Dark lava
Moonstone blue
Tropical rain forest
Tea Green
Cinereous
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0
3
5
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PANTONE 3305
Parameters:
HEX Triplet:
#1A5243RGB:
26, 82, 67CMYK:
92, 25, 70, 68HSL:
164°, 68%, 32%Closest colors:
in RGB:
MSU Greenin PANTONE:
PANTONE 7484in RAL Classic:
RAL 6028in RAL Design:
RAL 160 30 25in RAL Effect:
RAL 750-4in NCS:
NCS S 6020-B70G 2024-09-21 Snargl 02:12
What color is PANTONE 3305?
PANTONE 3305 has the following color values:
PANTONE 3305 is also a popular color for fashion, interior design, and art, as it can create a soothing and harmonious atmosphere.
It is a versatile and expressive color that is used for various purposes and occasions.
This color can inspire creativity, optimism, and harmony.
RGB: 26, 82, 67
CMYK: 92, 25, 70, 68
HEX: #1A5243
HSL: 164, 68, 32
PANTONE 3305 is also a popular color for fashion, interior design, and art, as it can create a soothing and harmonious atmosphere.
It is a versatile and expressive color that is used for various purposes and occasions.
This color can inspire creativity, optimism, and harmony.
Example of the palette with the PANTONE 3305 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 3305'
The Emerald Shift: A Tale of PANTONE 3305
Long time ago, in the heart of Paris, where the cobbled streets murmured with the whispers of centuries-old fashion, Marc Powell, a visionary doctor with a fascination for color theory, found himself at a crossroads. His medical career had always felt too constraining for his curiosity, which often led him into uncharted territories where art and science met. For Marc, color was more than mere decoration; it was a force, capable of transforming minds and shifting the course of human emotion.
PANTONE 3305 - a deep, mysterious green - had long been his obsession. This shade was more than just a hue. It reminded him of nature's most intimate secrets, the tranquility of an untouched forest, and the powerful potential of growth. To him, this green was alive.
One afternoon, while he was lost in the world of his color studies, an unexpected visitor appeared at his small apartment. Donna Goowanni, an acclaimed writer, stood at the doorway. Known for her ability to weave deep philosophical ideas into stories that struck at the core of human existence, Donna was every bit as enigmatic as her reputation suggested.
"I hear you've been working on something... intriguing," she said, stepping inside.
Donna had always been attracted to the unusual. Her recent manuscript, "The Silent Symphony," explored the impact of sensory deprivation on creativity, and she was now on the hunt for her next source of inspiration. Word had reached her that Dr. Powell was no ordinary scientist; he was a magician of color.
"PANTONE 3305," Marc said, offering her a small swatch of fabric dyed in the shade. "It's more than a color. I believe it can change the future of fashion, even the way people perceive themselves."
Donna studied the fabric. Its richness seemed to shift in the light, revealing depths and complexities she hadn't expected. It wasn't just green - it was a kaleidoscope of stories waiting to be told. Something about the shade struck her deeply, triggering memories of walks through the Italian countryside, of a world where nature and humanity coexisted in harmony.
"Why fashion?" she asked, her voice a mixture of curiosity and skepticism.
"Because fashion is the most intimate form of self-expression," Marc explained. "What we wear becomes a part of us. I've been experimenting with fabrics treated in this color, and the results are... astonishing. People react differently when they see themselves in this shade. It brings out a sense of calm and confidence, an aura of mystery that makes them feel untouchable."
Donna was intrigued. She had always believed in the power of words to change minds, but the idea that a color could have the same effect was something she hadn't considered. Her interest deepened when Marc handed her a journal filled with notes from his experiments.
"People see themselves differently in PANTONE 3305," he continued. "They move differently, speak with more authority. It's as if the color taps into something primal, something they've forgotten about themselves."
Donna could feel a story forming in the back of her mind. She was no stranger to the transformative power of ideas, but this was something different. What if a single color could truly revolutionize the way people saw themselves and the world? What if fashion, often dismissed as superficial, could become a tool for profound personal transformation?
As they spoke, Marc revealed his plan to introduce PANTONE 3305 at the upcoming Paris Fashion Week. The world's top designers would be there, eager to witness the next big trend, and Marc was determined to make PANTONE 3305 the centerpiece of the show. He had already convinced a rising designer, Elena Roche, to create a collection entirely based on the shade.
Donna, ever the storyteller, saw potential not just in Marc's ideas but in the narrative of their collaboration. She proposed a daring plan: instead of simply showcasing the collection, they would weave a story around the color, one that tapped into the mystique and allure of PANTONE 3305. The audience wouldn't just see the clothes; they would experience the color's transformative power.
The night of the fashion show arrived. The lights dimmed, and a hush fell over the audience as a single model stepped onto the runway, draped in flowing emerald fabric. The effect was immediate. The audience gasped as the color seemed to pulse with life, shifting and changing as the model moved. More models followed, each embodying a different facet of PANTONE 3305 - strength, grace, mystery.
As the show reached its crescendo, Donna took the stage, delivering a monologue that tied the collection to the greater narrative of human existence. She spoke of transformation, of the way we wear our stories on our bodies, and how a single color could unlock parts of ourselves we didn't know existed.
The crowd was mesmerized.
In the days that followed, PANTONE 3305 became the talk of the fashion world. It wasn't just a trend; it was a movement. Designers clamored to use the shade, while critics marveled at its seemingly magical ability to alter perception.
For Marc and Donna, the success of their collaboration was more than they could have hoped for. But it wasn't about fame or fortune - it was about the discovery that art and science, when intertwined, could create something truly revolutionary.
In the years to come, PANTONE 3305 became known as "The Emerald Shift," a color that transcended its origins and became a symbol of transformation, of the power within us all to see the world - and ourselves - differently.
And so, in the heart of Paris, where dreams and reality often blurred, the doctor and the writer had changed the world. Not with words or medicine alone, but with a color that spoke to the soul.
PANTONE 3305 - a deep, mysterious green - had long been his obsession. This shade was more than just a hue. It reminded him of nature's most intimate secrets, the tranquility of an untouched forest, and the powerful potential of growth. To him, this green was alive.
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0
One afternoon, while he was lost in the world of his color studies, an unexpected visitor appeared at his small apartment. Donna Goowanni, an acclaimed writer, stood at the doorway. Known for her ability to weave deep philosophical ideas into stories that struck at the core of human existence, Donna was every bit as enigmatic as her reputation suggested.
"I hear you've been working on something... intriguing," she said, stepping inside.
Donna had always been attracted to the unusual. Her recent manuscript, "The Silent Symphony," explored the impact of sensory deprivation on creativity, and she was now on the hunt for her next source of inspiration. Word had reached her that Dr. Powell was no ordinary scientist; he was a magician of color.
"PANTONE 3305," Marc said, offering her a small swatch of fabric dyed in the shade. "It's more than a color. I believe it can change the future of fashion, even the way people perceive themselves."
Donna studied the fabric. Its richness seemed to shift in the light, revealing depths and complexities she hadn't expected. It wasn't just green - it was a kaleidoscope of stories waiting to be told. Something about the shade struck her deeply, triggering memories of walks through the Italian countryside, of a world where nature and humanity coexisted in harmony.
"Why fashion?" she asked, her voice a mixture of curiosity and skepticism.
"Because fashion is the most intimate form of self-expression," Marc explained. "What we wear becomes a part of us. I've been experimenting with fabrics treated in this color, and the results are... astonishing. People react differently when they see themselves in this shade. It brings out a sense of calm and confidence, an aura of mystery that makes them feel untouchable."
Donna was intrigued. She had always believed in the power of words to change minds, but the idea that a color could have the same effect was something she hadn't considered. Her interest deepened when Marc handed her a journal filled with notes from his experiments.
0
0
"People see themselves differently in PANTONE 3305," he continued. "They move differently, speak with more authority. It's as if the color taps into something primal, something they've forgotten about themselves."
Donna could feel a story forming in the back of her mind. She was no stranger to the transformative power of ideas, but this was something different. What if a single color could truly revolutionize the way people saw themselves and the world? What if fashion, often dismissed as superficial, could become a tool for profound personal transformation?
As they spoke, Marc revealed his plan to introduce PANTONE 3305 at the upcoming Paris Fashion Week. The world's top designers would be there, eager to witness the next big trend, and Marc was determined to make PANTONE 3305 the centerpiece of the show. He had already convinced a rising designer, Elena Roche, to create a collection entirely based on the shade.
Donna, ever the storyteller, saw potential not just in Marc's ideas but in the narrative of their collaboration. She proposed a daring plan: instead of simply showcasing the collection, they would weave a story around the color, one that tapped into the mystique and allure of PANTONE 3305. The audience wouldn't just see the clothes; they would experience the color's transformative power.
The night of the fashion show arrived. The lights dimmed, and a hush fell over the audience as a single model stepped onto the runway, draped in flowing emerald fabric. The effect was immediate. The audience gasped as the color seemed to pulse with life, shifting and changing as the model moved. More models followed, each embodying a different facet of PANTONE 3305 - strength, grace, mystery.
As the show reached its crescendo, Donna took the stage, delivering a monologue that tied the collection to the greater narrative of human existence. She spoke of transformation, of the way we wear our stories on our bodies, and how a single color could unlock parts of ourselves we didn't know existed.
The crowd was mesmerized.
In the days that followed, PANTONE 3305 became the talk of the fashion world. It wasn't just a trend; it was a movement. Designers clamored to use the shade, while critics marveled at its seemingly magical ability to alter perception.
For Marc and Donna, the success of their collaboration was more than they could have hoped for. But it wasn't about fame or fortune - it was about the discovery that art and science, when intertwined, could create something truly revolutionary.
In the years to come, PANTONE 3305 became known as "The Emerald Shift," a color that transcended its origins and became a symbol of transformation, of the power within us all to see the world - and ourselves - differently.
And so, in the heart of Paris, where dreams and reality often blurred, the doctor and the writer had changed the world. Not with words or medicine alone, but with a color that spoke to the soul.
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