Black
Beaver
Pine Green
Dark brown
Celeste
0
0
2
12
0
PANTONE 321
Parameters:
HEX Triplet:
#009296RGB:
0, 146, 150CMYK:
96, 3, 35, 12HSL:
182°, 100%, 59%Closest colors:
in RGB:
Dark cyanin PANTONE:
PANTONE 2399in RAL Classic:
RAL 5018in RAL Design:
RAL 200 50 45in RAL Effect:
RAL 710-3in NCS:
NCS S 2555-B30G 2024-09-03 Snargl 02:18
What color is PANTONE 321?
PANTONE 321 is a dark cyan color that has a hue value of 182°, indicating that it is a cold color.
It has a hexadecimal value of #009296, which means it has 0% red, 57.25% green, and 58.82% blue in the RGB color model.
It also has a CMYK value of 96% cyan, 3% magenta, 35% yellow, and 12% black in the CMYK color model.
PANTONE 321 is a vibrant and refreshing color that can be used for various purposes, such as design, branding, and fashion.
It can be paired with complementary colors, such as bright red color, or with analogous colors, such as green color.
It has a hexadecimal value of #009296, which means it has 0% red, 57.25% green, and 58.82% blue in the RGB color model.
It also has a CMYK value of 96% cyan, 3% magenta, 35% yellow, and 12% black in the CMYK color model.
PANTONE 321 is a vibrant and refreshing color that can be used for various purposes, such as design, branding, and fashion.
It can be paired with complementary colors, such as bright red color, or with analogous colors, such as green color.
Example of the palette with the PANTONE 321 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
Funny stories about the 'PANTONE 321'
The Pantone Paradox
Far away, in the glittering world of high fashion, where the slightest nuance could make or break a trend, there was an unexpected hero: Christian Smith, a painter with a penchant for eccentricity. Known for his vibrant strokes and wild imagination, Christian was about to embark on a quest that would baffle the fashion world.
Christian had just been hired by the prestigious fashion house, Le Haute Éclat, to capture the essence of a new color: Pantone 321. It was said that Pantone 321 was the color of pure sophistication, a shade of teal so perfect it could only be described as "otherworldly." The challenge was not just painting this elusive hue but capturing its very soul. Christian, with his paintbrush and an array of color samples, dove into the task with gusto.
Meanwhile, Mustafa Buffalo, a writer with an unparalleled flair for drama, had been hired to craft a compelling narrative around this enigmatic color. Known for his florid language and tendency to exaggerate, Mustafa took to his typewriter with wild abandon, eager to chronicle Christian’s quest.
Christian began his work with great enthusiasm. He painted walls, canvases, and even his pet parrot, who he thought could offer "colorful insights." Days turned into weeks, and Christian became increasingly obsessed with the hue, convinced that Pantone 321 held some cosmic significance. He started having conversations with the color, asking it profound questions about its existence and role in the universe.
Mustafa, on the other hand, was furiously typing away. His narrative described Pantone 321 as a "celestial shade that danced on the cusp of eternity," with a backstory involving ancient prophecies and a mythical mermaid who guarded the color in a hidden lagoon. He portrayed Christian as a mad genius on the brink of discovering the secrets of the universe, which he then wove into increasingly absurd tales of cosmic enlightenment.
The climax of their collaboration came during a grand unveiling ceremony. Christian, with great pomp, presented his masterpiece - a stunning canvas featuring a mesmerizing blend of colors that he believed encapsulated the essence of Pantone 321. The fashion elite, eagerly anticipating the revelation, stared in awe as the painter unveiled his work.
Mustafa, having prepared an elaborate speech, began to read aloud his dramatic narrative. He spoke of Christian’s spiritual journey and the mystical properties of the color. But as the audience watched, they realized something bizarre: the color Christian had painted was not Pantone 321 but an off-putting shade of greenish-brown that looked more like mildew than high fashion.
The room fell silent, and the fashion critics exchanged puzzled glances. Christian, noticing the confusion, muttered, "I think I might have mixed up the samples." Mustafa, refusing to be deterred, continued with his speech, declaring, "And thus, Pantone 321 transcends the very fabric of reality, transforming even mildew into an expression of eternal elegance!"
Despite the mix-up, the audience was captivated by the sheer absurdity of the situation. They applauded Christian’s audacious attempt and Mustafa’s imaginative storytelling. The mishap became the talk of the fashion world, and Pantone 321 became a symbol of creative unpredictability. Christian and Mustafa’s collaboration was remembered not for capturing the perfect color but for creating a legendary fiasco that epitomized the unpredictable nature of art and fashion.
And so, Pantone 321 lived on, not as a precise shade, but as an emblem of the colorful chaos that defines the world of high fashion.
Christian had just been hired by the prestigious fashion house, Le Haute Éclat, to capture the essence of a new color: Pantone 321. It was said that Pantone 321 was the color of pure sophistication, a shade of teal so perfect it could only be described as "otherworldly." The challenge was not just painting this elusive hue but capturing its very soul. Christian, with his paintbrush and an array of color samples, dove into the task with gusto.
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0
Meanwhile, Mustafa Buffalo, a writer with an unparalleled flair for drama, had been hired to craft a compelling narrative around this enigmatic color. Known for his florid language and tendency to exaggerate, Mustafa took to his typewriter with wild abandon, eager to chronicle Christian’s quest.
Christian began his work with great enthusiasm. He painted walls, canvases, and even his pet parrot, who he thought could offer "colorful insights." Days turned into weeks, and Christian became increasingly obsessed with the hue, convinced that Pantone 321 held some cosmic significance. He started having conversations with the color, asking it profound questions about its existence and role in the universe.
Mustafa, on the other hand, was furiously typing away. His narrative described Pantone 321 as a "celestial shade that danced on the cusp of eternity," with a backstory involving ancient prophecies and a mythical mermaid who guarded the color in a hidden lagoon. He portrayed Christian as a mad genius on the brink of discovering the secrets of the universe, which he then wove into increasingly absurd tales of cosmic enlightenment.
0
0
The climax of their collaboration came during a grand unveiling ceremony. Christian, with great pomp, presented his masterpiece - a stunning canvas featuring a mesmerizing blend of colors that he believed encapsulated the essence of Pantone 321. The fashion elite, eagerly anticipating the revelation, stared in awe as the painter unveiled his work.
Mustafa, having prepared an elaborate speech, began to read aloud his dramatic narrative. He spoke of Christian’s spiritual journey and the mystical properties of the color. But as the audience watched, they realized something bizarre: the color Christian had painted was not Pantone 321 but an off-putting shade of greenish-brown that looked more like mildew than high fashion.
0
0
The room fell silent, and the fashion critics exchanged puzzled glances. Christian, noticing the confusion, muttered, "I think I might have mixed up the samples." Mustafa, refusing to be deterred, continued with his speech, declaring, "And thus, Pantone 321 transcends the very fabric of reality, transforming even mildew into an expression of eternal elegance!"
Despite the mix-up, the audience was captivated by the sheer absurdity of the situation. They applauded Christian’s audacious attempt and Mustafa’s imaginative storytelling. The mishap became the talk of the fashion world, and Pantone 321 became a symbol of creative unpredictability. Christian and Mustafa’s collaboration was remembered not for capturing the perfect color but for creating a legendary fiasco that epitomized the unpredictable nature of art and fashion.
And so, Pantone 321 lived on, not as a precise shade, but as an emblem of the colorful chaos that defines the world of high fashion.
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