Dark jungle green
Old Lace
Slate gray
Dark slate gray
Carolina blue
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0
2
7
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PANTONE 5763
Parameters:
HEX Triplet:
#77804FRGB:
119, 128, 79CMYK:
37, 13, 71, 50HSL:
71°, 38%, 50%Closest colors:
in RGB:
Dark tanin PANTONE:
PANTONE 2327in RAL Classic:
RAL 6013in RAL Design:
RAL 100 50 30in RAL Effect:
RAL 240-4in NCS:
NCS S 4020-G70Y 2024-09-21 Snargl 02:12
What color is PANTONE 5763?
PANTONE 5763 is a medium dark shade of yellow-green with a matte finish.
It has the following color values and formulas:
It can create a natural, earthy, or military look, depending on the context and the colors it is paired with.
It has the following color values and formulas:
HEX: #77804F
RGB: 119, 128, 79
CMYK: 37, 13, 71, 50
It can create a natural, earthy, or military look, depending on the context and the colors it is paired with.
Example of the palette with the PANTONE 5763 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 8022
RAL 9010
RAL 5014
RAL 6028
RAL 6027
Funny stories about the 'PANTONE 5763'
The Great Green Ink Heist
Amir Ervin was an ambitious student at the prestigious Art and Design Academy, known for his unrelenting curiosity and innovative ideas. When he discovered a rare Pantone color - PANTONE 5763 - a vibrant, almost electric shade of green, his excitement was palpable. This particular green, with its mix of vibrancy and subtlety, had recently been introduced to the world of printing and design, and Amir saw it as the key to revolutionizing polygraphy.
Donatella Clank, a celebrated professor in the field of printing technologies, was known for her stern demeanor and rigorous standards. Her lectures were legendary for their depth and complexity, and she held the highest expectations for her students. She was particularly known for her skepticism toward new trends in design, often dismissing them as fleeting fancies.
One rainy afternoon, Amir attended Donatella's class, where he shared his vision of incorporating PANTONE 5763 into polygraphy. He spoke about its potential to create stunning visual effects, enhance contrast, and offer unique aesthetic experiences in print media. His enthusiasm was met with Donatella's skeptical gaze and a challenging remark: "Prove it, Amir. Show me that this green is more than just a fad."
Determined to make his mark, Amir decided to take on the challenge. He concocted a plan that involved not only proving the color's potential but also creating something extraordinary. With limited resources and a tight deadline, he began working on a top-secret project that he would unveil at the annual Art and Design Exhibition.
The exhibition, known for its cutting-edge presentations, was the perfect platform for Amir's grand debut. He worked tirelessly, transforming his small studio into a printing laboratory. His project, dubbed "The Green Revolution," aimed to showcase the remarkable effects of PANTONE 5763 through a series of interactive polygraphy installations.
As the exhibition approached, rumors swirled about Amir's mysterious project. People speculated about what he was up to, with whispers of a revolutionary display that would redefine the world of print. The buzz reached Donatella's ears, heightening her curiosity and skepticism.
On the day of the exhibition, the gallery was abuzz with anticipation. The atmosphere was electric, with visitors eagerly waiting to see what Amir had in store. When it was finally time for his presentation, Amir took the stage with a confident smile.
His installation was an intricate blend of print media and interactive technology. The centerpiece was a massive, illuminated wall covered in prints that used PANTONE 5763. The wall featured a dynamic series of patterns, each interacting with the changing light and movement of the visitors. The vibrant green seemed to come alive, shifting and shimmering in ways that were both mesmerizing and unexpected.
Donatella, who had been watching from the sidelines, approached with a mix of curiosity and skepticism. She marveled at how the green ink seemed to react differently to various angles and lighting conditions. The prints created a kaleidoscope of visual effects that captivated everyone who saw them.
Amir's installation also featured an interactive element where visitors could use motion sensors to alter the colors and patterns displayed on the wall. The green ink, when manipulated by the audience, revealed hidden layers and effects that showcased its versatility and depth.
Donatella's skepticism began to wane as she observed the crowd's reaction. The once-stern professor was visibly impressed, her critical demeanor softening into genuine admiration. She approached Amir, who was eagerly answering questions from visitors, and congratulated him on his achievement.
"You've done it, Amir," she said, with a hint of surprise in her voice. "This is not just a gimmick. PANTONE 5763 has proven itself to be a remarkable color with real potential in polygraphy."
