Medium spring bud
Olive Drab
Gray-Tea Green
Zinnwaldite
Eggshell
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0
1
0
0
PANTONE 2422
Parameters:
HEX Triplet:
#2F9E31RGB:
47, 158, 49CMYK:
80, 0, 100, 0HSL:
121°, 70%, 62%Closest colors:
in RGB:
Forest greenin PANTONE:
PANTONE 2423in RAL Classic:
RAL 6018in RAL Design:
RAL 130 50 50in RAL Effect:
RAL 230-4in NCS:
NCS S 0575-G20Y 2024-10-01 Snargl 01:26
What color is PANTONE 2422?
PANTONE 2422 C is a medium dark shade of green with a hexadecimal color code of #2F9E31.
It has 18.43% red, 61.96% green, and 19.22% blue in the RGB color model, and a hue of 121°, a saturation of 70%, and a lightness of 62% in the HSL color space.
This color has an approximate wavelength of 548.88 nm, which means it is close to the green part of the visible spectrum.
PANTONE 2422 is available in various Pantone products, such as guides, chips, and books.
It can be used for different purposes, such as branding, packaging, or graphic design.
PANTONE 2422 is a vibrant and lively color that can evoke feelings of nature, freshness, and growth.
It has 18.43% red, 61.96% green, and 19.22% blue in the RGB color model, and a hue of 121°, a saturation of 70%, and a lightness of 62% in the HSL color space.
This color has an approximate wavelength of 548.88 nm, which means it is close to the green part of the visible spectrum.
PANTONE 2422 is available in various Pantone products, such as guides, chips, and books.
It can be used for different purposes, such as branding, packaging, or graphic design.
PANTONE 2422 is a vibrant and lively color that can evoke feelings of nature, freshness, and growth.
Example of the palette with the PANTONE 2422 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 1000
RAL 8008
RAL 9007
RAL 8022
RAL 9001
Funny stories about the 'PANTONE 2422'
The Chromatic Conundrum of Pantone 2422
Iona Steel, a visionary inventor known for her eccentric brilliance, sat hunched over her latest creation. Her workshop, a kaleidoscope of gadgets, gears, and neon sketches, thrummed with energy. Yet amidst the chaotic genius, her focus was fixed on a single, peculiar item: a vial of ink the color of deep twilight - Pantone 2422.
Pantone 2422 wasn't just any color. It was rumored to possess a peculiar quality that could alter the perception of reality itself. Iona had discovered it by accident while experimenting with dyes, and now, it was the centerpiece of her most ambitious project yet - a device she called the "Chromaflux."
The Chromaflux, a sleek metallic orb, was designed to harness the power of Pantone 2422, enabling users to manipulate the colors of their surroundings. With a twist of its dial, walls could turn into mesmerizing sunsets, floors into rippling oceans, and ceilings into starry skies. Iona's goal was to revolutionize the world of design, making environments not just livable but vibrantly alive.
But Iona was not alone in her workshop. Billy Black, the quiet, unassuming cleaner who had worked there for years, watched from the shadows as she toiled away. Billy had always been curious about Iona's inventions, though he never dared to ask questions. His job was to sweep, mop, and ensure the workshop remained a clean canvas for Iona's creativity.
One night, as Iona left for a rare evening of rest, she absentmindedly left the Chromaflux on her workbench. Billy, making his rounds, noticed the unusual device gleaming softly under the dim lights. The vial of Pantone 2422 seemed to call out to him, its rich hue pulsing with an almost magnetic pull.
Curiosity got the better of him. Billy approached the Chromaflux and, with a hesitant hand, turned the dial. Immediately, the workshop transformed. The cold concrete floor beneath him morphed into a lush meadow, the walls into cascading waterfalls, and the ceiling into a swirling aurora. Billy gasped, stumbling back in awe.
But then something unexpected happened. The colors began to shift, blurring and twisting in unpredictable ways. The once serene environment turned chaotic - flowers grew out of control, waterfalls surged violently, and the aurora above became a vortex of churning hues. Billy frantically tried to reverse the dial, but the Chromaflux seemed to have a mind of its own.
Just as the colors threatened to engulf him, Iona burst through the door. With quick, practiced movements, she grabbed the Chromaflux and deftly turned the dial back to its neutral position. The workshop snapped back to its original form, leaving Billy panting on the floor, surrounded by the familiar clutter.
Iona's eyes flashed with a mixture of anger and concern. "What did you do?" she demanded, helping Billy to his feet.
"I-I'm sorry," he stammered. "I didn't mean to… I was just curious."
