Charcoal
Old lavender
Lavender gray
Lavender purple
Anti-flash White
0
0
2
5
0
PANTONE 265
Parameters:
HEX Triplet:
#8D6CABRGB:
141, 108, 171CMYK:
52, 66, 0, 0HSL:
271°, 37%, 67%Closest colors:
in RGB:
Lavender purplein PANTONE:
PANTONE 2075in RAL Classic:
RAL 4011in RAL Design:
RAL 300 50 35in RAL Effect:
RAL 570-Min NCS:
NCS S 3030-R60B 2024-09-12 Snargl 02:10
What color is PANTONE 265?
PANTONE 265 has the following colour values:
RGB: 141, 108, 171
CMYK: 52, 66, 0, 0
HEX: #8D6CAB
Example of the palette with the PANTONE 265 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 7026
RAL 7003
RAL 7035
RAL 4011
RAL 9016
Funny stories about the 'PANTONE 265'
The Color Revolution: Pier and Stella's Grand Design
In a far away place, in the vibrant city of Chromaville, colors weren’t just a backdrop - they were a way of life. Among the dazzling spectrum, one hue stood out with a mysterious allure: PANTONE 265. This deep, electrifying purple was renowned for its intensity but seldom used beyond its conventional role.
Pier Storm, a painter with a wild mane of hair and an equally vibrant personality, was enchanted by PANTONE 265. For years, he’d used it in his canvases, creating swirling landscapes and abstract dreams, but felt it was time for something more revolutionary. His vision was to transform this singular color into something extraordinary.
One afternoon, as Pier worked on a mural that would bring a splash of color to the city’s drab walls, he had a revelation. "What if PANTONE 265 could do more than just paint? What if it could shape the future of design?" he mused, staring at the canvas. But Pier knew he needed more than just his artistic flair; he needed innovation.
Enter Stella Black, a brilliant engineer with a passion for blending technology and aesthetics. Stella was renowned for her groundbreaking work in integrating colors into new forms of design and engineering. When Pier approached her with his idea, her eyes sparkled with curiosity.
"Imagine using PANTONE 265 not just as a pigment, but as a part of interactive design," Pier explained. "It could be the cornerstone of a new era in color technology!"
Stella was intrigued. She had been experimenting with smart materials and interactive surfaces and saw immense potential in Pier’s idea. They began to collaborate, combining their expertise.
Pier painted vivid scenes on various surfaces while Stella developed a special formula that allowed PANTONE 265 to react to light and touch. They created interactive walls that changed hues and patterns based on the viewer's movements, transforming static art into dynamic experiences.
Their groundbreaking project, named "Purple Pulse," debuted at Chromaville’s Annual Design Expo. As attendees gathered, they were mesmerized by the walls that seemed to breathe and shift with every touch, revealing hidden patterns and luminous effects. PANTONE 265, once a simple color, now told stories, reacted to emotions, and interacted with its audience.
The success was beyond their wildest dreams. "Purple Pulse" became a sensation, revolutionizing how colors could be used in art and technology. People marveled at how a single color could bring such life to their surroundings.
Pier and Stella’s collaboration didn’t just make waves in Chromaville; it inspired a global movement towards integrating colors with interactive design, making everyday environments more engaging and personalized. Their innovative use of PANTONE 265 proved that sometimes, a single hue could spark a revolution, shaping the future in ways no one had imagined.
As the city of Chromaville basked in the glow of their achievement, Pier and Stella stood side by side, proud of their creation. They knew this was just the beginning, and together, they were ready to paint the world with even more extraordinary ideas.
Pier Storm, a painter with a wild mane of hair and an equally vibrant personality, was enchanted by PANTONE 265. For years, he’d used it in his canvases, creating swirling landscapes and abstract dreams, but felt it was time for something more revolutionary. His vision was to transform this singular color into something extraordinary.
0
0
One afternoon, as Pier worked on a mural that would bring a splash of color to the city’s drab walls, he had a revelation. "What if PANTONE 265 could do more than just paint? What if it could shape the future of design?" he mused, staring at the canvas. But Pier knew he needed more than just his artistic flair; he needed innovation.
Enter Stella Black, a brilliant engineer with a passion for blending technology and aesthetics. Stella was renowned for her groundbreaking work in integrating colors into new forms of design and engineering. When Pier approached her with his idea, her eyes sparkled with curiosity.
"Imagine using PANTONE 265 not just as a pigment, but as a part of interactive design," Pier explained. "It could be the cornerstone of a new era in color technology!"
0
0
Stella was intrigued. She had been experimenting with smart materials and interactive surfaces and saw immense potential in Pier’s idea. They began to collaborate, combining their expertise.
Pier painted vivid scenes on various surfaces while Stella developed a special formula that allowed PANTONE 265 to react to light and touch. They created interactive walls that changed hues and patterns based on the viewer's movements, transforming static art into dynamic experiences.
Their groundbreaking project, named "Purple Pulse," debuted at Chromaville’s Annual Design Expo. As attendees gathered, they were mesmerized by the walls that seemed to breathe and shift with every touch, revealing hidden patterns and luminous effects. PANTONE 265, once a simple color, now told stories, reacted to emotions, and interacted with its audience.
The success was beyond their wildest dreams. "Purple Pulse" became a sensation, revolutionizing how colors could be used in art and technology. People marveled at how a single color could bring such life to their surroundings.
Pier and Stella’s collaboration didn’t just make waves in Chromaville; it inspired a global movement towards integrating colors with interactive design, making everyday environments more engaging and personalized. Their innovative use of PANTONE 265 proved that sometimes, a single hue could spark a revolution, shaping the future in ways no one had imagined.
As the city of Chromaville basked in the glow of their achievement, Pier and Stella stood side by side, proud of their creation. They knew this was just the beginning, and together, they were ready to paint the world with even more extraordinary ideas.
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