Gray-asparagus
Pale goldenrod
Olive Drab
Dark jungle green
Light slate gray
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PANTONE 7746
Parameters:
HEX Triplet:
#9DA03CRGB:
157, 160, 60CMYK:
17, 0, 88, 39HSL:
62°, 63%, 63%Closest colors:
in RGB:
Brassin PANTONE:
PANTONE 4505in RAL Classic:
RAL 1024in RAL Design:
RAL 090 60 50in RAL Effect:
RAL 250-5in NCS:
NCS S 3040-G80Y 2024-09-21 Snargl 02:16
What color is PANTONE 7746?
PANTONE 7746 has different variations depending on the type of material and coating it is applied to, such as C (coated), U (uncoated), CP (coated process) and UP (uncoated process).
The color of PANTONE 7746 can be described as a yellow-green shade with a hint of olive.
In the RGB color model, PANTONE 7746 C has the values of 61.57% red, 62.75% green and 23.53% blue.
In the HSL color space, PANTONE 7746 C has a hue of 62° (degrees), 63% saturation and 63% lightness.
In hexadecimal code, this color can be written as #9DA03C.
The color of PANTONE 7746 can be described as a yellow-green shade with a hint of olive.
In the RGB color model, PANTONE 7746 C has the values of 61.57% red, 62.75% green and 23.53% blue.
In the HSL color space, PANTONE 7746 C has a hue of 62° (degrees), 63% saturation and 63% lightness.
In hexadecimal code, this color can be written as #9DA03C.
Example of the palette with the PANTONE 7746 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 6003
RAL 1015
RAL 8008
RAL 8022
RAL 7000
Funny stories about the 'PANTONE 7746'
The Phantom Ink
Far-far away, in the shadowy heart of the city's forgotten art district stood an old polygraphy studio, known for its age-worn charm and the strange tales that danced through its corridors. The studio had two denizens: Zahir Steel, a reclusive painter whose reputation was built on eccentricity and brilliance, and Leonardo Honey, a meticulous cleaner whose past was as enigmatic as the studio itself.
One rainy afternoon, Zahir discovered an unusual tube of paint in an antique store. It was labeled simply as "PANTONE 7746" and glowed with an unnerving vibrancy. Intrigued, he bought it and took it back to his studio. He was about to start a new series of prints, and the color's intensity promised a depth he'd never before achieved.
Leonardo, meanwhile, was hard at work scrubbing the floor of the studio. He was a quiet man, known for his precise cleaning rituals, but he had always felt a strange pull toward the studio's darker corners. That day, as he dusted the shelves, he noticed something odd about the paint. It seemed to shimmer slightly even though it was supposedly a matte finish.
When Zahir began to work with the PANTONE 7746 paint, he noticed something bizarre. The color was more than vibrant - it seemed to shift and change subtly as he painted. The greens became deeper, the shadows darker, and patterns appeared to form of their own volition. It was as if the paint was alive, responding to his brush in ways he couldn't predict. His prints began to take on an eerie, otherworldly quality.
Leonardo observed Zahir's growing fascination and unease with the color. The cleaner had his own secret: he had once worked as an apprentice to a renowned but disgraced alchemist, who spoke of an ancient ink rumored to possess consciousness. When Leonardo saw the paint's strange behavior, he recognized it immediately as the fabled "Phantom Ink."
According to legend, the Phantom Ink was not a simple pigment but a living entity that could alter reality based on the artist's subconscious thoughts. If painted correctly, it could reveal hidden truths and even manifest the painter's deepest fears or desires.
One evening, as Zahir was absorbed in his work, Leonardo decided to reveal the truth. He approached the artist with a somber expression. "Zahir, I need to tell you something. That paint… it's not just color. It's alive."
Zahir was initially skeptical but soon noticed the studio's atmosphere growing more oppressive. His prints were increasingly disturbing, showing dark, enigmatic figures and unsettling landscapes. The Phantom Ink seemed to be drawing on something within him, reflecting his own anxieties and unspoken fears.
Leonardo revealed that the ink could only be controlled if the artist faced their inner demons. The only way to return to normalcy was to confront and understand the ink's influence.
Together, Zahir and Leonardo ventured into the paintings, delving into the nightmarish worlds that the ink had conjured. The journey was harrowing, but as they navigated the shifting landscapes, Zahir confronted his own repressed emotions and hidden truths.
In the end, Zahir learned that the Phantom Ink's power was not malevolent but a mirror reflecting his innermost self. By facing his fears, he was able to tame the ink and use its power more consciously, transforming his work into something profound and deeply personal.
Leonardo, having helped guide Zahir through the ordeal, returned to his role as the studio's cleaner. The Phantom Ink was carefully stored away, its mysteries partially unveiled but still holding secrets.
As for Zahir Steel, he continued to create, but his art had changed forever. It was no longer just color on canvas - it was a window into the human soul, crafted with the eerie and beautiful legacy of PANTONE 7746.
One rainy afternoon, Zahir discovered an unusual tube of paint in an antique store. It was labeled simply as "PANTONE 7746" and glowed with an unnerving vibrancy. Intrigued, he bought it and took it back to his studio. He was about to start a new series of prints, and the color's intensity promised a depth he'd never before achieved.
0
0
Leonardo, meanwhile, was hard at work scrubbing the floor of the studio. He was a quiet man, known for his precise cleaning rituals, but he had always felt a strange pull toward the studio's darker corners. That day, as he dusted the shelves, he noticed something odd about the paint. It seemed to shimmer slightly even though it was supposedly a matte finish.
When Zahir began to work with the PANTONE 7746 paint, he noticed something bizarre. The color was more than vibrant - it seemed to shift and change subtly as he painted. The greens became deeper, the shadows darker, and patterns appeared to form of their own volition. It was as if the paint was alive, responding to his brush in ways he couldn't predict. His prints began to take on an eerie, otherworldly quality.
Leonardo observed Zahir's growing fascination and unease with the color. The cleaner had his own secret: he had once worked as an apprentice to a renowned but disgraced alchemist, who spoke of an ancient ink rumored to possess consciousness. When Leonardo saw the paint's strange behavior, he recognized it immediately as the fabled "Phantom Ink."
According to legend, the Phantom Ink was not a simple pigment but a living entity that could alter reality based on the artist's subconscious thoughts. If painted correctly, it could reveal hidden truths and even manifest the painter's deepest fears or desires.
0
0
One evening, as Zahir was absorbed in his work, Leonardo decided to reveal the truth. He approached the artist with a somber expression. "Zahir, I need to tell you something. That paint… it's not just color. It's alive."
Zahir was initially skeptical but soon noticed the studio's atmosphere growing more oppressive. His prints were increasingly disturbing, showing dark, enigmatic figures and unsettling landscapes. The Phantom Ink seemed to be drawing on something within him, reflecting his own anxieties and unspoken fears.
Leonardo revealed that the ink could only be controlled if the artist faced their inner demons. The only way to return to normalcy was to confront and understand the ink's influence.
Together, Zahir and Leonardo ventured into the paintings, delving into the nightmarish worlds that the ink had conjured. The journey was harrowing, but as they navigated the shifting landscapes, Zahir confronted his own repressed emotions and hidden truths.
In the end, Zahir learned that the Phantom Ink's power was not malevolent but a mirror reflecting his innermost self. By facing his fears, he was able to tame the ink and use its power more consciously, transforming his work into something profound and deeply personal.
Leonardo, having helped guide Zahir through the ordeal, returned to his role as the studio's cleaner. The Phantom Ink was carefully stored away, its mysteries partially unveiled but still holding secrets.
As for Zahir Steel, he continued to create, but his art had changed forever. It was no longer just color on canvas - it was a window into the human soul, crafted with the eerie and beautiful legacy of PANTONE 7746.
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