Dark lava
Glitter
Slate gray
Onyx
Olive Drab
2
0
1
9
0
PANTONE 635
Parameters:
HEX Triplet:
#B6DCE4RGB:
182, 220, 228CMYK:
30, 0, 7, 0HSL:
190°, 20%, 89%Closest colors:
in RGB:
Powder bluein PANTONE:
PANTONE 544in RAL Classic:
RAL 6019in RAL Design:
RAL 250 80 15in RAL Effect:
RAL 190-4in NCS:
NCS S 1020-B 2024-09-03 Snargl 02:10
What color is PANTONE 635?
PANTONE 635 is a light shade of cyan, which is a color between blue and green on the color wheel.
It has a hexadecimal color code of #B6DCE4, which means it is composed of 71.37% red, 86.27% green and 89.41% blue in the RGB color model.
PANTONE 635 is a cool and refreshing color that can evoke feelings of calmness, clarity, and creativity.
It can be used to create contrast with warmer colors, such as orange or yellow, or to complement other cool colors, such as purple or blue.
PANTONE 635 is suitable for various applications, such as graphic design, fashion, home decor, and plastics.
It has a hexadecimal color code of #B6DCE4, which means it is composed of 71.37% red, 86.27% green and 89.41% blue in the RGB color model.
PANTONE 635 is a cool and refreshing color that can evoke feelings of calmness, clarity, and creativity.
It can be used to create contrast with warmer colors, such as orange or yellow, or to complement other cool colors, such as purple or blue.
PANTONE 635 is suitable for various applications, such as graphic design, fashion, home decor, and plastics.
Example of the palette with the PANTONE 635 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 635'
The Pantone Paradox: Christian and Hubert's Color Quest
In a far away place, in the bustling metropolis of Colorville, where every hue had a personality and every shade had a purpose, the fate of the new fashion line hinged on a single, enigmatic color: Pantone 635. It was said to be the epitome of refreshing, sky-like brilliance, a hue so perfect that it could transform any design into a masterpiece. Enter Christian Krang, a car service worker with a secret passion for design, and Hubert Chanel, a cleaner with a flair for fashion. Together, they would embark on an adventure that would test their creativity, perseverance, and perhaps even their sanity.
Christian Krang was known for his exceptional skill in fixing cars and his peculiar habit of talking to the vehicles as if they were old friends. "This’ll be as smooth as Pantone 635," he often said, knowing little about the true nature of that color. One day, he stumbled upon a flyer for the Colorville Annual Design Contest, and the grand prize was a rare, limited-edition Pantone 635 color palette. Christian, always up for a challenge, decided to enter the contest, albeit with little knowledge about design.
Enter Hubert Chanel, the cleaner of Colorville’s trendiest fashion boutique. Hubert had a penchant for turning mundane cleaning supplies into fashion statements and often wielded his mop like a maestro with a baton. He dreamt of adding Pantone 635 to his collection of extraordinary colors, hoping it would give his cleaning uniforms a touch of elegance.
Their paths crossed when Christian’s car broke down outside Hubert’s boutique. Hubert, in his neon-green cleaning apron, offered to help. The two struck up a conversation, and Hubert mentioned his desire to incorporate Pantone 635 into his cleaning wardrobe. Christian, ever the opportunist, proposed a partnership. "You help me with the design, and I’ll help you get that color for your uniforms," he bargained. Hubert, intrigued by the offer, agreed.
Their journey began with research. They visited Colorville’s Design Library, a labyrinthine collection of color swatches and design manuals. "Pantone 635, the color of boundless potential," Hubert read aloud from a dusty tome. "It’s known for its invigorating and uplifting qualities."
Christian scratched his head. "Sounds like something that would look good on a car too. Or maybe on a mop?"
The duo then ventured to a local design studio. There, they encountered the eccentric designer, Ms. Violet Spectrum, who was known for her obsession with every color but Pantone 635. "I refuse to work with that color!" she declared. "It’s too... perfect."
Undeterred, Christian and Hubert decided to create their own design. They mixed Pantone 635 with various other colors to experiment, only to end up with a series of unfortunate shades resembling everything from old seaweed to overcooked asparagus.
