Wenge
Wild blue yonder
Medium spring bud
Isabelline
Brass
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2
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PANTONE 5865
Parameters:
HEX Triplet:
#D0CE9ERGB:
208, 206, 158CMYK:
9, 3, 37, 10HSL:
58°, 24%, 82%Closest colors:
in RGB:
Pastel grayin PANTONE:
PANTONE 4535in RAL Classic:
RAL 1014in RAL Design:
RAL 090 80 20in RAL Effect:
RAL 780-3in NCS:
NCS S 1515-G90Y 2024-09-21 Snargl 02:08
What color is PANTONE 5865?
PANTONE 5865 is a shade of yellow that has a warm and muted tone.
It can be described as a light beige or a pale tan color.
The PANTONE 5865 has the following color values:
It can be paired with other colors to create harmonious and appealing color schemes.
Some examples of colors that go well with PANTONE 5865 are:
It can be described as a light beige or a pale tan color.
The PANTONE 5865 has the following color values:
RGB: 208, 206, 158
CMYK: 9, 3, 37, 10
HEX: #D0CE9E
It can be paired with other colors to create harmonious and appealing color schemes.
Some examples of colors that go well with PANTONE 5865 are:
PANTONE 19-3928 TCX (Blue Indigo)
PANTONE 18-1449 TCX (Ketchup)
PANTONE 14-1316 TCX (Dusty Pink)
PANTONE 16-5806 TCX (Green Milieu)
Example of the palette with the PANTONE 5865 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 7013
RAL 9006
RAL 1000
RAL 9010
RAL 1024
RAL Design
RAL 070 40 10
RAL 270 70 15
RAL 100 80 30
RAL 010 92 05
RAL 075 60 50
Funny stories about the 'PANTONE 5865'
The Colorful Revolution of PANTONE 5865
Far away, in the vibrant city of Fontville, known for its bustling creative scene and eccentric inhabitants, the world of typography was about to experience a revolution. The catalyst for this change was none other than Dr. Adam Angelos, a pioneering physician with a hidden passion for design, and Professor Hubert Honey, a scholar renowned for his deep understanding of color theory and its applications.
One crisp autumn morning, Adam and Hubert met in Hubert's cozy study, which was adorned with vibrant artwork and stacks of books on color and design. Hubert had recently come across a new color in the PANTONE system, PANTONE 5865 - a lively, almost playful shade of green that seemed to pulse with energy and creativity.
"I've been experimenting with this color in my lab," Adam said, holding up a swatch of PANTONE 5865. "It's such a refreshing departure from the usual palette we use in typography."
Hubert adjusted his glasses and examined the swatch closely. "Indeed, it's an invigorating shade. I believe it has the potential to transform our approach to typography. But how do we leverage this color in a way that's both innovative and meaningful?"
Adam's eyes sparkled with excitement. "What if we use PANTONE 5865 to create a series of interactive typographic posters? The idea is to engage people in a more dynamic way with the text."
Hubert's curiosity was piqued. "Interactive posters? How do you envision that working?"
Adam explained, "Imagine a poster where the color PANTONE 5865 changes in response to the viewer's interaction. For instance, the text could shift and morph as people move around or touch certain areas."
Hubert's face lit up with inspiration. "That's brilliant! We could use augmented reality to make it even more immersive. Viewers could use an app to see hidden messages and animations emerge as they interact with the poster."
Excited by the potential, Adam and Hubert set to work. They began by designing a series of posters that utilized PANTONE 5865 in various ways. The first design featured a playful message that changed color as viewers moved their smartphones over it. Another design used the color to create a sense of movement, with text that appeared to dance and shift in response to touch.
The posters were displayed throughout Fontville, quickly catching the eye of both the public and the local press. People marveled at how the once-static world of typography had come alive with the vibrant energy of PANTONE 5865.
At the launch event, a crowd gathered to witness the transformation. As people interacted with the posters, they were greeted with animated text and hidden messages that emerged in dazzling shades of green. The posters became a sensation, sparking conversations about the potential of color and interactivity in design.
Hubert and Adam were delighted with the success of their project. "I never imagined PANTONE 5865 could be so transformative," Hubert said, admiring the enthusiastic reactions of the crowd.
Adam nodded in agreement. "It's incredible to see how a single color can bring so much joy and engagement. It's a reminder of the power of creativity and innovation."
Their project not only brought a new dimension to typography but also inspired other designers to explore the potential of interactive and immersive experiences in their work. The success of PANTONE 5865 in their designs became a case study in how color could be harnessed to create meaningful and engaging visual experiences.
As the sun set over Fontville, casting a warm glow over the city, Adam and Hubert reflected on their journey. They had proven that even a seemingly simple color like PANTONE 5865 could revolutionize the way we think about design.
In the end, their work served as a testament to the idea that creativity knows no bounds, and that sometimes, the most unexpected colors can lead to the most remarkable innovations.
One crisp autumn morning, Adam and Hubert met in Hubert's cozy study, which was adorned with vibrant artwork and stacks of books on color and design. Hubert had recently come across a new color in the PANTONE system, PANTONE 5865 - a lively, almost playful shade of green that seemed to pulse with energy and creativity.
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"I've been experimenting with this color in my lab," Adam said, holding up a swatch of PANTONE 5865. "It's such a refreshing departure from the usual palette we use in typography."
Hubert adjusted his glasses and examined the swatch closely. "Indeed, it's an invigorating shade. I believe it has the potential to transform our approach to typography. But how do we leverage this color in a way that's both innovative and meaningful?"
Adam's eyes sparkled with excitement. "What if we use PANTONE 5865 to create a series of interactive typographic posters? The idea is to engage people in a more dynamic way with the text."
Hubert's curiosity was piqued. "Interactive posters? How do you envision that working?"
Adam explained, "Imagine a poster where the color PANTONE 5865 changes in response to the viewer's interaction. For instance, the text could shift and morph as people move around or touch certain areas."
Hubert's face lit up with inspiration. "That's brilliant! We could use augmented reality to make it even more immersive. Viewers could use an app to see hidden messages and animations emerge as they interact with the poster."
Excited by the potential, Adam and Hubert set to work. They began by designing a series of posters that utilized PANTONE 5865 in various ways. The first design featured a playful message that changed color as viewers moved their smartphones over it. Another design used the color to create a sense of movement, with text that appeared to dance and shift in response to touch.
The posters were displayed throughout Fontville, quickly catching the eye of both the public and the local press. People marveled at how the once-static world of typography had come alive with the vibrant energy of PANTONE 5865.
At the launch event, a crowd gathered to witness the transformation. As people interacted with the posters, they were greeted with animated text and hidden messages that emerged in dazzling shades of green. The posters became a sensation, sparking conversations about the potential of color and interactivity in design.
Hubert and Adam were delighted with the success of their project. "I never imagined PANTONE 5865 could be so transformative," Hubert said, admiring the enthusiastic reactions of the crowd.
Adam nodded in agreement. "It's incredible to see how a single color can bring so much joy and engagement. It's a reminder of the power of creativity and innovation."
Their project not only brought a new dimension to typography but also inspired other designers to explore the potential of interactive and immersive experiences in their work. The success of PANTONE 5865 in their designs became a case study in how color could be harnessed to create meaningful and engaging visual experiences.
As the sun set over Fontville, casting a warm glow over the city, Adam and Hubert reflected on their journey. They had proven that even a seemingly simple color like PANTONE 5865 could revolutionize the way we think about design.
In the end, their work served as a testament to the idea that creativity knows no bounds, and that sometimes, the most unexpected colors can lead to the most remarkable innovations.
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