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PANTONE 695
Parameters:
HEX Triplet:
#B77783RGB:
183, 119, 131CMYK:
8, 60, 21, 24HSL:
349°, 35%, 72%Closest colors:
in RGB:
Turkish rosein PANTONE:
PANTONE 5005in RAL Classic:
RAL 3014in RAL Design:
RAL 030 60 20in RAL Effect:
RAL 480-Min NCS:
NCS S 3020-R10B 2024-09-21 Snargl 02:16
What color is PANTONE 695?
PANTONE 695 is a shade of pink-red with a hexadecimal color code of #B77783.
In the RGB color model, it is composed of 71.76% red, 46.67% green and 51.37% blue.
It has a hue of 349° (degrees), 35% saturation and 72% lightness in the HSL color space.
This color has an approximate wavelength of 692.22 nm, which means it is close to the red end of the visible spectrum.
PANTONE 695 can be used for various purposes, such as branding, packaging, fashion, or interior design.
It can create a warm, cozy, and romantic mood when paired with other colors.
Some possible color combinations are:
In the RGB color model, it is composed of 71.76% red, 46.67% green and 51.37% blue.
It has a hue of 349° (degrees), 35% saturation and 72% lightness in the HSL color space.
This color has an approximate wavelength of 692.22 nm, which means it is close to the red end of the visible spectrum.
PANTONE 695 can be used for various purposes, such as branding, packaging, fashion, or interior design.
It can create a warm, cozy, and romantic mood when paired with other colors.
Some possible color combinations are:
With white: a classic and elegant contrast that can create a soft and feminine look.
With black: a dramatic and bold contrast that can create a sophisticated and edgy look.
With gray: a neutral and balanced combination that can create a modern and chic look.
With green: a complementary and harmonious combination that can create a fresh and lively look.
With blue: an analogous and soothing combination that can create a calm and relaxing look.
Funny stories about the 'PANTONE 695'
The Chromatic Alchemy of PANTONE 695
In a quiet corner of the bustling city, there stood an unassuming little shop, the kind of place that one could easily walk past without a second glance. Its faded sign read "Takemura's Artifacts," though the items within were not ancient relics but rather an eclectic collection of design oddities. Pier Takemura, the shop assistant, had an eye for the peculiar. His specialty? Finding beauty in the unnoticed and bringing it to life in unexpected ways.
One rainy afternoon, as Pier was rearranging a shelf of vintage vases, a tall man with an air of scholarly eccentricity entered the shop. He wore a tweed jacket with elbow patches and round glasses that perched precariously on the bridge of his nose. This was Professor Raj Chanel, a man of science and art, whose work was as renowned as it was mysterious.
"Good afternoon," Pier greeted, sensing that this was no ordinary customer.
"Good afternoon, my dear Pier," the professor responded, his voice rich with excitement. "I have come in search of something... rare. I seek PANTONE 695."
Pier blinked in surprise. "PANTONE 695? That's quite a specific request, Professor. Not many ask for it."
"Ah, but that's precisely why I seek it," Raj said, his eyes gleaming. "PANTONE 695 is a hue that exists in the twilight of perception, where the ordinary becomes extraordinary. It is a color of subtle warmth, a soft, muted pink that teeters on the edge of neutrality and depth."
Pier knew the color well. It was a shade that few noticed, yet it held a quiet power, an ability to transform spaces in ways that were almost imperceptible but deeply felt.
"Follow me," Pier said, leading the professor to a small, dusty drawer at the back of the shop. From it, he pulled out a tiny vial of paint labeled 'PANTONE 695.' The color inside was delicate, almost unassuming, like the first blush of dawn.
Professor Raj took the vial in his hands as if it were a precious gemstone. "You see, Pier, this color is the key to a revolution in interior design. Most designers focus on bold statements, on colors that demand attention. But PANTONE 695 is different. It whispers rather than shouts. It creates a space where the mind can wander, where emotions can unfold gently."
Pier was intrigued. "How do you plan to use it?"
Raj's eyes twinkled. "I've been working on a theory - an alchemy of sorts - where color can influence not just the aesthetics of a room but the very mood and thoughts of those within it. PANTONE 695, with its subtlety, is perfect for this experiment. I believe that by carefully placing it in certain areas of a room, we can guide the subconscious, creating spaces that calm the restless, inspire the stagnant, and comfort the weary."
Pier couldn't help but smile at the professor's enthusiasm. "It sounds like a form of magic."
"In a way, it is," Raj agreed. "But it's a magic rooted in psychology, in the deep, often overlooked interactions between color and the human mind. PANTONE 695 is the foundation of this magic, a color that, when used wisely, can transform a room into a sanctuary."