One evening, while cleaning a particularly stubborn stain, Hubert had an epiphany. "What if Pantone 635 isn’t just a color? What if it’s an attitude?" He shared this insight with Christian, who, in his typical fashion, responded with a series of enthusiastic honks on his car horn.
The final piece of their design was a collaboration of their efforts: a car painted in Pantone 635 with a matching set of cleaning uniforms. It was a sight to behold - refreshing, vivid, and surprisingly harmonious.
The day of the contest arrived, and Colorville’s design critics were bewildered by the unusual yet captivating combination of car and cleaning gear. "What an intriguing use of Pantone 635!" they exclaimed. The judges were mesmerized by the synergy between the clean, modern car design and the elegantly styled uniforms.
In a dramatic twist, Christian and Hubert won the contest, and their design became the talk of the town. Pantone 635 was celebrated not just as a color but as a symbol of innovation and creativity.
And so, Christian Krang and Hubert Chanel, two unlikely collaborators, proved that with a bit of imagination and a splash of Pantone 635, even the most mundane tasks could become extraordinary.
Christian Krang was known for his exceptional skill in fixing cars and his peculiar habit of talking to the vehicles as if they were old friends. "This’ll be as smooth as Pantone 635," he often said, knowing little about the true nature of that color. One day, he stumbled upon a flyer for the Colorville Annual Design Contest, and the grand prize was a rare, limited-edition Pantone 635 color palette. Christian, always up for a challenge, decided to enter the contest, albeit with little knowledge about design.
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0
Enter Hubert Chanel, the cleaner of Colorville’s trendiest fashion boutique. Hubert had a penchant for turning mundane cleaning supplies into fashion statements and often wielded his mop like a maestro with a baton. He dreamt of adding Pantone 635 to his collection of extraordinary colors, hoping it would give his cleaning uniforms a touch of elegance.
Their paths crossed when Christian’s car broke down outside Hubert’s boutique. Hubert, in his neon-green cleaning apron, offered to help. The two struck up a conversation, and Hubert mentioned his desire to incorporate Pantone 635 into his cleaning wardrobe. Christian, ever the opportunist, proposed a partnership. "You help me with the design, and I’ll help you get that color for your uniforms," he bargained. Hubert, intrigued by the offer, agreed.
Their journey began with research. They visited Colorville’s Design Library, a labyrinthine collection of color swatches and design manuals. "Pantone 635, the color of boundless potential," Hubert read aloud from a dusty tome. "It’s known for its invigorating and uplifting qualities."
Christian scratched his head. "Sounds like something that would look good on a car too. Or maybe on a mop?"
0
0
The duo then ventured to a local design studio. There, they encountered the eccentric designer, Ms. Violet Spectrum, who was known for her obsession with every color but Pantone 635. "I refuse to work with that color!" she declared. "It’s too... perfect."
Undeterred, Christian and Hubert decided to create their own design. They mixed Pantone 635 with various other colors to experiment, only to end up with a series of unfortunate shades resembling everything from old seaweed to overcooked asparagus.
One evening, while cleaning a particularly stubborn stain, Hubert had an epiphany. "What if Pantone 635 isn’t just a color? What if it’s an attitude?" He shared this insight with Christian, who, in his typical fashion, responded with a series of enthusiastic honks on his car horn.
The final piece of their design was a collaboration of their efforts: a car painted in Pantone 635 with a matching set of cleaning uniforms. It was a sight to behold - refreshing, vivid, and surprisingly harmonious.
The day of the contest arrived, and Colorville’s design critics were bewildered by the unusual yet captivating combination of car and cleaning gear. "What an intriguing use of Pantone 635!" they exclaimed. The judges were mesmerized by the synergy between the clean, modern car design and the elegantly styled uniforms.
In a dramatic twist, Christian and Hubert won the contest, and their design became the talk of the town. Pantone 635 was celebrated not just as a color but as a symbol of innovation and creativity.
And so, Christian Krang and Hubert Chanel, two unlikely collaborators, proved that with a bit of imagination and a splash of Pantone 635, even the most mundane tasks could become extraordinary.
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