PANTONE 485

PANTONE 485 is a shade of red that has a hexadecimal color code of #DC4234

This means that it is composed of 86.27% red, 25.88% green and 20.39% blue in the RGB color model.
He has a hue of 5° (degrees), 76% saturation and 86% lightness in the HSL color space.

It has an approximate wavelength of 609 nm, which corresponds to the orange-red part of the visible spectrum.

Known as PANTONE 485 C, where C stands for coated paper.

It is one of the most popular and widely used red colors in the PMS system.

PANTONE 485 is a vibrant red hue widely recognized for its boldness and versatility. It often represents brands seeking to convey energy and passion. Notable examples of usage include Coca-Cola, which employs PANTONE 485 for its iconic logo, and Target, which showcases the color in its branding. Fashion designers, like Ralph Lauren, also have incorporated this shade into their collections, emphasizing its appeal in textiles. Furthermore, PANTONE 485 is frequently used in marketing materials and packaging, making a striking impression that draws consumers' attention.

PANTONE 485 is a vibrant red that evokes strong emotions and energy, often associated with passion and determination. To complement this striking hue, consider pairing it with a deep, rich navy blue for a classic contrast, creating a sophisticated yet dynamic look. Soft pastels, like mint green or blush pink, can also soften the boldness of PANTONE 485, offering a fresh and modern palette. Additionally, gold accents introduce a touch of luxury, making the red pop even more. Overall, using complementary colors like green and blue fosters visual harmony, while neutrals like gray balance the vibrancy, ensuring versatile applications in design and branding.

Long time ago, far away, in the quaint coastal town of Murky Bay, there was a local fisherman named Amir Chen. Known for his fishing prowess and legendary seafood stew, Amir was not your average fisherman. His secret hobby was studying industrial design - though he had never designed anything more complex than a crab trap.

One sunny morning, Amir received an odd letter with a splash of bright red ink - Pantone 485, to be precise. The letter was an invitation to participate in a global design competition to create the most vibrant industrial design, and the chosen color was, of course, Pantone 485. Amir, confused but intrigued, decided to give it a whirl, thinking the competition might involve designing better fishing gear.

On the other side of town was Stella Abloh, a writer renowned for her sensational novels and an inexplicable obsession with Pantone 485. Stella’s recent book, "The Scarlet Secrets," was a dramatic tale about a rogue red crayon and its quest to escape the confines of a dusty art supply closet. As she was wrapping up her latest manuscript, she decided to take a break and enter the competition herself, convinced that Pantone 485 was the key to her next bestseller.

As luck would have it, Amir and Stella ended up in the same design workshop, which took place in a rather bizarre building shaped like a giant pencil. The workshop was run by Professor Marmalade, a flamboyant character known for his eccentric taste in hats and his undying love for all things red.

The first challenge was to brainstorm ideas using Pantone 485. Amir, who had a slight misunderstanding of what "industrial design" entailed, began sketching a series of fishing nets with intricate, red patterns. He thought a red net might be perfect for catching the rare "Crimson Snapper" - a fish he imagined was as mythical as his design skills.

Meanwhile, Stella, in a flurry of creative energy, envisioned a revolutionary new type of typewriter, all painted in Pantone 485. She imagined it might inspire writers to craft passionate, fiery prose. Her design included a built-in cup holder for coffee and an emergency chocolate drawer for those late-night writing binges.

As the competition progressed, Amir’s nets became increasingly elaborate, with features such as a built-in GPS system for finding mythical fish and an optional karaoke machine to sing sea shanties while waiting for a catch. Stella’s typewriter evolved into a grand, red monument with a retractable canopy for outdoor writing and an inbuilt motivational speaker that would whisper encouraging words to its user.

The day of the final presentation arrived. Amir proudly unveiled his high-tech, karaoke-enabled fishing net to the judges, who were both bemused and impressed by the sheer novelty of his design. Stella’s red typewriter, with its motivational whispers and chocolate drawer, elicited a few gasps of admiration and some puzzled stares.

In the end, Professor Marmalade declared it a tie, much to Amir’s and Stella’s surprise. Amir's invention was hailed as "a beacon of maritime innovation," while Stella’s typewriter was praised as "a masterpiece of writerly indulgence."

The competition ended with a grand celebration at Murky Bay’s annual Fish and Write Festival. Amir and Stella, now unlikely friends, toasted with red wine and shared their designs with the townsfolk. The highlight of the evening was when Amir accidentally used his fishing net to catch the ceremonial fish, which he then used to demonstrate his karaoke skills.

And so, in a story of unexpected color and creative chaos, Amir and Stella learned that sometimes, the most ridiculous ideas can lead to the most delightful outcomes.