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PANTONE 7680

PANTONE 7680

Parameters:
HEX Triplet:
#532E79
RGB:
83, 46, 121
CMYK:
87, 99, 0, 8
HSL:
270°, 62%, 47%
Closest colors:
in PANTONE:
PANTONE 2617
in RAL Classic:
RAL 5002
in RAL Design:
RAL 300 30 35
in RAL Effect:
RAL 590-3
What color is PANTONE 7680? The Zany Adventures of PANTONE 7680: A Motion Design Revolution
2024-09-21 Snargl 02:16

What color is PANTONE 7680?

Man with a purple and yellow shirt and a yellow jacket on and a green tree in the background. Color RGB 83,46,121.
Woman with a purple jacket and a backpack on her shoulder smiling at the camera with a dirt road in the background
Bridge over a river with a purple sky and a moon in the background. Color #532E79.
Woman with a purple dress and a necklace on her neck and a plant behind her head. Color #532E79.
Woman in a purple dress standing in front of a river with a train on the horizon and a bridge in the background
PANTONE 7680 color. Purple sports car parked on a city street with graffiti on the walls behind it and a person walking by
PANTONE 7680 is a medium dark shade of blue-magenta with a hexadecimal color code of #532E79.

In the RGB color model, it is composed of 32.55% red, 18.04% green and 47.45% blue.

In the HSL color space, it has a hue of 270° (degrees), 62% saturation and 47% lightness.

PANTONE 7680 is available in various Pantone products, such as formula guides, solid chips, and plastic chips.

Example of the palette with the PANTONE 7680 color

Picture with primary colors of Desert sand, Celestial blue, Canonical aubergine, Medium electric blue and Pale taupe
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 1014
RAL 5012
RAL 4007
RAL 5017
RAL 1019
RAL Design
RAL 050 80 20
RAL 240 60 35
RAL 060 20 05
RAL 230 40 40
RAL 030 60 20
Author:
Funny stories about the 'PANTONE 7680'

The Zany Adventures of PANTONE 7680: A Motion Design Revolution

Far away, in the bustling city of Chromopolis, where every street corner seemed to burst with color, there lived an odd pair of friends - Doctor Duncan Steel, a brilliant but eccentric physician with a penchant for unusual experiments, and Raphael Black, a top model whose dazzling good looks were only matched by his equally dazzling wardrobe. Despite their wildly different professions, the two had formed an unlikely friendship, bonded by a shared love of all things bizarre and flamboyant.

One sunny afternoon, as Raphael posed dramatically in front of a café for a magazine shoot, Duncan burst onto the scene, his lab coat flapping wildly as he ran. His wild gray hair seemed even wilder than usual, and his eyes gleamed with excitement.
Woman with a purple head scarf and a blue shirt and a purple scarf on her head and a blue. Color #532E79.

"Raphael!" Duncan shouted, nearly knocking over the photographer's equipment in his haste. "I've made a discovery that will change the world of motion design forever!"

Raphael struck a final pose, then turned to his friend with an amused smile. "Duncan, darling, you know I love your enthusiasm, but motion design? That's not exactly my area of expertise."

Duncan was undeterred. "But this is no ordinary motion design! I've been experimenting with a new color - PANTONE 7680. It's unlike anything you've ever seen! It's vibrant, it's dynamic, and I swear it has a mind of its own!"

Raphael raised a perfectly sculpted eyebrow. "A color with a mind of its own? Now you've piqued my interest. Show me."

With that, Duncan dragged Raphael back to his lab, a cluttered but colorful space filled with strange gadgets and half-finished projects. In the center of the room stood a large screen, hooked up to a computer with wires snaking in every direction.

Duncan began typing furiously, and the screen flickered to life, displaying a vibrant, electric blue that seemed to pulse with energy. "Behold, PANTONE 7680!" Duncan announced with a flourish. "Now, watch what happens when I introduce it to motion design."

As Duncan activated the program, the color on the screen began to swirl and dance, forming shapes and patterns that shifted and morphed with incredible fluidity. But then, something unexpected happened. The shapes started to take on a life of their own, moving in ways that defied logic. They swirled around the lab, escaping the confines of the screen and floating through the air like animated paint splashes.

Raphael let out a gasp of delight. "Duncan, this is incredible! It's like the color is alive!"

"Alive and unpredictable," Duncan agreed, though his tone was more cautious. "But that's what makes it so revolutionary! Imagine the possibilities for motion design - interactive visuals that respond to their surroundings, that change and evolve on their own. It could be the next big thing in the world of media!"

The color swirls seemed to be listening, as they began to drift towards Raphael, swirling around him in a mesmerizing dance. The model twirled and posed, his movements effortlessly synced with the animated colors.

"This is fantastic!" Raphael laughed, spinning in place as the colors followed his lead. "I feel like I'm in some sort of animated dream!"

But as the colors continued to swirl, they began to grow more mischievous. One particularly vibrant splash of blue started tugging at Raphael's designer scarf, while another cheeky swirl wrapped around Duncan's glasses, lifting them off his face.

"Hey, give those back!" Duncan protested, swatting at the floating colors like they were playful kittens. Raphael couldn't stop laughing as he tried to dodge the colorful attacks, but it was clear that PANTONE 7680 was not going to be tamed easily.

"Duncan, darling, I think you've created a monster!" Raphael chuckled, finally managing to wrestle his scarf back from the overenthusiastic colors.

"Not a monster," Duncan corrected with a grin. "A revolution! Imagine the potential for live performances, interactive art installations, even advertising! This color could turn any event into a spectacle!"

Raphael nodded, still laughing as the colors settled down, forming a gentle halo around him. "It's definitely something special, Duncan. But maybe we should figure out how to control it before it starts taking over the city."

Duncan agreed, and the two of them spent the next few days experimenting with ways to harness the unpredictable energy of PANTONE 7680. They discovered that the color responded to sound, changing its behavior depending on the music they played. It also seemed to react to emotions, swirling more energetically when they were excited and calming down when they were relaxed.

With Raphael's eye for style and Duncan's scientific mind, they managed to create a groundbreaking piece of motion design - a short film that combined live action with the animated colors of PANTONE 7680. The film was an instant hit, praised for its innovative use of color and its playful, interactive nature.

Soon, PANTONE 7680 was in high demand. Designers and artists around the world were clamoring to use the color in their projects, and it wasn't long before it made its way into fashion shows, music videos, and even commercials. Raphael became the face of the PANTONE 7680 campaign, his striking poses now accompanied by the lively, animated colors that had taken the world by storm.

But through it all, Duncan and Raphael remained the best of friends, bound by their shared adventure into the world of revolutionary color. And every now and then, when the lab was quiet and the world outside was still, they would play with PANTONE 7680, letting the colors swirl and dance around them, a reminder of the magic that happens when creativity and curiosity collide.

And so, the zany adventures of Doctor Duncan Steel and Raphael Black became legend in the world of design - a story of how one quirky color, with a mind of its own, revolutionized motion design and brought a whole new level of fun and excitement to the world of art.
Author:

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