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PANTONE 656

PANTONE 656

Parameters:
HEX Triplet:
#DFE8F2
RGB:
223, 232, 242
CMYK:
10, 2, 0, 0
HSL:
212°, 8%, 95%
Closest colors:
in RGB:
Glitter
in PANTONE:
PANTONE 649
in RAL Classic:
RAL 9003
in RAL Design:
RAL 240 90 05
in RAL Effect:
RAL 180-6
in NCS:
NCS S 1005-R90B
What color is PANTONE 656? The Color of Vision
2024-09-03 Snargl 02:12

What color is PANTONE 656?

Girl in a school uniform poses for a picture in front of a black background. Example of RGB 223,232,242 color.
Woman with a white hat and red scarf on her head and a red scarf on her head. Example of PANTONE 656 color.
Snowman with a red hat and scarf on it's head and a red and green scarf on his neck. Color RGB 223,232,242.
Digital painting of a girl with blue hair and a cat ears on her head and a white shirt. Example of RGB 223,232,242 color.
Painting of a bunch of balls and pipes in a room with a light coming from the ceiling and a window. Color RGB 223,232,242.
The color PANTONE 656 has a very light shade of blue with a hint of purple.

It is a pastel color that can evoke a sense of calmness, elegance, and sophistication.

The RGB color model, which is used to display colors on digital screens, describes PANTONE 656 as having the following values: red = 223, green = 232, blue = 242.

PANTONE 656 is a versatile color that can be used for various purposes, such as branding, packaging, fashion, home decor, and more.

It can be paired with other colors to create different effects and moods.

For example, PANTONE 656 can be combined with darker shades of blue or purple to create a cool and serene atmosphere, or with warmer shades of pink or orange to create a soft and romantic vibe.

It is a beautiful and subtle color that can be appreciated by anyone who loves the nuances and variations of color.

Example of the palette with the PANTONE 656 color

Picture with primary colors of Dark slate gray, Blizzard Blue, Slate gray, Manatee and Dark jungle green
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 6020-B10G
NCS S 0530-B10G
NCS S 4010-R90B
NCS S 3010-R60B
NCS S 8005-B80G
RAL Classic
RAL 6028
RAL 9002
RAL 5014
RAL 7040
RAL 8022
RAL Design
RAL 180 30 15
RAL 240 80 20
RAL 270 50 10
RAL 290 60 15
RAL 160 20 20
Author:
Funny stories about the 'PANTONE 656'

The Color of Vision

In a bustling design studio nestled in the heart of the city, Christian Ford, a renowned inventor with a penchant for innovation, was grappling with a new challenge. His latest venture was to craft a trademark design for a cutting-edge tech company, but he was fixated on a single color: PANTONE 656, a shade of blue that, while subtle, seemed to hold infinite potential.

Christian's studio was a chaotic symphony of sketches, prototypes, and endless cups of coffee. PANTONE 656, with its calm, almost ethereal quality, had become his obsession. He believed it was the perfect hue to represent the innovative spirit of his client. However, he struggled to see beyond its serene surface to its true potential.

Enter Jacob Sweetheart, the studio's cleaner. Jacob, a man of simple means and unassuming presence, had been with Christian for years. He meticulously cleaned the studio, his routine punctuated by silent observations of Christian's creative process. Jacob had a knack for noticing details others missed and an intuitive grasp of beauty.

One evening, as Christian scoured the studio for inspiration, he glanced at Jacob, who was quietly mopping the floor. "Jacob, have you ever noticed this color?" Christian asked, holding up a swatch of PANTONE 656.

Jacob looked up, his eyes reflecting the color's soft hue. "Yes, Mr. Ford, I have. It's a very calm color. It seems to whisper rather than shout."

Christian, lost in thought, shook his head. "I agree, but I can't quite figure out how to make it stand out in the design. It feels too subdued, too passive."

Jacob nodded thoughtfully. "Maybe it's not about making it stand out. Perhaps it's about finding the right context for it."

Christian raised an eyebrow. "What do you mean?"

Jacob put down his mop and walked over to a blank wall in the studio. "Sometimes, it's not about the color itself, but about how it's framed. Think of it like this wall. If you paint it in PANTONE 656, it will take on a different character based on what you put around it."

Intrigued, Christian followed Jacob's lead. They began experimenting with various textures, shapes, and contrasts. Christian juxtaposed PANTONE 656 with vivid, dynamic elements and placed it alongside minimalist designs. Jacob suggested incorporating natural materials and organic forms, enhancing the color's soothing attributes.

Days turned into weeks as they refined their approach. Christian discovered that PANTONE 656 gained depth and meaning when paired with specific elements. It became a tranquil backdrop for vibrant innovation, a canvas that allowed other colors and shapes to shine without overwhelming them.

The breakthrough came when Christian combined the color with sleek, modern typography and a dynamic symbol of growth. The trademark design emerged as a harmonious blend of calm and creativity, embodying the tech company's forward-thinking ethos.

When the design was revealed to the client, they were captivated. The trademark not only captured their vision but also introduced an unexpected elegance and sophistication. PANTONE 656, once considered passive, now stood as a testament to thoughtful design.

As Christian and Jacob reviewed the final product, Christian looked at his friend with newfound respect. "Jacob, you were right. It wasn’t about making the color stand out but about understanding its role in the larger picture."

Jacob smiled, a twinkle of satisfaction in his eyes. "Sometimes, Mr. Ford, the simplest observations can lead to the greatest discoveries."

And so, Christian Ford learned that innovation often lies in the delicate balance between vision and subtlety, guided by the quiet wisdom of those who see beyond the obvious.
Author:

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