Effect:
RAL 470-4in NCS:
NCS S 1070-R20B 2024-09-12 Snargl 03:16
What color is PANTONE Rubine Red?
PANTONE Rubine Red is a shade of pink that has a strong red hue and a high saturation.
It is often used for logos, branding, packaging, and fashion.
This color has the hexadecimal color code #D12368 and the CMYK values 0, 100, 22, 3.
PANTONE Rubine Red is also available as a plastic chip and a solid color set, which can be used for product design, prototyping, and quality control.
It is often used for logos, branding, packaging, and fashion.
This color has the hexadecimal color code #D12368 and the CMYK values 0, 100, 22, 3.
PANTONE Rubine Red is also available as a plastic chip and a solid color set, which can be used for product design, prototyping, and quality control.
Example of the palette with the PANTONE Rubine Red color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 4009
RAL 9005
RAL 9002
RAL 1012
RAL 4010
Funny stories about the 'PANTONE Rubine Red'
The Rubine Revolution
Alexander Jet, a rising star in the fashion industry, was known for his audacious designs and unconventional ideas. However, it wasn’t until a chance encounter with Professor Raj Buffalo that his career would take a turn so spectacular that the fashion world would never be the same.
It all began one crisp autumn morning when Alexander, tired of the usual trends, found himself wandering the halls of a little-known art institute. Here, in a forgotten corner of the building, he stumbled upon Professor Raj Buffalo, an eccentric academic with a passion for color theory.
Professor Buffalo was not your typical scholar. He believed that colors were more than just visual stimuli; they held the power to evoke emotions, tell stories, and even change lives. His office, cluttered with color swatches and half-completed experiments, was a testament to his obsession.
When Alexander entered the room, he was immediately drawn to a striking shade on the Professor’s desk. It was a swatch of PANTONE Rubine Red, a color so vibrant and electric that it seemed to pulsate with energy. Alexander was mesmerized.
"This… what is this color?" Alexander asked, eyes wide.
Professor Buffalo looked up from his notes, a glint of excitement in his eyes. "Ah, Rubine Red. A most fascinating hue, isn’t it? It’s often overlooked, but in the right context, it can be transformative."
Intrigued, Alexander spent the afternoon listening to the Professor’s theories on Rubine Red. Raj spoke of its rarity in fashion, its ability to command attention without being overpowering, and its potential to break the monotony of traditional color palettes.
But it was what Professor Buffalo said next that truly sparked Alexander’s imagination. "Rubine Red," he explained, "is a color that thrives on contrast. When paired with the right elements, it doesn’t just stand out - it elevates everything around it."
That night, Alexander couldn’t sleep. His mind raced with possibilities. He envisioned a collection where Rubine Red was the star, a collection that would challenge the very notion of what fashion could be.
The next morning, Alexander returned to his studio and began sketching furiously. His designs featured bold, geometric patterns, sharp lines, and unexpected textures, all anchored by the electrifying Rubine Red. He combined it with deep blacks, crisp whites, and shimmering metallics, creating a visual symphony that was both jarring and harmonious.
As the collection took shape, word spread about Alexander’s daring new venture. Fashion insiders were skeptical - Rubine Red was considered too niche, too risky. But Alexander pressed on, driven by the Professor’s words and his own vision.
The day of the collection’s unveiling arrived, and the venue was packed with industry heavyweights, curious to see what Alexander had created. As the lights dimmed and the first model stepped onto the runway, a collective gasp filled the room.
Rubine Red dominated the catwalk, but it wasn’t just the color that stunned the audience - it was the way Alexander had used it. The garments seemed to shimmer and shift with each step, the red pulling the eye and guiding it across the intricate designs. It was bold yet elegant, shocking yet beautiful.
When the final model had walked, the room erupted into applause. Alexander had done the impossible: he had taken a color that was rarely seen in fashion and turned it into the defining feature of a groundbreaking collection.
After the show, Professor Buffalo approached Alexander, a proud smile on his face. "I knew you’d see its potential," he said.
Alexander grinned, his mind already buzzing with ideas for his next project. "You were right, Professor. Rubine Red isn’t just a color - it’s a revolution."
And so, the Rubine Revolution began, not just changing the fashion industry, but inspiring designers, artists, and creatives everywhere to see the world of color in a whole new light.
It all began one crisp autumn morning when Alexander, tired of the usual trends, found himself wandering the halls of a little-known art institute. Here, in a forgotten corner of the building, he stumbled upon Professor Raj Buffalo, an eccentric academic with a passion for color theory.
