Saint Patrick Blue
Cinereous
Coffee
Cream
UCLA Blue
0
0
2
6
0
PANTONE 2758
Parameters:
HEX Triplet:
#2E3066RGB:
46, 48, 102CMYK:
100, 95, 5, 39HSL:
238°, 55%, 40%Closest colors:
in RGB:
Saint Patrick Bluein PANTONE:
PANTONE 2112in RAL Classic:
RAL 5022in RAL Design:
RAL 280 20 30in RAL Effect:
RAL 590-5in NCS:
NCS S 5040-R70B 2024-09-05 Snargl 02:10
What color is PANTONE 2758?
PANTONE 2758 is a dark blue color that has different variations depending on the material and the printing process.
For example, PANTONE 2758 C is the coated version, which means it is applied on glossy paper or plastic.
PANTONE 2758 U is the uncoated version, which means it is applied on matte paper or fabric.
The hexadecimal color code for PANTONE 2758 U is ##444c77.
The RGB color model for PANTONE 2758 U is (68, 76, 119).
The CMYK color model for PANTONE 2758 U is (43, 36, 0, 53).
PANTONE 2758 can be used for various purposes, such as branding, packaging, signage, or clothing.
It can also be mixed with other colors to create different shades or harmonies.
For example, PANTONE 2758 can be paired with PANTONE Yellow C to create a contrast or with PANTONE Cool Gray C to create a tone.
PANTONE 2758 can also be converted to other color systems, such as RAL or NCS.
The closest RAL equivalent for PANTONE 2758 C is RAL-5022.
For example, PANTONE 2758 C is the coated version, which means it is applied on glossy paper or plastic.
PANTONE 2758 U is the uncoated version, which means it is applied on matte paper or fabric.
The hexadecimal color code for PANTONE 2758 U is ##444c77.
The RGB color model for PANTONE 2758 U is (68, 76, 119).
The CMYK color model for PANTONE 2758 U is (43, 36, 0, 53).
PANTONE 2758 can be used for various purposes, such as branding, packaging, signage, or clothing.
It can also be mixed with other colors to create different shades or harmonies.
For example, PANTONE 2758 can be paired with PANTONE Yellow C to create a contrast or with PANTONE Cool Gray C to create a tone.
PANTONE 2758 can also be converted to other color systems, such as RAL or NCS.
The closest RAL equivalent for PANTONE 2758 C is RAL-5022.
Example of the palette with the PANTONE 2758 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 4550-R70B
NCS S 0515-G80Y
RAL Classic
RAL 5002
RAL 7034
RAL 8024
RAL 9010
RAL 5023
Funny stories about the 'PANTONE 2758'
The Enigma of Pantone 2758
Far-far away, in the small coastal village of Caldera, the sea whispered secrets only the waves could understand. Christian Krang, a seasoned fisherman with a weathered face and deep-set eyes, knew the ocean better than most. Yet, the ocean's mysteries were not his only domain.
One crisp autumn morning, Christian stumbled upon a peculiar, shimmering fabric tangled in his nets. The cloth was a deep, hypnotic shade of violet, unlike anything he had ever seen. On its edge, a tag read: "PANTONE 2758."
Curiosity piqued, Christian took the fabric to Professor Julio White, a reclusive scholar and color theorist known for his eccentric experiments. Julio lived on the edge of the village, where his home was filled with canvases and color swatches from every corner of the globe.
Upon seeing the fabric, Julio’s eyes widened with intrigue. "Pantone 2758," he murmured. "This is not just a color. It’s a gateway."
Christian, puzzled, watched as Julio’s fingers traced the fabric. "What do you mean?"
Julio explained that Pantone 2758 was an enigmatic shade known to induce a state of heightened perception. Few people had ever witnessed its true power, and it was said to reveal hidden realms to those who truly understood it.
The professor took Christian on a journey into his lab, a labyrinth of colors and experiments. Julio began mixing various paints and solvents, creating a more concentrated form of Pantone 2758. As he painted a small section of the lab wall with the deep violet, a strange phenomenon occurred. The wall rippled and shimmered, as if it were a window into another world.
Without hesitation, Julio and Christian stepped through. They found themselves in a realm where colors were alive, and the air hummed with a vibrant energy. Pantone 2758 was the gateway to this dimension, a world where colors held consciousness and could interact with each other in ways the human eye could barely comprehend.
The realm was breathtaking - a swirling dance of colors in constant flux, each shade influencing the others. The deeper they ventured, the more Christian and Julio felt their senses heighten. They could hear the whispers of the colors, their emotions, and their ancient tales.