The two spent the rest of the afternoon discussing Raj's plans, sketching out ideas on scraps of paper, and imagining the possibilities. They talked of living rooms that felt like a warm embrace, of bedrooms where sleep came as naturally as breathing, all shaped by the careful, almost invisible touch of PANTONE 695.
As dusk began to settle outside, the professor finally stood up, tucking the vial of paint into his pocket. "Thank you, Pier. You have given me the key to unlocking a new world of design."
Pier watched him leave, the bell above the door chiming softly as it closed. He felt a strange sense of anticipation, as if something truly revolutionary had just begun.
Months later, Takemura's Artifacts became a destination for those in the know. Designers and architects whispered of the miraculous transformations that took place in rooms touched by PANTONE 695, of spaces that seemed to breathe with life and warmth. And though Pier remained in his small shop, selling his oddities and curiosities, he knew that he had been part of something extraordinary.
And in the quiet moments, when the shop was empty and the light of the setting sun filtered through the windows, Pier would sometimes catch a glimpse of that soft, muted pink, and he would smile, knowing that even the most subtle of colors could change the world.
One rainy afternoon, as Pier was rearranging a shelf of vintage vases, a tall man with an air of scholarly eccentricity entered the shop. He wore a tweed jacket with elbow patches and round glasses that perched precariously on the bridge of his nose. This was Professor Raj Chanel, a man of science and art, whose work was as renowned as it was mysterious.
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"Good afternoon," Pier greeted, sensing that this was no ordinary customer.
"Good afternoon, my dear Pier," the professor responded, his voice rich with excitement. "I have come in search of something... rare. I seek PANTONE 695."
Pier blinked in surprise. "PANTONE 695? That's quite a specific request, Professor. Not many ask for it."
"Ah, but that's precisely why I seek it," Raj said, his eyes gleaming. "PANTONE 695 is a hue that exists in the twilight of perception, where the ordinary becomes extraordinary. It is a color of subtle warmth, a soft, muted pink that teeters on the edge of neutrality and depth."
Pier knew the color well. It was a shade that few noticed, yet it held a quiet power, an ability to transform spaces in ways that were almost imperceptible but deeply felt.
"Follow me," Pier said, leading the professor to a small, dusty drawer at the back of the shop. From it, he pulled out a tiny vial of paint labeled 'PANTONE 695.' The color inside was delicate, almost unassuming, like the first blush of dawn.
Professor Raj took the vial in his hands as if it were a precious gemstone. "You see, Pier, this color is the key to a revolution in interior design. Most designers focus on bold statements, on colors that demand attention. But PANTONE 695 is different. It whispers rather than shouts. It creates a space where the mind can wander, where emotions can unfold gently."
Pier was intrigued. "How do you plan to use it?"
Raj's eyes twinkled. "I've been working on a theory - an alchemy of sorts - where color can influence not just the aesthetics of a room but the very mood and thoughts of those within it. PANTONE 695, with its subtlety, is perfect for this experiment. I believe that by carefully placing it in certain areas of a room, we can guide the subconscious, creating spaces that calm the restless, inspire the stagnant, and comfort the weary."
Pier couldn't help but smile at the professor's enthusiasm. "It sounds like a form of magic."
"In a way, it is," Raj agreed. "But it's a magic rooted in psychology, in the deep, often overlooked interactions between color and the human mind. PANTONE 695 is the foundation of this magic, a color that, when used wisely, can transform a room into a sanctuary."
The two spent the rest of the afternoon discussing Raj's plans, sketching out ideas on scraps of paper, and imagining the possibilities. They talked of living rooms that felt like a warm embrace, of bedrooms where sleep came as naturally as breathing, all shaped by the careful, almost invisible touch of PANTONE 695.
As dusk began to settle outside, the professor finally stood up, tucking the vial of paint into his pocket. "Thank you, Pier. You have given me the key to unlocking a new world of design."
Pier watched him leave, the bell above the door chiming softly as it closed. He felt a strange sense of anticipation, as if something truly revolutionary had just begun.
Months later, Takemura's Artifacts became a destination for those in the know. Designers and architects whispered of the miraculous transformations that took place in rooms touched by PANTONE 695, of spaces that seemed to breathe with life and warmth. And though Pier remained in his small shop, selling his oddities and curiosities, he knew that he had been part of something extraordinary.
And in the quiet moments, when the shop was empty and the light of the setting sun filtered through the windows, Pier would sometimes catch a glimpse of that soft, muted pink, and he would smile, knowing that even the most subtle of colors could change the world.
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