Professor Buffalo was not your typical scholar. He believed that colors were more than just visual stimuli; they held the power to evoke emotions, tell stories, and even change lives. His office, cluttered with color swatches and half-completed experiments, was a testament to his obsession.
When Alexander entered the room, he was immediately drawn to a striking shade on the Professor’s desk. It was a swatch of PANTONE Rubine Red, a color so vibrant and electric that it seemed to pulsate with energy. Alexander was mesmerized.
"This… what is this color?" Alexander asked, eyes wide.
Professor Buffalo looked up from his notes, a glint of excitement in his eyes. "Ah, Rubine Red. A most fascinating hue, isn’t it? It’s often overlooked, but in the right context, it can be transformative."
Intrigued, Alexander spent the afternoon listening to the Professor’s theories on Rubine Red. Raj spoke of its rarity in fashion, its ability to command attention without being overpowering, and its potential to break the monotony of traditional color palettes.
But it was what Professor Buffalo said next that truly sparked Alexander’s imagination. "Rubine Red," he explained, "is a color that thrives on contrast. When paired with the right elements, it doesn’t just stand out - it elevates everything around it."
That night, Alexander couldn’t sleep. His mind raced with possibilities. He envisioned a collection where Rubine Red was the star, a collection that would challenge the very notion of what fashion could be.
The next morning, Alexander returned to his studio and began sketching furiously. His designs featured bold, geometric patterns, sharp lines, and unexpected textures, all anchored by the electrifying Rubine Red. He combined it with deep blacks, crisp whites, and shimmering metallics, creating a visual symphony that was both jarring and harmonious.
As the collection took shape, word spread about Alexander’s daring new venture. Fashion insiders were skeptical - Rubine Red was considered too niche, too risky. But Alexander pressed on, driven by the Professor’s words and his own vision.
The day of the collection’s unveiling arrived, and the venue was packed with industry heavyweights, curious to see what Alexander had created. As the lights dimmed and the first model stepped onto the runway, a collective gasp filled the room.
Rubine Red dominated the catwalk, but it wasn’t just the color that stunned the audience - it was the way Alexander had used it. The garments seemed to shimmer and shift with each step, the red pulling the eye and guiding it across the intricate designs. It was bold yet elegant, shocking yet beautiful.
When the final model had walked, the room erupted into applause. Alexander had done the impossible: he had taken a color that was rarely seen in fashion and turned it into the defining feature of a groundbreaking collection.
After the show, Professor Buffalo approached Alexander, a proud smile on his face. "I knew you’d see its potential," he said.
Alexander grinned, his mind already buzzing with ideas for his next project. "You were right, Professor. Rubine Red isn’t just a color - it’s a revolution."
And so, the Rubine Revolution began, not just changing the fashion industry, but inspiring designers, artists, and creatives everywhere to see the world of color in a whole new light.
The Rubine Revolution
Alexander Jet, a rising star in the fashion industry, was known for his audacious designs and unconventional ideas. However, it wasn’t until a chance encounter with Professor Raj Buffalo that his career would take a turn so spectacular that the fashion world would never be the same.
It all began one crisp autumn morning when Alexander, tired of the usual trends, found himself wandering the halls of a little-known art institute. Here, in a forgotten corner of the building, he stumbled upon Professor Raj Buffalo, an eccentric academic with a passion for color theory.
Professor Buffalo was not your typical scholar. He believed that colors were more than just visual stimuli; they held the power to evoke emotions, tell stories, and even change lives. His office, cluttered with color swatches and half-completed experiments, was a testament to his obsession.
When Alexander entered the room, he was immediately drawn to a striking shade on the Professor’s desk. It was a swatch of PANTONE Rubine Red, a color so vibrant and electric that it seemed to pulsate with energy. Alexander was mesmerized.
"This… what is this color?" Alexander asked, eyes wide.
Professor Buffalo looked up from his notes, a glint of excitement in his eyes. "Ah, Rubine Red. A most fascinating hue, isn’t it? It’s often overlooked, but in the right context, it can be transformative."
Intrigued, Alexander spent the afternoon listening to the Professor’s theories on Rubine Red. Raj spoke of its rarity in fashion, its ability to command attention without being overpowering, and its potential to break the monotony of traditional color palettes.
But it was what Professor Buffalo said next that truly sparked Alexander’s imagination. "Rubine Red," he explained, "is a color that thrives on contrast. When paired with the right elements, it doesn’t just stand out - it elevates everything around it."
That night, Alexander couldn’t sleep. His mind raced with possibilities. He envisioned a collection where Rubine Red was the star, a collection that would challenge the very notion of what fashion could be.