Amir beamed with pride, grateful for the recognition and validation of his hard work. The exhibition ended with Amir's project being hailed as one of the most innovative displays of the year. The success of "The Green Revolution" not only showcased the potential of PANTONE 5763 but also cemented Amir's reputation as a rising star in the world of design.
Donatella's newfound appreciation for the color and Amir's innovative approach became a turning point in her teaching. She started encouraging her students to explore unconventional ideas and think outside the box, recognizing that true innovation often came from the most unexpected places.
In the end, Amir's bold experiment with PANTONE 5763 did more than just impress; it transformed how people perceived the possibilities of color in design. And so, amidst the swirling excitement of the exhibition, the world of polygraphy was forever changed by a vibrant green ink and the vision of a determined student.
Donatella Clank, a celebrated professor in the field of printing technologies, was known for her stern demeanor and rigorous standards. Her lectures were legendary for their depth and complexity, and she held the highest expectations for her students. She was particularly known for her skepticism toward new trends in design, often dismissing them as fleeting fancies.
One rainy afternoon, Amir attended Donatella's class, where he shared his vision of incorporating PANTONE 5763 into polygraphy. He spoke about its potential to create stunning visual effects, enhance contrast, and offer unique aesthetic experiences in print media. His enthusiasm was met with Donatella's skeptical gaze and a challenging remark: "Prove it, Amir. Show me that this green is more than just a fad."
Determined to make his mark, Amir decided to take on the challenge. He concocted a plan that involved not only proving the color's potential but also creating something extraordinary. With limited resources and a tight deadline, he began working on a top-secret project that he would unveil at the annual Art and Design Exhibition.
The exhibition, known for its cutting-edge presentations, was the perfect platform for Amir's grand debut. He worked tirelessly, transforming his small studio into a printing laboratory. His project, dubbed "The Green Revolution," aimed to showcase the remarkable effects of PANTONE 5763 through a series of interactive polygraphy installations.
As the exhibition approached, rumors swirled about Amir's mysterious project. People speculated about what he was up to, with whispers of a revolutionary display that would redefine the world of print. The buzz reached Donatella's ears, heightening her curiosity and skepticism.
On the day of the exhibition, the gallery was abuzz with anticipation. The atmosphere was electric, with visitors eagerly waiting to see what Amir had in store. When it was finally time for his presentation, Amir took the stage with a confident smile.
His installation was an intricate blend of print media and interactive technology. The centerpiece was a massive, illuminated wall covered in prints that used PANTONE 5763. The wall featured a dynamic series of patterns, each interacting with the changing light and movement of the visitors. The vibrant green seemed to come alive, shifting and shimmering in ways that were both mesmerizing and unexpected.
Donatella, who had been watching from the sidelines, approached with a mix of curiosity and skepticism. She marveled at how the green ink seemed to react differently to various angles and lighting conditions. The prints created a kaleidoscope of visual effects that captivated everyone who saw them.
Amir's installation also featured an interactive element where visitors could use motion sensors to alter the colors and patterns displayed on the wall. The green ink, when manipulated by the audience, revealed hidden layers and effects that showcased its versatility and depth.
Donatella's skepticism began to wane as she observed the crowd's reaction. The once-stern professor was visibly impressed, her critical demeanor softening into genuine admiration. She approached Amir, who was eagerly answering questions from visitors, and congratulated him on his achievement.
"You've done it, Amir," she said, with a hint of surprise in her voice. "This is not just a gimmick. PANTONE 5763 has proven itself to be a remarkable color with real potential in polygraphy."
Amir beamed with pride, grateful for the recognition and validation of his hard work. The exhibition ended with Amir's project being hailed as one of the most innovative displays of the year. The success of "The Green Revolution" not only showcased the potential of PANTONE 5763 but also cemented Amir's reputation as a rising star in the world of design.
Donatella's newfound appreciation for the color and Amir's innovative approach became a turning point in her teaching. She started encouraging her students to explore unconventional ideas and think outside the box, recognizing that true innovation often came from the most unexpected places.
In the end, Amir's bold experiment with PANTONE 5763 did more than just impress; it transformed how people perceived the possibilities of color in design. And so, amidst the swirling excitement of the exhibition, the world of polygraphy was forever changed by a vibrant green ink and the vision of a determined student.
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