Onyx
Cadet grey
Silver
Feldgrau
Dark lava
0
0
2
5
0
PANTONE 568
Parameters:
HEX Triplet:
#06715CRGB:
6, 113, 92CMYK:
90, 14, 62, 43HSL:
168°, 95%, 44%Closest colors:
in RGB:
Teal greenin PANTONE:
PANTONE 3298in RAL Classic:
RAL 6016in RAL Design:
RAL 170 40 40in RAL Effect:
RAL 220-6in NCS:
NCS S 4040-B70G 2024-09-03 Snargl 02:10
What color is PANTONE 568?
PANTONE 568 is a dark shade of cyan with a hexadecimal color code of #06715C.
In the RGB color model, it is composed of 2.35% red, 44.31% green, and 36.08% blue.
In the HSL color space, it has a hue of 168°, a saturation of 95%, and a lightness of 44%.
PANTONE 568 is available in various Pantone products, such as guides, chips, and software.
In the RGB color model, it is composed of 2.35% red, 44.31% green, and 36.08% blue.
In the HSL color space, it has a hue of 168°, a saturation of 95%, and a lightness of 44%.
PANTONE 568 is available in various Pantone products, such as guides, chips, and software.
Example of the palette with the PANTONE 568 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 7001
RAL 7044
RAL 7043
RAL 8014
Funny stories about the 'PANTONE 568'
The Pantone Uprising
Far away, in the small town of Paletteville, where color was just a backdrop to daily life, a revolution was about to take place. It all began when Connor Arrow, a passionate artist known for his quirky abstract creations, stumbled upon a new shade of blue-green called Pantone 568. This was no ordinary color; it promised to be the very essence of tranquility and innovation.
Connor, who was famous for his eccentricity and questionable fashion choices, immediately fell in love with Pantone 568. His studio, a chaotic mess of paint tubes and crumpled canvas, suddenly became a shrine to this new hue. He painted everything from landscapes to portraits, but the true masterpiece was his interpretation of a modern Mona Lisa in this revolutionary color.
However, Connor’s enthusiasm quickly faced a snag. His budget was as thin as a paintbrush's bristle, and buying enough Pantone 568 to cover his grand visions was beyond his reach. Desperate, he sought help from Betsey Buffalo, a factory worker at the local paint manufacturing plant, known for her practical mindset and ability to keep a color-coded calendar.
Betsey was skeptical. "Connor, it's just a color," she said, her eyes narrowing as she looked at the wild artist who had stormed into her factory. "Why make such a fuss over it?"
Connor, with the zeal of a preacher, launched into a heartfelt explanation. "Pantone 568 is more than a color. It's a movement! It represents calm, innovation, and a new beginning for art!"
Intrigued but unconvinced, Betsey decided to help out of curiosity rather than belief. She dug into her factory’s stock and discovered a large reserve of Pantone 568, destined to be used for "corporate grey-outs." With a wink and a nudge, she helped Connor access the stash, but under one condition: they had to create something together that showcased the color's true potential.
The duo’s collaboration was a sight to behold. Connor, with his wild brushstrokes and boundless creativity, and Betsey, with her practical skills and meticulous planning, set to work. They designed a series of interactive murals and installations, transforming the drab streets of Paletteville into a vibrant canvas of Pantone 568.
The town was astounded. People who had once seen color as merely a background were now engaging with it in new and profound ways. The murals became a local sensation, attracting tourists and artists from far and wide, all eager to experience the calming, transformative power of Pantone 568.
As the revolution took hold, Betsey’s factory became a hub of innovation, churning out Pantone 568 for everything from office walls to coffee mugs. The factory’s productivity soared, and Betsey, now hailed as the "Color Queen," embraced her newfound role with gusto.
Connor and Betsey’s unlikely partnership became the stuff of local legend. The town that had once been color-blind was now a vibrant tapestry of Pantone 568. The mural of the modern Mona Lisa, painted in Pantone 568, became the town’s emblem of artistic revolution and harmonious collaboration.
And so, Paletteville thrived in its new, tranquil shade of blue-green, thanks to a passionate artist, a pragmatic factory worker, and a color that changed everything. As for Connor and Betsey, they continued their journey, painting the world with the colors of innovation and friendship, one Pantone shade at a time.
Connor, who was famous for his eccentricity and questionable fashion choices, immediately fell in love with Pantone 568. His studio, a chaotic mess of paint tubes and crumpled canvas, suddenly became a shrine to this new hue. He painted everything from landscapes to portraits, but the true masterpiece was his interpretation of a modern Mona Lisa in this revolutionary color.
However, Connor’s enthusiasm quickly faced a snag. His budget was as thin as a paintbrush's bristle, and buying enough Pantone 568 to cover his grand visions was beyond his reach. Desperate, he sought help from Betsey Buffalo, a factory worker at the local paint manufacturing plant, known for her practical mindset and ability to keep a color-coded calendar.
Betsey was skeptical. "Connor, it's just a color," she said, her eyes narrowing as she looked at the wild artist who had stormed into her factory. "Why make such a fuss over it?"
Connor, with the zeal of a preacher, launched into a heartfelt explanation. "Pantone 568 is more than a color. It's a movement! It represents calm, innovation, and a new beginning for art!"
Intrigued but unconvinced, Betsey decided to help out of curiosity rather than belief. She dug into her factory’s stock and discovered a large reserve of Pantone 568, destined to be used for "corporate grey-outs." With a wink and a nudge, she helped Connor access the stash, but under one condition: they had to create something together that showcased the color's true potential.
The duo’s collaboration was a sight to behold. Connor, with his wild brushstrokes and boundless creativity, and Betsey, with her practical skills and meticulous planning, set to work. They designed a series of interactive murals and installations, transforming the drab streets of Paletteville into a vibrant canvas of Pantone 568.
The town was astounded. People who had once seen color as merely a background were now engaging with it in new and profound ways. The murals became a local sensation, attracting tourists and artists from far and wide, all eager to experience the calming, transformative power of Pantone 568.
As the revolution took hold, Betsey’s factory became a hub of innovation, churning out Pantone 568 for everything from office walls to coffee mugs. The factory’s productivity soared, and Betsey, now hailed as the "Color Queen," embraced her newfound role with gusto.
Connor and Betsey’s unlikely partnership became the stuff of local legend. The town that had once been color-blind was now a vibrant tapestry of Pantone 568. The mural of the modern Mona Lisa, painted in Pantone 568, became the town’s emblem of artistic revolution and harmonious collaboration.
And so, Paletteville thrived in its new, tranquil shade of blue-green, thanks to a passionate artist, a pragmatic factory worker, and a color that changed everything. As for Connor and Betsey, they continued their journey, painting the world with the colors of innovation and friendship, one Pantone shade at a time.
You may find these posts interesting:
