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PANTONE 274

PANTONE 274

Parameters:
HEX Triplet:
#302D63
RGB:
48, 45, 99
CMYK:
100, 100, 7, 38
HSL:
243°, 55%, 39%
Closest colors:
in PANTONE:
PANTONE 2758
in RAL Classic:
RAL 5022
in RAL Design:
RAL 290 20 35
in RAL Effect:
RAL 590-5
What color is PANTONE 274? The Chromatic Conquest
2024-09-12 Snargl 02:10

What color is PANTONE 274?

Black and blue circular object with a black background. Example of #302D63 color.
Woman in a cosplay outfit posing for a picture with her breasts exposed and large breasts exposed. Example of RGB 48,45,99 color.
PANTONE 274 is a dark shade of blue-magenta with a hexadecimal color code of #302D63.

In the RGB color model, it is composed of 18.82% red, 17.65% green, and 38.82% blue.

In the HSL color space, it has a hue of 243° (degrees), a saturation of 55%, and a lightness of 39%.

Example of the palette with the PANTONE 274 color

Picture with primary colors of Midnight Blue, Black, Pale mauve, Dark lava and Platinum
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
Author:
Funny stories about the 'PANTONE 274'

The Chromatic Conquest

Long time ago, in the bustling city of Coloropolis, where hues were more important than happiness, a quirky painter named Calvin Nova and a factory worker named Raj White were about to make history. Calvin was renowned for his flamboyant use of colors, but his most recent creation had left everyone baffled. He had discovered PANTONE 274 - a shade so bright and bold that it seemed to have its own gravitational pull.

Raj White, on the other hand, worked at the Coloropolis Color Factory, a place where paint was produced with the precision of a Swiss watchmaker and the creativity of a circus performer. His job was to mix colors, but lately, he had become bored with the drab shades of beige and off-white. Then came the fateful day when Calvin burst into the factory, holding a jar of PANTONE 274 like it was a bottle of vintage champagne.
Purple train traveling through a train station under a cloudy sky with purple clouds and lightning above it. Color CMYK 100,100,7,38.

"Raj, my friend!" Calvin exclaimed, "You must help me make this color the next big thing!"

Raj raised an eyebrow. "And why would I do that?"

Calvin leaned in, whispering conspiratorially. "Because this color is going to revolutionize motion design. It’s so vivid that it might just break the internet!"

Raj wasn’t easily swayed by grand promises. "Okay, show me what you’ve got."

Calvin opened the jar, and an otherworldly glow bathed the factory floor. Raj was immediately intrigued. They decided to test the color on a series of motion design projects - everything from animated commercials to explainer videos.
Skeleton in a suit with a helmet and a sword in his hand. Color #302D63.

The first project was a simple ad for a new cereal. When the PANTONE 274 was used, the cereal box seemed to levitate off the screen, the animated characters practically leaping into the viewers’ laps. The ad was a hit, but Raj and Calvin’s enthusiasm was only beginning.

Next, they used PANTONE 274 for a series of tutorial videos. The color was so vibrant that it started drawing crowds. People began gathering outside the Coloropolis studio, hoping to catch a glimpse of the magic. The local news dubbed it "The PANTONE Phenomenon."

Things took a hilarious turn when the factory accidentally mixed too much PANTONE 274 into a batch of paint for a local theater production. The actors, dressed in their new vibrant costumes, performed so energetically that the entire play turned into a chaotic dance party. The audience loved it, calling it the most entertaining disaster they’d ever seen.

Word spread fast, and soon, every motion designer in Coloropolis was clamoring for PANTONE 274. Calvin and Raj had become celebrities in their own right, with Calvin’s artistic genius and Raj’s precise mixing skills making them the dynamic duo of the color world.

But not everyone was thrilled. The city council, having a deep-seated dislike for anything outside of the standard grayscale, held an emergency meeting. "This PANTONE 274 nonsense must end!" they declared. "The citizens are getting too excited!"

In a final act of defiance, Calvin and Raj organized the "Colorpalooza Festival," where PANTONE 274 was the star of the show. The festival was a riot of color and joy, with people dancing in a sea of bright hues. The city council, unable to resist the overwhelming enthusiasm, had to concede.

PANTONE 274 had not only conquered the world of motion design but had also brightened up Coloropolis in ways nobody could have imagined. Calvin and Raj were hailed as heroes, and the color was forever celebrated as the vibrant force that had shaken up the city’s color palette.

And so, Calvin Nova and Raj White went down in history, not just as pioneers of a color revolution, but as the architects of joy in a city that had never known anything quite so colorful.
Author:

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