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PANTONE 377
Parameters:
HEX Triplet:
#88A620RGB:
136, 166, 32CMYK:
50, 1, 100, 20HSL:
73°, 81%, 65%Closest colors:
in RGB:
Apple Greenin PANTONE:
PANTONE 2301in RAL Classic:
RAL 1027in RAL Design:
RAL 100 60 60in RAL Effect:
RAL 250-5in NCS:
NCS S 2050-G50Y 2024-09-21 Snargl 01:00
What color is PANTONE 377?
PANTONE 377 is a medium dark shade of yellow-green that has a hexadecimal color code of #88A620.
In the RGB color model, it is composed of 53.33% red, 65.1% green, and 12.55% blue.
In the HSL color space, it has a hue of 73°, a saturation of 81%, and a lightness of 65%.
PANTONE 377 can be used for various purposes, such as graphic design, fashion, home decor, and plastics.
It is available in different Pantone products, such as formula guides, solid chips, and plastic chips.
PANTONE 377 is a vibrant and lively color that can evoke feelings of freshness, energy, and nature.
In the RGB color model, it is composed of 53.33% red, 65.1% green, and 12.55% blue.
In the HSL color space, it has a hue of 73°, a saturation of 81%, and a lightness of 65%.
PANTONE 377 can be used for various purposes, such as graphic design, fashion, home decor, and plastics.
It is available in different Pantone products, such as formula guides, solid chips, and plastic chips.
PANTONE 377 is a vibrant and lively color that can evoke feelings of freshness, energy, and nature.
Funny stories about the 'PANTONE 377'
The Verdant Paradox
Long time ago, in the heart of a bustling metropolis, where skyscrapers pierce the clouds and neon lights bathe the streets in vibrant hues, there existed a hidden enclave known only to a select few. This was the Atelier of Wonders, a creative sanctuary where imagination flourished and innovation thrived. It was here that two of the most enigmatic figures of the modern age, Shivansh Storm and Hubert Phoenix, worked their magic.
Shivansh Storm was a renowned artist, celebrated for his ability to breathe life into colors. His latest obsession was PANTONE 377 - a unique, mossy green that seemed to hold secrets of ancient forests and forgotten realms. This color was not just a shade to him; it was a gateway to a world of possibilities. He saw in PANTONE 377 a vessel for storytelling, a medium to convey emotions and mysteries.
Hubert Phoenix, on the other hand, was a brilliant engineer, specializing in motion design. His creations were marvels of technological prowess, blending motion and color into mesmerizing experiences. Though a pragmatist by nature, Hubert was captivated by Shivansh's vision. Together, they had embarked on a quest to explore the full potential of PANTONE 377 in motion design.
One evening, as the city's lights flickered like distant stars, Shivansh and Hubert convened in their studio. Shivansh had been working on a concept - a fantastical forest that would appear to come alive when imbued with PANTONE 377. He envisioned a lush, animated landscape where trees swayed and leaves shimmered in an ethereal dance.
"Hubert, this color," Shivansh began, holding up a sample of PANTONE 377, "is more than just green. It's a portal to something ancient and untamed. I want to animate it in a way that it feels alive, like a living organism with its own rhythm."
Hubert's eyes sparkled with curiosity. "Let's transform this vision into reality. We'll use my latest motion design technology. But remember, the magic of PANTONE 377 lies in its subtlety. Too much movement might disrupt its natural allure."
They spent days and nights immersed in their project. Shivansh meticulously painted intricate patterns and textures, while Hubert engineered algorithms that would bring these designs to life. As the forest began to animate, PANTONE 377 turned into an ever-shifting tapestry. Trees undulated gently, while vines wove through the landscape like serpentine threads of emerald.
The breakthrough came on the final night of their project. As they fine-tuned the motion, a peculiar phenomenon occurred. The animated forest seemed to pulsate with a life of its own. The patterns in the mossy green shifted in response to their movements, as if the color itself were interacting with them. The forest's rhythm became synchronized with their heartbeat, creating an immersive experience that transcended ordinary design.
At the unveiling, the Atelier was filled with guests, their eyes wide with awe as they experienced the living forest of PANTONE 377. The room was filled with whispers of wonder and admiration. The forest had not only captivated them but had also revealed a new dimension of interactive motion design.
The success of the project solidified Shivansh and Hubert's reputation as pioneers in their fields. Yet, despite their acclaim, they remained ever-curious, driven by the mysteries that lay hidden within the spectrum of color and motion. For Shivansh and Hubert, the Verdant Paradox was not merely a triumph of design but a glimpse into the boundless potential that awaited at the intersection of art and technology.
As they looked out over the city from their studio, the neon lights seemed to flicker in harmony with the rhythm of their creation. They knew that their journey was far from over; there were still countless colors to explore and mysteries to unravel in the ever-expanding world of motion design.
Shivansh Storm was a renowned artist, celebrated for his ability to breathe life into colors. His latest obsession was PANTONE 377 - a unique, mossy green that seemed to hold secrets of ancient forests and forgotten realms. This color was not just a shade to him; it was a gateway to a world of possibilities. He saw in PANTONE 377 a vessel for storytelling, a medium to convey emotions and mysteries.
Hubert Phoenix, on the other hand, was a brilliant engineer, specializing in motion design. His creations were marvels of technological prowess, blending motion and color into mesmerizing experiences. Though a pragmatist by nature, Hubert was captivated by Shivansh's vision. Together, they had embarked on a quest to explore the full potential of PANTONE 377 in motion design.
One evening, as the city's lights flickered like distant stars, Shivansh and Hubert convened in their studio. Shivansh had been working on a concept - a fantastical forest that would appear to come alive when imbued with PANTONE 377. He envisioned a lush, animated landscape where trees swayed and leaves shimmered in an ethereal dance.
"Hubert, this color," Shivansh began, holding up a sample of PANTONE 377, "is more than just green. It's a portal to something ancient and untamed. I want to animate it in a way that it feels alive, like a living organism with its own rhythm."
Hubert's eyes sparkled with curiosity. "Let's transform this vision into reality. We'll use my latest motion design technology. But remember, the magic of PANTONE 377 lies in its subtlety. Too much movement might disrupt its natural allure."
They spent days and nights immersed in their project. Shivansh meticulously painted intricate patterns and textures, while Hubert engineered algorithms that would bring these designs to life. As the forest began to animate, PANTONE 377 turned into an ever-shifting tapestry. Trees undulated gently, while vines wove through the landscape like serpentine threads of emerald.
The breakthrough came on the final night of their project. As they fine-tuned the motion, a peculiar phenomenon occurred. The animated forest seemed to pulsate with a life of its own. The patterns in the mossy green shifted in response to their movements, as if the color itself were interacting with them. The forest's rhythm became synchronized with their heartbeat, creating an immersive experience that transcended ordinary design.
At the unveiling, the Atelier was filled with guests, their eyes wide with awe as they experienced the living forest of PANTONE 377. The room was filled with whispers of wonder and admiration. The forest had not only captivated them but had also revealed a new dimension of interactive motion design.
The success of the project solidified Shivansh and Hubert's reputation as pioneers in their fields. Yet, despite their acclaim, they remained ever-curious, driven by the mysteries that lay hidden within the spectrum of color and motion. For Shivansh and Hubert, the Verdant Paradox was not merely a triumph of design but a glimpse into the boundless potential that awaited at the intersection of art and technology.
As they looked out over the city from their studio, the neon lights seemed to flicker in harmony with the rhythm of their creation. They knew that their journey was far from over; there were still countless colors to explore and mysteries to unravel in the ever-expanding world of motion design.
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