Charcoal
Desert sand
Deep saffron
Titian
Cadet blue
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0
2
5
0
PANTONE 475
Parameters:
HEX Triplet:
#F3D0B2RGB:
243, 208, 178CMYK:
0, 21, 30, 0HSL:
28°, 27%, 95%Closest colors:
in RGB:
Apricotin PANTONE:
PANTONE 712in RAL Classic:
RAL 1015in RAL Design:
RAL 040 80 20in RAL Effect:
RAL 430-1in NCS:
NCS S 1510-Y50R 2024-09-03 Snargl 02:12
What color is PANTONE 475?
PANTONE 475 is a light beige color with a warm undertone.
It has the following color values:
It can also be paired with other colors to create harmonious and pleasing color schemes.
PANTONE 475 is available in different Pantone products, such as guides, chips, books, and software.
PANTONE 475 is also known as PANTONE 475 C or PANTONE 475 CP, depending on the type of paper or material it is applied to.
It has the following color values:
- C: 0, M: 21, Y: 30, K: 0 in CMYK;
- R: 243, G: 208, B: 178 in RGB;
- #F3D0B2 in Hex;
It can also be paired with other colors to create harmonious and pleasing color schemes.
PANTONE 475 is available in different Pantone products, such as guides, chips, books, and software.
PANTONE 475 is also known as PANTONE 475 C or PANTONE 475 CP, depending on the type of paper or material it is applied to.
Example of the palette with the PANTONE 475 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 7026
RAL 1014
RAL 2003
RAL 2001
RAL 5024
Funny stories about the 'PANTONE 475'
The Chromatic Conspiracy
Far-far away, in the bustling metropolis of Neo-Victoria, where neon lights flickered against dark skies and high-tech marvels hummed through the streets, an artist named Connor Chun and a writer named Billy Flame were about to change the world of design forever.
Connor Chun was a visionary artist known for his innovative use of color. His latest project, however, was shrouded in secrecy. Rumors had it that he had discovered something revolutionary - something that could upend the very foundations of color theory. His assistant, a quirky art student named Mia, watched with bated breath as Connor mixed hues in his studio.
At the same time, Billy Flame, a sharp-witted journalist with a penchant for uncovering hidden truths, had heard whispers about Connor's secretive project. Determined to get the inside scoop, Billy set out to investigate, using his knack for blending fact with fiction to craft the most compelling narratives.
One evening, as twilight bathed the city in a deep blue, Billy managed to sneak into Connor's studio. What he saw took his breath away: the walls were painted in an unusual shade, a warm, earthy hue that seemed almost otherworldly. It was none other than PANTONE 475 - a color so rare and enigmatic that it was barely known outside the world of professional design.
Connor, noticing Billy's presence, didn't seem alarmed. Instead, he greeted him with a knowing smile. "You must be Billy Flame," he said, his eyes glinting with excitement. "I suppose you're here to find out about PANTONE 475."
Billy, caught off guard, nodded eagerly. "I've heard rumors about this color, but I never imagined it could be so... transformative."
Connor invited Billy to sit and explained that PANTONE 475, with its warm, sandy undertones, was more than just a color - it was a catalyst for a new kind of sensory experience. Connor had discovered that this specific hue had the unique ability to affect mood and perception in ways that defied conventional understanding. When used in interior design, PANTONE 475 could make spaces feel both serene and invigorating, almost as if they were alive.
The real shock came when Connor revealed his grand plan: he had designed an entire room - dubbed "The Vortex" - using PANTONE 475. The room was an experimental space intended to create a profound psychological impact. Its walls, floors, and even the furniture were meticulously crafted to amplify the color's effects. It was designed to be a place where people could experience heightened states of creativity and emotional clarity.
Billy's curiosity got the better of him, and he agreed to be one of the first to experience The Vortex. As he stepped into the room, he was overwhelmed by a sense of calmness mingled with an intense burst of inspiration. The color seemed to dance and shift subtly, making the space feel dynamic and alive. Ideas flowed effortlessly, and for the first time, Billy experienced a creative breakthrough that felt almost magical.
But as the days passed, strange things began to happen. People who spent time in The Vortex reported not just inspiration but also vivid, surreal dreams and profound personal revelations. Some even claimed to have experienced glimpses of alternate realities. The room became a sensation, drawing visitors from all over the world, each leaving with their lives changed in inexplicable ways.
