Dim gray
Rosewood
Olivine
Lemon Cream
Titian
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0
2
6
0
PANTONE 470
Parameters:
HEX Triplet:
#A7632CRGB:
167, 99, 44CMYK:
7, 70, 99, 38HSL:
27°, 74%, 65%Closest colors:
in RGB:
Ruddy brownin PANTONE:
PANTONE 7574in RAL Classic:
RAL 8023in RAL Design:
RAL 070 50 55in RAL Effect:
RAL 360-Min NCS:
NCS S 4030-Y30R 2024-09-05 Snargl 02:12
What color is PANTONE 470?
PANTONE 470 is a medium dark shade of orange with a hexadecimal color code of #A7632C.
It has a red component of 65.49%, a green component of 38.82%, and a blue component of 17.25% in the RGB color model.
It also has a hue of 27°, a saturation of 74%, and a lightness of 65% in the HSL color space.
PANTONE 470 is available in various Pantone products, such as formula guides, solid chips, and plastic chips.
It has a red component of 65.49%, a green component of 38.82%, and a blue component of 17.25% in the RGB color model.
It also has a hue of 27°, a saturation of 74%, and a lightness of 65% in the HSL color space.
PANTONE 470 is available in various Pantone products, such as formula guides, solid chips, and plastic chips.
Example of the palette with the PANTONE 470 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 470'
The Alchemy of Color
In a far away place, in the heart of the bustling metropolis of Lumina, where skyscrapers reached for the sky and neon lights painted the night, a revolutionary discovery was about to change the world of design. It all began with Karl Gold, an eccentric inventor known for his outlandish ideas and a curious mind that saw possibilities where others saw only limitations.
Karl’s latest obsession was PANTONE 470, a rich, earthy brown hue that had languished in obscurity, overshadowed by more vibrant colors. He believed that this color, often dismissed as mundane, had untapped potential. His tiny workshop was a chaotic haven of prototypes and sketches, all revolving around this one color.
Enter Professor Eva Flame, a renowned designer and color theorist whose reputation for innovation was unmatched. She had heard whispers of Karl’s experiments and was intrigued by his unconventional approach. When she received an invitation to visit his workshop, her curiosity got the better of her.
The workshop was a symphony of organized chaos. Karl greeted Eva with a wide grin, his lab coat stained with splashes of various colors, including the one in question. "Welcome, Professor Flame! I’m glad you could make it. I’ve been eagerly awaiting your expert opinion."
Eva, though skeptical, followed Karl as he unveiled his latest creation: a series of textiles, each dyed in PANTONE 470 but treated with a revolutionary process that made the color shift subtly with different angles and lighting. The effect was mesmerizing. In dim light, the fabric took on a deep, warm brown, but in bright light, it revealed intricate patterns and hues reminiscent of autumn leaves and ancient artifacts.
"This," Karl said with fervor, "isn't just about changing the way we see brown. It’s about transforming our entire experience of color."
Eva examined the samples with growing excitement. "Karl, this is extraordinary. The interplay of light and shadow with PANTONE 470 creates a depth and dimension that could redefine how we approach design. Imagine integrating this into architecture, interior design, or even art installations."
Together, they began exploring applications for this groundbreaking technology. They designed a new line of urban furniture that shifted colors with the sun, creating a dynamic visual experience in public spaces. They collaborated on an art installation in the city park where PANTONE 470’s transformative quality added an ever-changing backdrop to the landscape.
Their work caught the attention of the city’s influential design council, leading to a high-profile exhibition. As the event unfolded, attendees were captivated by the interactive installations and the innovative use of PANTONE 470. The color that had once been considered bland was now celebrated as a symbol of innovation and creativity.
Karl and Eva’s collaboration didn’t just elevate PANTONE 470; it revolutionized the perception of color itself. Their work demonstrated that even the most unassuming hues could, with the right approach, become the cornerstone of new design paradigms.
As the exhibition drew to a close, Eva turned to Karl with a smile. "Who would have thought that a single color could spark such a transformation?"
Karl chuckled, his eyes twinkling with the thrill of discovery. "It’s not just the color, Eva. It’s the magic we bring to it."
Their journey had only just begun, and as they continued to push the boundaries of design, one thing was clear: the world of color would never be the same again.
Karl’s latest obsession was PANTONE 470, a rich, earthy brown hue that had languished in obscurity, overshadowed by more vibrant colors. He believed that this color, often dismissed as mundane, had untapped potential. His tiny workshop was a chaotic haven of prototypes and sketches, all revolving around this one color.
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0
Enter Professor Eva Flame, a renowned designer and color theorist whose reputation for innovation was unmatched. She had heard whispers of Karl’s experiments and was intrigued by his unconventional approach. When she received an invitation to visit his workshop, her curiosity got the better of her.
The workshop was a symphony of organized chaos. Karl greeted Eva with a wide grin, his lab coat stained with splashes of various colors, including the one in question. "Welcome, Professor Flame! I’m glad you could make it. I’ve been eagerly awaiting your expert opinion."
Eva, though skeptical, followed Karl as he unveiled his latest creation: a series of textiles, each dyed in PANTONE 470 but treated with a revolutionary process that made the color shift subtly with different angles and lighting. The effect was mesmerizing. In dim light, the fabric took on a deep, warm brown, but in bright light, it revealed intricate patterns and hues reminiscent of autumn leaves and ancient artifacts.
"This," Karl said with fervor, "isn't just about changing the way we see brown. It’s about transforming our entire experience of color."
Eva examined the samples with growing excitement. "Karl, this is extraordinary. The interplay of light and shadow with PANTONE 470 creates a depth and dimension that could redefine how we approach design. Imagine integrating this into architecture, interior design, or even art installations."
Together, they began exploring applications for this groundbreaking technology. They designed a new line of urban furniture that shifted colors with the sun, creating a dynamic visual experience in public spaces. They collaborated on an art installation in the city park where PANTONE 470’s transformative quality added an ever-changing backdrop to the landscape.
Their work caught the attention of the city’s influential design council, leading to a high-profile exhibition. As the event unfolded, attendees were captivated by the interactive installations and the innovative use of PANTONE 470. The color that had once been considered bland was now celebrated as a symbol of innovation and creativity.
Karl and Eva’s collaboration didn’t just elevate PANTONE 470; it revolutionized the perception of color itself. Their work demonstrated that even the most unassuming hues could, with the right approach, become the cornerstone of new design paradigms.
As the exhibition drew to a close, Eva turned to Karl with a smile. "Who would have thought that a single color could spark such a transformation?"
Karl chuckled, his eyes twinkling with the thrill of discovery. "It’s not just the color, Eva. It’s the magic we bring to it."
Their journey had only just begun, and as they continued to push the boundaries of design, one thing was clear: the world of color would never be the same again.
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