The next morning, Alexander returned to his studio and began sketching furiously. His designs featured bold, geometric patterns, sharp lines, and unexpected textures, all anchored by the electrifying Rubine Red. He combined it with deep blacks, crisp whites, and shimmering metallics, creating a visual symphony that was both jarring and harmonious.
As the collection took shape, word spread about Alexander’s daring new venture. Fashion insiders were skeptical - Rubine Red was considered too niche, too risky. But Alexander pressed on, driven by the Professor’s words and his own vision.
The day of the collection’s unveiling arrived, and the venue was packed with industry heavyweights, curious to see what Alexander had created. As the lights dimmed and the first model stepped onto the runway, a collective gasp filled the room.
Rubine Red dominated the catwalk, but it wasn’t just the color that stunned the audience - it was the way Alexander had used it. The garments seemed to shimmer and shift with each step, the red pulling the eye and guiding it across the intricate designs. It was bold yet elegant, shocking yet beautiful.
When the final model had walked, the room erupted into applause. Alexander had done the impossible: he had taken a color that was rarely seen in fashion and turned it into the defining feature of a groundbreaking collection.
After the show, Professor Buffalo approached Alexander, a proud smile on his face. "I knew you’d see its potential," he said.
Alexander grinned, his mind already buzzing with ideas for his next project. "You were right, Professor. Rubine Red isn’t just a color - it’s a revolution."
And so, the Rubine Revolution began, not just changing the fashion industry, but inspiring designers, artists, and creatives everywhere to see the world of color in a whole new light.
It all began one crisp autumn morning when Alexander, tired of the usual trends, found himself wandering the halls of a little-known art institute. Here, in a forgotten corner of the building, he stumbled upon Professor Raj Buffalo, an eccentric academic with a passion for color theory.
Professor Buffalo was not your typical scholar. He believed that colors were more than just visual stimuli; they held the power to evoke emotions, tell stories, and even change lives. His office, cluttered with color swatches and half-completed experiments, was a testament to his obsession.
When Alexander entered the room, he was immediately drawn to a striking shade on the Professor’s desk. It was a swatch of PANTONE Rubine Red, a color so vibrant and electric that it seemed to pulsate with energy. Alexander was mesmerized.
"This… what is this color?" Alexander asked, eyes wide.
Professor Buffalo looked up from his notes, a glint of excitement in his eyes. "Ah, Rubine Red. A most fascinating hue, isn’t it? It’s often overlooked, but in the right context, it can be transformative."
Intrigued, Alexander spent the afternoon listening to the Professor’s theories on Rubine Red. Raj spoke of its rarity in fashion, its ability to command attention without being overpowering, and its potential to break the monotony of traditional color palettes.
But it was what Professor Buffalo said next that truly sparked Alexander’s imagination. "Rubine Red," he explained, "is a color that thrives on contrast. When paired with the right elements, it doesn’t just stand out - it elevates everything around it."
That night, Alexander couldn’t sleep. His mind raced with possibilities. He envisioned a collection where Rubine Red was the star, a collection that would challenge the very notion of what fashion could be.
The next morning, Alexander returned to his studio and began sketching furiously. His designs featured bold, geometric patterns, sharp lines, and unexpected textures, all anchored by the electrifying Rubine Red. He combined it with deep blacks, crisp whites, and shimmering metallics, creating a visual symphony that was both jarring and harmonious.
As the collection took shape, word spread about Alexander’s daring new venture. Fashion insiders were skeptical - Rubine Red was considered too niche, too risky. But Alexander pressed on, driven by the Professor’s words and his own vision.
The day of the collection’s unveiling arrived, and the venue was packed with industry heavyweights, curious to see what Alexander had created. As the lights dimmed and the first model stepped onto the runway, a collective gasp filled the room.
Rubine Red dominated the catwalk, but it wasn’t just the color that stunned the audience - it was the way Alexander had used it. The garments seemed to shimmer and shift with each step, the red pulling the eye and guiding it across the intricate designs. It was bold yet elegant, shocking yet beautiful.
When the final model had walked, the room erupted into applause. Alexander had done the impossible: he had taken a color that was rarely seen in fashion and turned it into the defining feature of a groundbreaking collection.
After the show, Professor Buffalo approached Alexander, a proud smile on his face. "I knew you’d see its potential," he said.
Alexander grinned, his mind already buzzing with ideas for his next project. "You were right, Professor. Rubine Red isn’t just a color - it’s a revolution."
And so, the Rubine Revolution began, not just changing the fashion industry, but inspiring designers, artists, and creatives everywhere to see the world of color in a whole new light.
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