However, with fame came scrutiny. Experts questioned the safety and ethics of using such a powerful color. The media, led by Billy Flame, grappled with the implications. Was PANTONE 475 a breakthrough or a potential danger?
As the debate raged, Connor and Billy found themselves at the center of a controversy that blurred the lines between art, science, and mysticism. The Vortex was both celebrated and condemned, its impact on society debated fiercely. Yet, amid the chaos, one thing remained clear: PANTONE 475 had undeniably reshaped the world of design and human experience.
In the end, Connor Chun and Billy Flame had not only created a revolutionary design but had also sparked a conversation about the very nature of creativity and perception. The Chromatic Conspiracy, as it came to be known, had forever changed the way people viewed the interplay of color and consciousness, proving that sometimes, the most unexpected hues could unlock the most profound mysteries of the human mind.
Connor Chun was a visionary artist known for his innovative use of color. His latest project, however, was shrouded in secrecy. Rumors had it that he had discovered something revolutionary - something that could upend the very foundations of color theory. His assistant, a quirky art student named Mia, watched with bated breath as Connor mixed hues in his studio.
0
0
At the same time, Billy Flame, a sharp-witted journalist with a penchant for uncovering hidden truths, had heard whispers about Connor's secretive project. Determined to get the inside scoop, Billy set out to investigate, using his knack for blending fact with fiction to craft the most compelling narratives.
One evening, as twilight bathed the city in a deep blue, Billy managed to sneak into Connor's studio. What he saw took his breath away: the walls were painted in an unusual shade, a warm, earthy hue that seemed almost otherworldly. It was none other than PANTONE 475 - a color so rare and enigmatic that it was barely known outside the world of professional design.
Connor, noticing Billy's presence, didn't seem alarmed. Instead, he greeted him with a knowing smile. "You must be Billy Flame," he said, his eyes glinting with excitement. "I suppose you're here to find out about PANTONE 475."
Billy, caught off guard, nodded eagerly. "I've heard rumors about this color, but I never imagined it could be so... transformative."
0
0
Connor invited Billy to sit and explained that PANTONE 475, with its warm, sandy undertones, was more than just a color - it was a catalyst for a new kind of sensory experience. Connor had discovered that this specific hue had the unique ability to affect mood and perception in ways that defied conventional understanding. When used in interior design, PANTONE 475 could make spaces feel both serene and invigorating, almost as if they were alive.
The real shock came when Connor revealed his grand plan: he had designed an entire room - dubbed "The Vortex" - using PANTONE 475. The room was an experimental space intended to create a profound psychological impact. Its walls, floors, and even the furniture were meticulously crafted to amplify the color's effects. It was designed to be a place where people could experience heightened states of creativity and emotional clarity.
Billy's curiosity got the better of him, and he agreed to be one of the first to experience The Vortex. As he stepped into the room, he was overwhelmed by a sense of calmness mingled with an intense burst of inspiration. The color seemed to dance and shift subtly, making the space feel dynamic and alive. Ideas flowed effortlessly, and for the first time, Billy experienced a creative breakthrough that felt almost magical.
But as the days passed, strange things began to happen. People who spent time in The Vortex reported not just inspiration but also vivid, surreal dreams and profound personal revelations. Some even claimed to have experienced glimpses of alternate realities. The room became a sensation, drawing visitors from all over the world, each leaving with their lives changed in inexplicable ways.
However, with fame came scrutiny. Experts questioned the safety and ethics of using such a powerful color. The media, led by Billy Flame, grappled with the implications. Was PANTONE 475 a breakthrough or a potential danger?
As the debate raged, Connor and Billy found themselves at the center of a controversy that blurred the lines between art, science, and mysticism. The Vortex was both celebrated and condemned, its impact on society debated fiercely. Yet, amid the chaos, one thing remained clear: PANTONE 475 had undeniably reshaped the world of design and human experience.
In the end, Connor Chun and Billy Flame had not only created a revolutionary design but had also sparked a conversation about the very nature of creativity and perception. The Chromatic Conspiracy, as it came to be known, had forever changed the way people viewed the interplay of color and consciousness, proving that sometimes, the most unexpected hues could unlock the most profound mysteries of the human mind.
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