A luminous entity, shimmering in the exact hue of Pantone 2758, approached them. It introduced itself as Celestia, the guardian of this dimension. Celestia explained that the realm was in peril. A malicious force was attempting to drain the vibrancy from their world, leaving only a monochromatic void.
Julio and Christian realized that their presence was not by chance. The unique fabric Christian had found was a rare artifact that could restore balance to the realm. They were tasked with using it to weave a tapestry of Pantone 2758, which would rekindle the realm’s fading colors.
With Celestia’s guidance, Julio and Christian worked tirelessly, blending the fabric’s power with their own creativity. As they wove, the realm’s colors began to pulse with renewed life, their brilliance returning as they infused the tapestry with Pantone 2758.
The tapestry, a masterpiece of shifting hues, restored the dimension’s vitality. Celestia thanked them and, with a wave of its ethereal form, transported them back to their world.
Back in the lab, Julio and Christian looked at each other in awe. The journey had changed them. They understood that Pantone 2758 was not merely a color but a conduit to a deeper understanding of the universe’s beauty.
The fabric remained with Julio, a reminder of their extraordinary adventure. Christian resumed his fishing, but he often glanced at the ocean with new eyes, sensing the hidden colors within the waves. And Julio continued his studies, forever enchanted by the mysterious power of Pantone 2758 and the secrets it held.
In Caldera, the tale of the enigmatic color spread, a story whispered among the waves and painted into the very fabric of the village’s lore.
One crisp autumn morning, Christian stumbled upon a peculiar, shimmering fabric tangled in his nets. The cloth was a deep, hypnotic shade of violet, unlike anything he had ever seen. On its edge, a tag read: "PANTONE 2758."
Curiosity piqued, Christian took the fabric to Professor Julio White, a reclusive scholar and color theorist known for his eccentric experiments. Julio lived on the edge of the village, where his home was filled with canvases and color swatches from every corner of the globe.
Upon seeing the fabric, Julio’s eyes widened with intrigue. "Pantone 2758," he murmured. "This is not just a color. It’s a gateway."
Christian, puzzled, watched as Julio’s fingers traced the fabric. "What do you mean?"
Julio explained that Pantone 2758 was an enigmatic shade known to induce a state of heightened perception. Few people had ever witnessed its true power, and it was said to reveal hidden realms to those who truly understood it.
The professor took Christian on a journey into his lab, a labyrinth of colors and experiments. Julio began mixing various paints and solvents, creating a more concentrated form of Pantone 2758. As he painted a small section of the lab wall with the deep violet, a strange phenomenon occurred. The wall rippled and shimmered, as if it were a window into another world.
Without hesitation, Julio and Christian stepped through. They found themselves in a realm where colors were alive, and the air hummed with a vibrant energy. Pantone 2758 was the gateway to this dimension, a world where colors held consciousness and could interact with each other in ways the human eye could barely comprehend.
The realm was breathtaking - a swirling dance of colors in constant flux, each shade influencing the others. The deeper they ventured, the more Christian and Julio felt their senses heighten. They could hear the whispers of the colors, their emotions, and their ancient tales.
A luminous entity, shimmering in the exact hue of Pantone 2758, approached them. It introduced itself as Celestia, the guardian of this dimension. Celestia explained that the realm was in peril. A malicious force was attempting to drain the vibrancy from their world, leaving only a monochromatic void.
Julio and Christian realized that their presence was not by chance. The unique fabric Christian had found was a rare artifact that could restore balance to the realm. They were tasked with using it to weave a tapestry of Pantone 2758, which would rekindle the realm’s fading colors.
With Celestia’s guidance, Julio and Christian worked tirelessly, blending the fabric’s power with their own creativity. As they wove, the realm’s colors began to pulse with renewed life, their brilliance returning as they infused the tapestry with Pantone 2758.
The tapestry, a masterpiece of shifting hues, restored the dimension’s vitality. Celestia thanked them and, with a wave of its ethereal form, transported them back to their world.
Back in the lab, Julio and Christian looked at each other in awe. The journey had changed them. They understood that Pantone 2758 was not merely a color but a conduit to a deeper understanding of the universe’s beauty.
The fabric remained with Julio, a reminder of their extraordinary adventure. Christian resumed his fishing, but he often glanced at the ocean with new eyes, sensing the hidden colors within the waves. And Julio continued his studies, forever enchanted by the mysterious power of Pantone 2758 and the secrets it held.
In Caldera, the tale of the enigmatic color spread, a story whispered among the waves and painted into the very fabric of the village’s lore.
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