Cool grey
Slate gray
Charcoal
Carolina blue
Timberwolf
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3
12
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PANTONE 542
Parameters:
HEX Triplet:
#70A7D0RGB:
112, 167, 208CMYK:
60, 19, 1, 4HSL:
206°, 46%, 82%Closest colors:
in RGB:
Moonstone bluein PANTONE:
PANTONE 2142in RAL Classic:
RAL 6034in RAL Design:
RAL 230 70 25in RAL Effect:
RAL 630-1in NCS:
NCS S 1550-R80B 2024-09-03 Snargl 02:10
What color is PANTONE 542?
PANTONE 542 is a medium light shade of cyan-blue with a hexadecimal color code of #70A7D0.
In the RGB color model, it is composed of 43.92% red, 65.49% green and 81.57% blue.
In the HSL color space, it has a hue of 206°, a saturation of 46% and a lightness of 82%.
It has a brightness and a hue values, indicating that it is a cold color.
PANTONE 542 is available in various Pantone products, such as guides, chips, and displays.
It is a bright pastel azure color that can be used for various design purposes.
In the RGB color model, it is composed of 43.92% red, 65.49% green and 81.57% blue.
In the HSL color space, it has a hue of 206°, a saturation of 46% and a lightness of 82%.
It has a brightness and a hue values, indicating that it is a cold color.
PANTONE 542 is available in various Pantone products, such as guides, chips, and displays.
It is a bright pastel azure color that can be used for various design purposes.
Example of the palette with the PANTONE 542 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 7001
RAL 5014
RAL 7026
RAL 6027
RAL 9002
Funny stories about the 'PANTONE 542'
The Pantone Conundrum
Long time ago, far away, in the bustling metropolis of Fantasia City, where trends were born faster than you could say "color wheel," Adam Xiang, a flamboyant entrepreneur with a penchant for the outrageous, was on a mission. He had just launched his new fashion line, "Xiang's Extreme," and had a single, crucial goal: to create a trademark design that would make people do a double-take and say, "Wow, that’s… um, different."
Adam had recently discovered Pantone 542, a color he described as "the perfect shade of sky blue for when you want to look like you’re hugging a cloud." Enthusiastic about its potential, he decided this color would be the cornerstone of his new brand. He visualized neon signs, high fashion runways, and even his business cards glowing in this unique shade. There was only one problem: Pantone 542 had never been used for anything remotely serious before.
Enter Kate Lantern, the top model known for her poise, elegance, and a rather peculiar ability to make any outfit look absolutely ridiculous. She was the face of "Xiang's Extreme" and, consequently, Adam's secret weapon in making Pantone 542 the next big thing.
Adam set up a grand photo shoot for the launch, with a set designed to look like a surreal underwater kingdom, complete with inflatable sea creatures and a giant, inflatable octopus that flailed about like it had a case of stage fright. Kate, clad head to toe in Pantone 542, posed on a giant clam shell while the octopus waved its tentacles in what was presumably an attempt at an underwater dance.
As the photoshoot progressed, things quickly spiraled into chaos. The inflatable octopus decided it didn’t like the attention and started deflating rapidly, its tentacles flopping around like wet noodles. The sea creatures, mostly plastic and slightly tacky, started to pop and deflate one by one, leaving Kate stuck in what could only be described as a deflated seaweed forest.
Despite the madness, Kate remained an epitome of grace and composure. Every time the photographer snapped a picture, she managed to strike a pose as if she was floating effortlessly through a shimmering ocean. However, the results were far from what Adam had envisioned. The photos came out looking like a mix between a disaster film and an avant-garde art piece.
When Adam saw the pictures, he was devastated. Pantone 542 was supposed to dazzle, not deflate. In his despair, he called Kate for a brainstorming session. Kate, always quick with a witty remark, suggested, "Why not use the color in a way that doesn’t involve anything inflatable? Maybe a more grounded approach?"
Inspired by Kate’s suggestion, Adam decided to rethink his strategy. They pivoted to using Pantone 542 in a series of sleek, minimalist designs that showcased the color’s serene beauty without the added chaos of inflatable sea creatures. They created chic, modern apparel and accessories that highlighted Pantone 542 in a way that was both elegant and eye-catching.
To their surprise, the new designs became an instant hit. Pantone 542, once the punchline of their creative misadventure, became synonymous with calm sophistication and a fresh, new look in fashion. People started to associate the color with serene elegance rather than a chaotic underwater spectacle.
And so, Adam Xiang and Kate Lantern proved that even the most unusual color could find its place in the spotlight, as long as you were willing to embrace a little chaos and a lot of creativity. The story of Pantone 542’s rise from inflatable absurdity to high fashion icon became a favorite tale in the city, reminding everyone that sometimes, the most unexpected journeys lead to the brightest outcomes.
Adam had recently discovered Pantone 542, a color he described as "the perfect shade of sky blue for when you want to look like you’re hugging a cloud." Enthusiastic about its potential, he decided this color would be the cornerstone of his new brand. He visualized neon signs, high fashion runways, and even his business cards glowing in this unique shade. There was only one problem: Pantone 542 had never been used for anything remotely serious before.
0
0
Enter Kate Lantern, the top model known for her poise, elegance, and a rather peculiar ability to make any outfit look absolutely ridiculous. She was the face of "Xiang's Extreme" and, consequently, Adam's secret weapon in making Pantone 542 the next big thing.
Adam set up a grand photo shoot for the launch, with a set designed to look like a surreal underwater kingdom, complete with inflatable sea creatures and a giant, inflatable octopus that flailed about like it had a case of stage fright. Kate, clad head to toe in Pantone 542, posed on a giant clam shell while the octopus waved its tentacles in what was presumably an attempt at an underwater dance.
As the photoshoot progressed, things quickly spiraled into chaos. The inflatable octopus decided it didn’t like the attention and started deflating rapidly, its tentacles flopping around like wet noodles. The sea creatures, mostly plastic and slightly tacky, started to pop and deflate one by one, leaving Kate stuck in what could only be described as a deflated seaweed forest.
0
0
Despite the madness, Kate remained an epitome of grace and composure. Every time the photographer snapped a picture, she managed to strike a pose as if she was floating effortlessly through a shimmering ocean. However, the results were far from what Adam had envisioned. The photos came out looking like a mix between a disaster film and an avant-garde art piece.
When Adam saw the pictures, he was devastated. Pantone 542 was supposed to dazzle, not deflate. In his despair, he called Kate for a brainstorming session. Kate, always quick with a witty remark, suggested, "Why not use the color in a way that doesn’t involve anything inflatable? Maybe a more grounded approach?"
Inspired by Kate’s suggestion, Adam decided to rethink his strategy. They pivoted to using Pantone 542 in a series of sleek, minimalist designs that showcased the color’s serene beauty without the added chaos of inflatable sea creatures. They created chic, modern apparel and accessories that highlighted Pantone 542 in a way that was both elegant and eye-catching.
To their surprise, the new designs became an instant hit. Pantone 542, once the punchline of their creative misadventure, became synonymous with calm sophistication and a fresh, new look in fashion. People started to associate the color with serene elegance rather than a chaotic underwater spectacle.
And so, Adam Xiang and Kate Lantern proved that even the most unusual color could find its place in the spotlight, as long as you were willing to embrace a little chaos and a lot of creativity. The story of Pantone 542’s rise from inflatable absurdity to high fashion icon became a favorite tale in the city, reminding everyone that sometimes, the most unexpected journeys lead to the brightest outcomes.
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