She sighed, her expression softening. "Pantone 2422 is no ordinary color, Billy. It's not just about changing how things look. It interacts with emotions, with the very essence of perception. The Chromaflux is still a prototype, unstable and unpredictable."
Billy nodded, shamefaced. But Iona saw something in his eyes - a spark of wonder, of understanding. An idea began to form in her mind.
"Maybe," she mused, "what we need isn't just an inventor's touch, but a cleaner's perspective. Someone who understands the importance of balance, of keeping things in order." She smiled at Billy. "How would you like to help me perfect the Chromaflux?"
Billy blinked in surprise. "Me? But I'm just a cleaner."
"Not anymore," Iona said, placing the Chromaflux in his hands. "From now on, you're my assistant. Together, we'll tame this color, refine it, and create something truly extraordinary."
And so, the inventor and the cleaner became an unlikely team. With Iona's brilliance and Billy's newfound insight, they worked side by side, perfecting the Chromaflux and learning to harness the full potential of Pantone 2422. Their creation would go on to transform not just the world of design, but the very way people experienced the world around them.
And as for Billy, he discovered that sometimes, all it takes to change your life is a touch of color.
Pantone 2422 wasn't just any color. It was rumored to possess a peculiar quality that could alter the perception of reality itself. Iona had discovered it by accident while experimenting with dyes, and now, it was the centerpiece of her most ambitious project yet - a device she called the "Chromaflux."
The Chromaflux, a sleek metallic orb, was designed to harness the power of Pantone 2422, enabling users to manipulate the colors of their surroundings. With a twist of its dial, walls could turn into mesmerizing sunsets, floors into rippling oceans, and ceilings into starry skies. Iona's goal was to revolutionize the world of design, making environments not just livable but vibrantly alive.
But Iona was not alone in her workshop. Billy Black, the quiet, unassuming cleaner who had worked there for years, watched from the shadows as she toiled away. Billy had always been curious about Iona's inventions, though he never dared to ask questions. His job was to sweep, mop, and ensure the workshop remained a clean canvas for Iona's creativity.
One night, as Iona left for a rare evening of rest, she absentmindedly left the Chromaflux on her workbench. Billy, making his rounds, noticed the unusual device gleaming softly under the dim lights. The vial of Pantone 2422 seemed to call out to him, its rich hue pulsing with an almost magnetic pull.
Curiosity got the better of him. Billy approached the Chromaflux and, with a hesitant hand, turned the dial. Immediately, the workshop transformed. The cold concrete floor beneath him morphed into a lush meadow, the walls into cascading waterfalls, and the ceiling into a swirling aurora. Billy gasped, stumbling back in awe.
But then something unexpected happened. The colors began to shift, blurring and twisting in unpredictable ways. The once serene environment turned chaotic - flowers grew out of control, waterfalls surged violently, and the aurora above became a vortex of churning hues. Billy frantically tried to reverse the dial, but the Chromaflux seemed to have a mind of its own.
Just as the colors threatened to engulf him, Iona burst through the door. With quick, practiced movements, she grabbed the Chromaflux and deftly turned the dial back to its neutral position. The workshop snapped back to its original form, leaving Billy panting on the floor, surrounded by the familiar clutter.
Iona's eyes flashed with a mixture of anger and concern. "What did you do?" she demanded, helping Billy to his feet.
"I-I'm sorry," he stammered. "I didn't mean to… I was just curious."
She sighed, her expression softening. "Pantone 2422 is no ordinary color, Billy. It's not just about changing how things look. It interacts with emotions, with the very essence of perception. The Chromaflux is still a prototype, unstable and unpredictable."
Billy nodded, shamefaced. But Iona saw something in his eyes - a spark of wonder, of understanding. An idea began to form in her mind.
"Maybe," she mused, "what we need isn't just an inventor's touch, but a cleaner's perspective. Someone who understands the importance of balance, of keeping things in order." She smiled at Billy. "How would you like to help me perfect the Chromaflux?"
Billy blinked in surprise. "Me? But I'm just a cleaner."
"Not anymore," Iona said, placing the Chromaflux in his hands. "From now on, you're my assistant. Together, we'll tame this color, refine it, and create something truly extraordinary."
And so, the inventor and the cleaner became an unlikely team. With Iona's brilliance and Billy's newfound insight, they worked side by side, perfecting the Chromaflux and learning to harness the full potential of Pantone 2422. Their creation would go on to transform not just the world of design, but the very way people experienced the world around them.
And as for Billy, he discovered that sometimes, all it takes to change your life is a touch of color.
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