Steel blue
Laser Lemon
Urobilin
Lapis lazuli
Dark scarlet
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2
5
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PANTONE 2387
Parameters:
HEX Triplet:
#3569A7RGB:
53, 105, 167CMYK:
88, 56, 0, 0HSL:
213°, 68%, 65%Closest colors:
in RGB:
Lapis lazuliin PANTONE:
PANTONE 2132in RAL Classic:
RAL 5015in RAL Design:
RAL 240 50 30in RAL Effect:
RAL 640-3in NCS:
NCS S 3050-R80B 2024-09-04 Snargl 02:18
What color is PANTONE 2387?
PANTONE 2387 has different variants depending on the type of material or surface it is applied to, such as coated, uncoated, or plastic.
It is a shade of cyan-blue with 20.78% red, 41.18% green, and 65.49% blue in the RGB color model.
The hexadecimal color code of PANTONE 2387 is #3569A7.
It has a hue of 213°, a saturation of 68%, and a lightness of 65% in the HSL color space.
It has an approximate wavelength of 475.95 nm.
PANTONE 2387 is a dark and vibrant color that can create a strong contrast with lighter or warmer colors.
It can also evoke a sense of coolness, calmness, or professionalism.
Some possible applications of PANTONE 2387 are logos, graphics, textiles, or packaging.
It is a shade of cyan-blue with 20.78% red, 41.18% green, and 65.49% blue in the RGB color model.
The hexadecimal color code of PANTONE 2387 is #3569A7.
It has a hue of 213°, a saturation of 68%, and a lightness of 65% in the HSL color space.
It has an approximate wavelength of 475.95 nm.
PANTONE 2387 is a dark and vibrant color that can create a strong contrast with lighter or warmer colors.
It can also evoke a sense of coolness, calmness, or professionalism.
Some possible applications of PANTONE 2387 are logos, graphics, textiles, or packaging.
Example of the palette with the PANTONE 2387 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 2387'
The Color of Revolution
Anna Chen had always seen the world in earthy tones. As a farmer, her life was a cycle of browns, greens, and the occasional golden yellow of a ripe harvest. She lived in a small village where tradition was law, and innovation was often met with skepticism. The land provided, and the people were content. Or at least, that was the way it seemed.
Raj Rodriguez, on the other hand, was a writer whose world was filled with the vibrant hues of imagination. His life in the bustling city was a symphony of colors, but lately, he had grown weary of the same old shades. He yearned for something new, something that would stir his soul and ignite his creativity. That yearning led him to a peculiar interest - Pantone 2387.
Pantone 2387 was a color unlike any other. It was a deep, electric blue with a hint of violet, a shade that seemed to pulse with life and possibility. It was a color that had not been widely explored in design, and Raj was determined to change that. His quest for this new hue brought him to Anna's village, where he hoped to find inspiration away from the city's distractions.
When Raj arrived, he was struck by the village's simplicity. It was a place where time moved slowly, where the people were connected to the land and each other in ways he had never experienced. But something else caught his eye - the lack of color. The village seemed drained, as if it had been painted in shades of gray.
Anna was curious about the stranger in town. She had heard whispers about him - a city man with strange ideas about colors. When she met Raj, she was both intrigued and skeptical. Why would anyone come all the way to their village to talk about colors? And what was this Pantone 2387 he kept mentioning?
Raj explained his vision to Anna, how he believed that Pantone 2387 could revolutionize design, not just in the city but in places like her village. He saw it as a symbol of change, a way to bring new life to old traditions. Anna listened, but she was not convinced. The land provided everything they needed - why change?
But Raj was persistent. He showed Anna what Pantone 2387 could do, painting a small section of her barn in the vibrant hue. The color seemed to transform the structure, giving it an energy that was almost palpable. Anna couldn't deny the beauty of it, but she was still hesitant. Change was a frightening thing.
One night, as Anna lay awake, she thought about the color. It was like nothing she had ever seen, yet it felt strangely familiar, like a dream she couldn't quite remember. She wondered what it would be like to see the world in new colors, to break free from the traditions that bound her.
The next morning, Anna approached Raj with an idea. If Pantone 2387 was truly as revolutionary as he claimed, why not use it to paint something that mattered? Together, they chose to paint the village's old windmill, a symbol of the community's strength and resilience. It was a bold move, one that would either be celebrated or condemned.
As they worked, the villagers gathered, watching in silence as the windmill transformed before their eyes. When it was finished, the structure stood like a beacon against the sky, its vibrant color shimmering in the sunlight. The reaction was immediate and intense. Some villagers were horrified by the change, seeing it as an attack on their way of life. Others were mesmerized, drawn to the beauty and energy of the new color.
In the days that followed, the village was divided. Arguments broke out over the windmill, over the meaning of Pantone 2387, over the future of their home. But amidst the chaos, something incredible happened. People began to talk, to question, to dream of new possibilities. The color had sparked a revolution, not just in design, but in the hearts and minds of the villagers.
For Anna, the change was both exhilarating and terrifying. She had always been content with her life, but now she saw that there was more to the world than she had ever imagined. Raj, too, was changed. He had come to the village seeking inspiration, and he had found it - not just in the color, but in the people who embraced it.
In the end, Pantone 2387 became more than just a color. It became a symbol of transformation, of the power of new ideas to change the world. And as the village slowly began to accept the windmill and the color it bore, Anna and Raj knew that they had been part of something extraordinary - a revolution of the mind, painted in a shade of blue that would never be forgotten.
Raj Rodriguez, on the other hand, was a writer whose world was filled with the vibrant hues of imagination. His life in the bustling city was a symphony of colors, but lately, he had grown weary of the same old shades. He yearned for something new, something that would stir his soul and ignite his creativity. That yearning led him to a peculiar interest - Pantone 2387.
0
0
Pantone 2387 was a color unlike any other. It was a deep, electric blue with a hint of violet, a shade that seemed to pulse with life and possibility. It was a color that had not been widely explored in design, and Raj was determined to change that. His quest for this new hue brought him to Anna's village, where he hoped to find inspiration away from the city's distractions.
When Raj arrived, he was struck by the village's simplicity. It was a place where time moved slowly, where the people were connected to the land and each other in ways he had never experienced. But something else caught his eye - the lack of color. The village seemed drained, as if it had been painted in shades of gray.
Anna was curious about the stranger in town. She had heard whispers about him - a city man with strange ideas about colors. When she met Raj, she was both intrigued and skeptical. Why would anyone come all the way to their village to talk about colors? And what was this Pantone 2387 he kept mentioning?
Raj explained his vision to Anna, how he believed that Pantone 2387 could revolutionize design, not just in the city but in places like her village. He saw it as a symbol of change, a way to bring new life to old traditions. Anna listened, but she was not convinced. The land provided everything they needed - why change?
0
0
But Raj was persistent. He showed Anna what Pantone 2387 could do, painting a small section of her barn in the vibrant hue. The color seemed to transform the structure, giving it an energy that was almost palpable. Anna couldn't deny the beauty of it, but she was still hesitant. Change was a frightening thing.
One night, as Anna lay awake, she thought about the color. It was like nothing she had ever seen, yet it felt strangely familiar, like a dream she couldn't quite remember. She wondered what it would be like to see the world in new colors, to break free from the traditions that bound her.
The next morning, Anna approached Raj with an idea. If Pantone 2387 was truly as revolutionary as he claimed, why not use it to paint something that mattered? Together, they chose to paint the village's old windmill, a symbol of the community's strength and resilience. It was a bold move, one that would either be celebrated or condemned.
As they worked, the villagers gathered, watching in silence as the windmill transformed before their eyes. When it was finished, the structure stood like a beacon against the sky, its vibrant color shimmering in the sunlight. The reaction was immediate and intense. Some villagers were horrified by the change, seeing it as an attack on their way of life. Others were mesmerized, drawn to the beauty and energy of the new color.
0
0
In the days that followed, the village was divided. Arguments broke out over the windmill, over the meaning of Pantone 2387, over the future of their home. But amidst the chaos, something incredible happened. People began to talk, to question, to dream of new possibilities. The color had sparked a revolution, not just in design, but in the hearts and minds of the villagers.
For Anna, the change was both exhilarating and terrifying. She had always been content with her life, but now she saw that there was more to the world than she had ever imagined. Raj, too, was changed. He had come to the village seeking inspiration, and he had found it - not just in the color, but in the people who embraced it.
In the end, Pantone 2387 became more than just a color. It became a symbol of transformation, of the power of new ideas to change the world. And as the village slowly began to accept the windmill and the color it bore, Anna and Raj knew that they had been part of something extraordinary - a revolution of the mind, painted in a shade of blue that would never be forgotten.
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