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PANTONE 288

PANTONE 288

Parameters:
HEX Triplet:
#223D72
RGB:
34, 61, 114
CMYK:
100, 80, 6, 32
HSL:
220°, 70%, 45%
Closest colors:
in PANTONE:
PANTONE 280
in RAL Classic:
RAL 5001
in RAL Design:
RAL 240 30 25
in RAL Effect:
RAL 680-M
in NCS:
NCS S 6020-R80B
What color is PANTONE 288? The Spectrum's Secret The Spectrum's Secret
2024-09-12 Snargl 03:10

What color is PANTONE 288?

PANTONE 288 color example: Night scene of a snowy town with a full moon in the sky and a mountain range in the background
Blue robot with horns and claws on his face and body. Color CMYK 100,80,6,32.
Plate of food with shrimp. Color PANTONE 288.
Blue bowl with a blue substance in it on a wooden table top with a light brown background. Example of PANTONE 288 color.
PANTONE 288 is a medium dark shade of cyan-blue with the following color values:
  • Hexadecimal: #223D72

  • RGB: 34, 61, 114

  • HSL: 220°, 70%, 45%

  • CMYK: 100%, 80%, 6%, 32%

It is used in the flag of the Central African Republic, as well as in the logos of some brands and organizations, such as Air France, NASA, and United Nations.

PANTONE 288 is a cool, deep, and elegant color that can evoke a sense of professionalism, trust, and authority.

Example of the palette with the PANTONE 288 color

Picture with primary colors of Prussian blue, Rust, Lapis lazuli, Moonstone blue and Bistre
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 6030-R80B
NCS S 3050-Y60R
NCS S 3050-R80B
NCS S 1550-R80B
NCS S 8005-Y20R
RAL Classic
RAL 5026
RAL 2001
RAL 5025
RAL 6034
RAL 3007
RAL Design
RAL 240 20 22
RAL 040 40 67
RAL 260 40 40
RAL 200 70 25
RAL 080 20 10
RAL Effect
RAL 620-M
RAL 440-6
RAL 640-4
RAL 680-1
RAL 790-5
Author:
Funny stories about the 'PANTONE 288'

The Spectrum's Secret

In a far away place, in the vibrant city of Neonapolis, where skyscrapers gleamed and advertisements danced in every hue, there was a hidden story waiting to unfold. This was the tale of how PANTONE 288, a seemingly simple shade of blue, transformed the world of design forever.

Manolo Xiang, a talented but underappreciated design student at the prestigious Neonapolis Academy of Arts, stumbled upon PANTONE 288 during a routine color assignment. Manolo was known for his insatiable curiosity and had a knack for seeing potential where others saw none. He was fascinated by the history and symbolism behind colors, and PANTONE 288, a deep, rich blue, intrigued him.

Julio Phoenix, an engineer working at the cutting-edge laboratory of Spectrum Dynamics, was Manolo's distant cousin. Julio was brilliant, a master of technology who had recently developed a revolutionary color projector that could manipulate hues in real-time with unparalleled precision. However, despite his innovations, he felt that something was missing, a deeper connection between technology and art that he couldn't quite grasp.

One evening, while Manolo was studying, he accidentally spilled a cup of coffee over his notes. The spilled liquid formed a stunning gradient of blue on the page, leading him to an epiphany. He realized that PANTONE 288 had a unique ability to evoke emotions, conveying depth, serenity, and sophistication like no other shade. His design project, originally uninspired, began to take shape with this new understanding.

Manolo decided to approach Julio with his findings, convinced that the engineer's technology could help him fully explore the potential of PANTONE 288. Julio, initially skeptical, agreed to a collaboration after seeing Manolo's fervor and the mysterious allure of the color. They began to experiment, using Julio's projector to create immersive environments bathed in the soothing blue hue.

Their work led to a breakthrough: they discovered that PANTONE 288 could be used to manipulate not just visual perceptions but also emotional responses. They designed an interactive exhibit, "The Blue Symphony," which used PANTONE 288 to transform spaces and moods. When visitors entered, they experienced a profound sense of calm and clarity. The exhibit was a hit, drawing crowds and accolades from the design community.

The success of "The Blue Symphony" brought PANTONE 288 to the forefront of design trends. Its impact was so profound that it inspired a new wave of creativity in architecture, fashion, and technology. Manolo and Julio's collaboration had unlocked a deeper connection between color and human experience, setting a new standard for how colors could be used to influence and enhance our lives.

As they stood together at the exhibit's opening night, surrounded by the calming blue glow of PANTONE 288, Manolo and Julio knew they had tapped into something extraordinary. Their story wasn't just about a color; it was about the power of innovation and the magic that happens when art and technology come together.

The spectrum had a secret, and they had revealed it.
Author:
Funny stories about the 'PANTONE 288'

The Spectrum's Secret

In a far away place, in the vibrant city of Neonapolis, where skyscrapers gleamed and advertisements danced in every hue, there was a hidden story waiting to unfold. This was the tale of how PANTONE 288, a seemingly simple shade of blue, transformed the world of design forever.

Manolo Xiang, a talented but underappreciated design student at the prestigious Neonapolis Academy of Arts, stumbled upon PANTONE 288 during a routine color assignment. Manolo was known for his insatiable curiosity and had a knack for seeing potential where others saw none. He was fascinated by the history and symbolism behind colors, and PANTONE 288, a deep, rich blue, intrigued him.

Julio Phoenix, an engineer working at the cutting-edge laboratory of Spectrum Dynamics, was Manolo's distant cousin. Julio was brilliant, a master of technology who had recently developed a revolutionary color projector that could manipulate hues in real-time with unparalleled precision. However, despite his innovations, he felt that something was missing, a deeper connection between technology and art that he couldn't quite grasp.

One evening, while Manolo was studying, he accidentally spilled a cup of coffee over his notes. The spilled liquid formed a stunning gradient of blue on the page, leading him to an epiphany. He realized that PANTONE 288 had a unique ability to evoke emotions, conveying depth, serenity, and sophistication like no other shade. His design project, originally uninspired, began to take shape with this new understanding.

Manolo decided to approach Julio with his findings, convinced that the engineer's technology could help him fully explore the potential of PANTONE 288. Julio, initially skeptical, agreed to a collaboration after seeing Manolo's fervor and the mysterious allure of the color. They began to experiment, using Julio's projector to create immersive environments bathed in the soothing blue hue.

Their work led to a breakthrough: they discovered that PANTONE 288 could be used to manipulate not just visual perceptions but also emotional responses. They designed an interactive exhibit, "The Blue Symphony," which used PANTONE 288 to transform spaces and moods. When visitors entered, they experienced a profound sense of calm and clarity. The exhibit was a hit, drawing crowds and accolades from the design community.

The success of "The Blue Symphony" brought PANTONE 288 to the forefront of design trends. Its impact was so profound that it inspired a new wave of creativity in architecture, fashion, and technology. Manolo and Julio's collaboration had unlocked a deeper connection between color and human experience, setting a new standard for how colors could be used to influence and enhance our lives.

As they stood together at the exhibit's opening night, surrounded by the calming blue glow of PANTONE 288, Manolo and Julio knew they had tapped into something extraordinary. Their story wasn't just about a color; it was about the power of innovation and the magic that happens when art and technology come together.

The spectrum had a secret, and they had revealed it.
Author:

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