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PANTONE 2935

PANTONE 2935

Parameters:
HEX Triplet:
#0068AF
RGB:
0, 104, 175
CMYK:
100, 52, 0, 0
HSL:
204°, 100%, 69%
Closest colors:
in PANTONE:
PANTONE 2144
in RAL Classic:
RAL 5015
in RAL Design:
RAL 230 40 40
in RAL Effect:
RAL 650-M
What color is PANTONE 2935? The Birth of Pantone 2935: A Tale of Unlikely Creators
2024-09-21 Snargl 02:10

What color is PANTONE 2935?

Blue sports car driving down a city street in a game scene with people walking by and a person walking by. Example of #0068AF color.
Woman with blue hair and black leather outfit with green leaves on her chest and a piercing on her head. Example of CMYK 100,52,0,0 color.
PANTONE 2935 belongs to the category of blue colors, and it has a bright and vivid hue.

The hexadecimal color code for this color is #0068AF, and the RGB color code is RGB 0, 104, 175.

The CMYK color code for PANTONE 2935 is 100, 52, 0, 0, which means that the color is composed of 100% cyan, 52% magenta, 0% yellow, and 0% black.

This color is widely used in various fields, such as graphic design, fashion, branding, and packaging.

It is a vibrant and eye-catching color that can convey a sense of energy, excitement, and confidence.

PANTONE 2935 can also be combined with other colors to create different effects and moods.

For instance, pairing this color with white can create a contrast and a sense of clarity, while pairing PANTONE 2935 with yellow can create a harmony and a sense of warmth.

Example of the palette with the PANTONE 2935 color

Picture with primary colors of Dark cerulean, Blue Gray, Onyx, Spiro Disco Ball and Pastel brown
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 4050-R90B
NCS S 2040-R80B
NCS S 9000-N
NCS S 1050-B50G
NCS S 5010-G90Y
RAL Classic
RAL 5010
RAL 5024
RAL 9005
RAL 5012
RAL 8000
RAL Design
RAL 260 30 35
RAL 260 60 35
RAL 170 20 20
RAL 210 60 40
RAL 040 40 20
Author:
Funny stories about the 'PANTONE 2935'

The Birth of Pantone 2935: A Tale of Unlikely Creators

Zahir Gold was a painter known not for his fame, but for his obsession with the perfect blue. For years, he had toiled in his small, cluttered studio, layering canvas after canvas with shades of blue - royal, navy, sky, azure - but none were right. None captured the depth and vibrancy that haunted his dreams. His passion had long since turned into madness, and the world outside his paint-spattered walls had forgotten him.

One night, under the flicker of dying candlelight, Zahir slumped over his latest failure. The blue he had created that day, a deep cobalt, was close but still lacked the pulse of life he so desperately sought. Despair gnawed at him, and he felt the weight of his failures pressing down on his chest.
Blue sports car driving down a race track with a crowd in the background. Example of RGB 0,104,175 color.

As he sat there, lost in his thoughts, a soft knock echoed from the door. It was Stella Black, the night cleaner. Stella was a quiet woman, overlooked by most, yet she carried an unspoken wisdom in her eyes. Every night, she would silently glide through the studio, sweeping away the remnants of Zahir's day - discarded brushes, broken pencils, and torn sketches.

That night, however, Stella hesitated as she entered the room. She saw Zahir slouched over, surrounded by chaos and the remnants of his frustration. Without a word, she began to clean, but her eyes were drawn to the unfinished painting on the easel. The blue was mesmerizing, yet she could see it wasn't complete.

Zahir noticed her lingering gaze. "It's wrong," he muttered. "I can't find it. The perfect blue."

Stella, usually reserved, found herself speaking. "Maybe it's not about finding it. Maybe it's about letting it find you."

Zahir stared at her, confused. Stella continued, "Colors have a life of their own. They're not just pigments - they're emotions, memories, pieces of the soul. Maybe you're trying too hard to control it."
Woman in a blue bra top with a futuristic design on her chest and chest. Example of CMYK 100,52,0,0 color.

Something about her words struck a chord deep within Zahir. He had never considered that his obsession might be the very thing blinding him. But before he could respond, Stella had moved on, sweeping the floor and gathering the trash.

The next morning, Zahir awoke with a new sense of clarity. Stella's words echoed in his mind. He decided to do something different - he would create without expectation, without control. He grabbed his palette and began mixing his blues with a looseness he hadn't felt in years. He let the colors flow freely, trusting them to find their own form.

Hours passed as Zahir lost himself in the process. He no longer thought about perfection; he simply let the paint guide him. And then, as if by some divine intervention, it happened. The blue on his palette began to shift and change, deepening and brightening, until it settled into a hue unlike any he had ever seen - a color that was both deep and vibrant, calming yet electrifying.

Panting, Zahir stepped back. The color on the canvas pulsed with an energy that seemed almost alive. It was perfect. He had done it. He had found the blue that had eluded him for so long. But it wasn't just his creation - it was a color born from his surrender, from the moment he had let go.

As the days passed, Zahir's discovery caught the attention of the art world. His new blue was named Pantone 2935, a shade that would go on to inspire designers, artists, and creators across the globe. But few knew the true story of its creation.

One night, long after his blue had become famous, Zahir stayed late in his studio, waiting for Stella. When she arrived, he presented her with a small, framed swatch of Pantone 2935.

"This belongs to you as much as it does to me," he said softly. Stella smiled, her eyes glistening with unspoken gratitude.

And so, the world came to know Pantone 2935 - a color born not just from the brush of a painter, but from the wisdom of a cleaner who understood that sometimes, the most stunning creations come not from control, but from letting go.
Author:

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