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PANTONE 490

PANTONE 490

Parameters:
HEX Triplet:
#603228
RGB:
96, 50, 40
CMYK:
26, 85, 85, 72
HSL:
11°, 58%, 38%
Closest colors:
in PANTONE:
PANTONE 7630
in RAL Classic:
RAL 8011
in RAL Design:
RAL 040 20 19
in RAL Effect:
RAL 350-M
What color is PANTONE 490? The Birth of Pantone 490
2024-09-05 Snargl 02:10

What color is PANTONE 490?

Woman in a leather outfit standing in a room with a neon light behind her and a gun in her hand. Example of RGB 96,50,40 color.
Man in a horned costume holding a staff and a staff of fire in his hand. Color PANTONE 490.
PANTONE 490 has different variations depending on the type of material and printing process, such as coated, uncoated, or extended gamut.

This means that it is composed of 37.65% red, 19.61% green, and 15.69% blue in the RGB color space.

The color can be described as a dark reddish-brown or maroon shade.

PANTONE 490 is a color that can evoke a sense of warmth, elegance, sophistication, or earthiness.

It can be used for various purposes, such as branding, packaging, fashion, or interior design.

Example of the palette with the PANTONE 490 color

Picture with primary colors of Smoky black, Rosewood, Grullo, Rose ebony and Hooker green
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 3032
RAL 1035
RAL 8007
RAL 6000
RAL Design
RAL 170 20 20
RAL 020 20 29
RAL 040 60 10
RAL 030 30 20
RAL 160 50 25
Author:
Funny stories about the 'PANTONE 490'

The Birth of Pantone 490

Long time ago, far away, in the heart of a bustling metropolis, a quiet revolution was about to unfold. Rohan Arrow, a renowned painter known for his mastery of colors, had just embarked on a new quest: to create a shade that would transcend the ordinary and captivate the soul. His studio was a sanctuary of color, filled with swatches, palettes, and countless brushes. But this was no ordinary project. Rohan aimed to create a color so unique it would redefine the boundaries of industrial design.

Meanwhile, at the nearby Nexus Industries, Mustafa Goowanni, a factory worker with a keen eye for detail, toiled away amidst the roar of machines and clatter of tools. Mustafa was a quiet man of remarkable skill, known among his colleagues for his precise work and innovative spirit. His job involved testing and refining new materials for industrial design, often under the guidance of his mentor, Dr. Evelyn Hart, a leading expert in color technology.
Woman with long red hair and a black shirt and a gold and silver necklace and a black shirt. Color CMYK 26,85,85,72.

One fateful day, Rohan and Dr. Hart crossed paths at an industry seminar. Rohan spoke passionately about his quest for a new color, while Dr. Hart discussed the complexities of pigment chemistry. Mustafa, who was present, overheard their conversation. Fascinated by the potential of merging artistic vision with industrial precision, he approached Rohan with a bold proposal: "I can help you. Let’s create something extraordinary together."

Initially skeptical, Rohan agreed, intrigued by Mustafa’s confidence and the idea of combining artistic creativity with scientific expertise. They began their collaboration in a laboratory at Nexus Industries. Rohan brought his visionary concepts and extensive knowledge of traditional pigments, while Mustafa contributed his expertise in materials and chemical processes.
Group of mushrooms that are in the water near rocks and grass with lights on them and a stream running through them

Days turned into weeks as they experimented with various formulas, mixing pigments, and testing their durability. Mustafa’s analytical mind paired perfectly with Rohan’s intuitive artistry. Together, they navigated the intricate dance of light and hue, striving to find the elusive balance between aesthetics and functionality.

Their breakthrough came one evening as the sun dipped below the horizon. Rohan had just mixed a new batch of pigments, and Mustafa was preparing to test it under different light conditions. The moment the color emerged, both men were struck by its depth - a rich, velvety shade that seemed to shift between deep burgundy and midnight violet depending on the light. It was both sophisticated and mesmerizing, evoking a sense of timeless elegance.

They named it Pantone 490, a nod to its deep, emotional resonance and its place in the Pantone color system. Pantone 490 was not only visually stunning but also exhibited exceptional durability and versatility. It could be used in a range of industrial applications, from automotive finishes to high-end interior design.

As the new color made its debut in the industry, it was met with awe and acclaim. Designers and architects hailed it as a revolutionary addition to their palettes, and it quickly became a favorite for luxury and high-tech applications. Rohan’s artistic vision had found a new realm, while Mustafa’s scientific expertise had forged a link between creativity and practicality.

The success of Pantone 490 was a testament to the power of collaboration between art and industry. Rohan and Mustafa’s partnership had created something truly extraordinary, changing the way colors were perceived and utilized in industrial design. Their story became a legend, a tale of how two distinct worlds could come together to bring forth a new and unforgettable hue.
Author:

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