Dark jungle green
Tufts Blue
Topaz
Halaya Ube
Medium turquoise
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PANTONE 2736
Parameters:
HEX Triplet:
#374393RGB:
55, 67, 147CMYK:
97, 95, 0, 0HSL:
232°, 63%, 58%Closest colors:
in RGB:
Dark slate bluein PANTONE:
PANTONE 2117in RAL Classic:
RAL 5000in RAL Design:
RAL 280 30 40in RAL Effect:
RAL 590-6in NCS:
NCS S 3060-R70B 2024-09-05 Snargl 02:12
What color is PANTONE 2736?
The color of PANTONE 2736 is a medium dark shade of blue with a slight purple tint.
It has a hexadecimal value of #374393.
In the RGB color model, it has red, green and blue values of 21.57%, 26.27% and 57.65%.
In the HSL color space, it has a hue of 232° (degrees), 63% saturation and 58% lightness.
It has a hexadecimal value of #374393.
In the RGB color model, it has red, green and blue values of 21.57%, 26.27% and 57.65%.
In the HSL color space, it has a hue of 232° (degrees), 63% saturation and 58% lightness.
Example of the palette with the PANTONE 2736 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
Funny stories about the 'PANTONE 2736'
The Pantone Paradox
Long time ago, in the neon-drenched city of Neonvale, color was more than mere aesthetics - it was a revolution. Duncan Nova, a painter renowned for his masterful use of colors, and Raphael Honey, an engineer celebrated for his cutting-edge innovations, were about to reshape the world of fashion in ways no one could have imagined.
Duncan was fascinated by the new PANTONE 2736, a vibrant shade of blue that seemed to shimmer with an otherworldly glow. It was a color that appeared to defy the limits of light, changing subtly with every glance. But Duncan saw more than just a color; he saw a new frontier.
Raphael, meanwhile, had been working on a technology that could alter the physical properties of fabrics. His latest creation, a lightweight nanofiber, was designed to respond dynamically to external stimuli. When Duncan learned of Raphael’s innovation, he saw the perfect opportunity to make his vision of PANTONE 2736 a reality.
Their collaboration began in Duncan’s studio, where the painter and engineer brainstormed how to integrate Raphael's nanofibers with the unique properties of PANTONE 2736. The idea was ambitious: clothing that changed color based on environmental cues, emotions, or even music. They called their project "ChromaFlex."
As they worked, they discovered something astonishing. When Raphael's nanofibers were combined with PANTONE 2736, the color didn’t just shift with light - it seemed to interact with the wearer's mood. A garment made from this technology could reflect the wearer’s emotional state, changing from serene azure to a stormy indigo based on their feelings. This interaction added a new layer of personal expression to fashion.
The breakthrough came during a test run at Neonvale's annual fashion show. Duncan and Raphael unveiled their first collection: jackets, dresses, and suits that appeared to live and breathe with their wearers. As the models walked the runway, their garments danced through a spectrum of blues, capturing the audience’s attention.
But the true magic happened when the models began to interact with the crowd. The clothing responded to the excitement, shifting hues with the pulse of the music and the energy of the crowd. It wasn’t just a visual experience; it was an emotional one. The entire audience was captivated by the garments that seemed to resonate with the atmosphere.
The impact of their creation was profound. People began to embrace clothing that mirrored their inner selves, and the emotional connection to fashion grew stronger than ever before. Duncan and Raphael’s ChromaFlex technology not only revolutionized the fashion industry but also inspired a new era where personal expression and technology intertwined seamlessly.
Yet, the success of ChromaFlex was more than just a technological marvel. It sparked a movement towards clothing that bridged the gap between art and science, individuality and technology. Duncan and Raphael had created more than just a product; they had initiated a paradigm shift in how people experienced and expressed themselves through fashion.
In the end, the PANTONE 2736 color wasn’t just a hue - it was a symbol of innovation, emotion, and the endless possibilities that arise when creativity meets technology. And so, in the heart of Neonvale, Duncan Nova and Raphael Honey’s legacy was forever etched in the vibrant spectrum of the new age of fashion.
Duncan was fascinated by the new PANTONE 2736, a vibrant shade of blue that seemed to shimmer with an otherworldly glow. It was a color that appeared to defy the limits of light, changing subtly with every glance. But Duncan saw more than just a color; he saw a new frontier.
0
0
Raphael, meanwhile, had been working on a technology that could alter the physical properties of fabrics. His latest creation, a lightweight nanofiber, was designed to respond dynamically to external stimuli. When Duncan learned of Raphael’s innovation, he saw the perfect opportunity to make his vision of PANTONE 2736 a reality.
Their collaboration began in Duncan’s studio, where the painter and engineer brainstormed how to integrate Raphael's nanofibers with the unique properties of PANTONE 2736. The idea was ambitious: clothing that changed color based on environmental cues, emotions, or even music. They called their project "ChromaFlex."
As they worked, they discovered something astonishing. When Raphael's nanofibers were combined with PANTONE 2736, the color didn’t just shift with light - it seemed to interact with the wearer's mood. A garment made from this technology could reflect the wearer’s emotional state, changing from serene azure to a stormy indigo based on their feelings. This interaction added a new layer of personal expression to fashion.
0
0
The breakthrough came during a test run at Neonvale's annual fashion show. Duncan and Raphael unveiled their first collection: jackets, dresses, and suits that appeared to live and breathe with their wearers. As the models walked the runway, their garments danced through a spectrum of blues, capturing the audience’s attention.
But the true magic happened when the models began to interact with the crowd. The clothing responded to the excitement, shifting hues with the pulse of the music and the energy of the crowd. It wasn’t just a visual experience; it was an emotional one. The entire audience was captivated by the garments that seemed to resonate with the atmosphere.
0
0
The impact of their creation was profound. People began to embrace clothing that mirrored their inner selves, and the emotional connection to fashion grew stronger than ever before. Duncan and Raphael’s ChromaFlex technology not only revolutionized the fashion industry but also inspired a new era where personal expression and technology intertwined seamlessly.
Yet, the success of ChromaFlex was more than just a technological marvel. It sparked a movement towards clothing that bridged the gap between art and science, individuality and technology. Duncan and Raphael had created more than just a product; they had initiated a paradigm shift in how people experienced and expressed themselves through fashion.
In the end, the PANTONE 2736 color wasn’t just a hue - it was a symbol of innovation, emotion, and the endless possibilities that arise when creativity meets technology. And so, in the heart of Neonvale, Duncan Nova and Raphael Honey’s legacy was forever etched in the vibrant spectrum of the new age of fashion.
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