Umber
Dark jungle green
Desert sand
Old lavender
Ecru
0
0
2
8
0
PANTONE 2376
Parameters:
HEX Triplet:
#596676RGB:
89, 102, 118CMYK:
71, 55, 33, 23HSL:
213°, 25%, 46%Closest colors:
in RGB:
Payne greyin PANTONE:
PANTONE 431in RAL Classic:
RAL 7031in RAL Design:
RAL 250 40 10in RAL Effect:
RAL 830-6in NCS:
NCS S 5010-R90B 2024-09-04 Snargl 02:16
What color is PANTONE 2376?
PANTONE 2376 is a medium dark shade of cyan-blue with a slight purple tint.
It has the following color values:
It is also available in other Pantone products, such as Pantone Solid Chips, Pantone Solid Color Set, and Pantone Plastic Standard Chips.
PANTONE 2376 is a versatile color that can create different effects depending on the context and the colors it is paired with.
For example, it can look elegant and sophisticated when combined with neutral tones, such as white, black, or gray.
This color can also look vibrant and playful when mixed with bright colors, such as yellow, pink, or green.
PANTONE 2376 is a color that can inspire creativity and imagination.
It has the following color values:
RGB: 89, 102, 118
HEX: #596676
CMYK: 71, 55, 33, 23
HSL: 213°, 25%, 46%
It is also available in other Pantone products, such as Pantone Solid Chips, Pantone Solid Color Set, and Pantone Plastic Standard Chips.
PANTONE 2376 is a versatile color that can create different effects depending on the context and the colors it is paired with.
For example, it can look elegant and sophisticated when combined with neutral tones, such as white, black, or gray.
This color can also look vibrant and playful when mixed with bright colors, such as yellow, pink, or green.
PANTONE 2376 is a color that can inspire creativity and imagination.
Example of the palette with the PANTONE 2376 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
Funny stories about the 'PANTONE 2376'
The Curious Chronicles of Pantone 2376
Far away, in the vibrant city of Chromopolis, where every street glistened with hues of creativity, there lived an eccentric inventor named Iona Ming. Iona was renowned for her ability to transform mundane objects into marvels of design. Her latest obsession was Pantone 2376, a bold and whimsical shade of pink that the city’s residents had come to regard as both curious and challenging.
One crisp autumn morning, Iona found herself in a conundrum. She had designed a marvelous contraption, the Luminance Prism, which could turn any color into a spectrum of shifting shades. However, the Prism had one flaw: it couldn’t quite capture the elusive magic of Pantone 2376. Desperate for a breakthrough, she called upon Mustafa Lantern, the city's most unassuming yet remarkably skilled cleaner.
Mustafa had a peculiar talent for discovering hidden potential in overlooked places. Though he wielded a mop and a bucket, he had a knack for understanding design principles and color dynamics, a gift few realized. Iona knew that if anyone could help her, it was Mustafa.
Upon entering Iona’s cluttered workshop, Mustafa’s eyes were drawn to a painting of Pantone 2376 on the wall. It was a riot of pink, vibrant and full of promise, but somehow lacking in its application.
"What’s the issue with Pantone 2376?" Mustafa asked, setting his bucket aside.
Iona sighed. "The Luminance Prism can’t seem to fully embrace its eccentricity. The color’s potential remains trapped, unable to shine through the Prism’s effects."
Mustafa looked thoughtful. "Maybe it’s not about how the Prism uses the color, but how the color is used in the design."
Intrigued, Iona watched as Mustafa began to clean the workshop, using Pantone 2376 to dye the mop water. The pink liquid sparkled as it swirled in the bucket, transforming mundane cleaning tasks into an enchanting display.
"Notice how the color changes when it interacts with different surfaces," Mustafa said, mopping the floor with an elegant dance. "It’s not just the Prism that needs to adapt, but the way we use the color in various contexts."
Inspired by Mustafa’s insight, Iona redesigned the Luminance Prism to harness not just the color but the interaction of Pantone 2376 with its environment. She incorporated reflective materials and textures that responded to the pink’s shifting properties.
The result was breathtaking. The Luminance Prism now showcased Pantone 2376 in its full glory, capturing its whimsical nature in ever-changing patterns that danced across walls, floors, and even clothing.
Word of the Prism’s transformation spread, and soon Chromopolis was alive with a new wave of creativity. Pantone 2376 became the city’s signature color, celebrated for its vibrant, ever-changing character. Designers and artists embraced the color in ways they had never imagined, from interactive street art to dynamic fashion pieces.
And so, the peculiar partnership between Iona Ming and Mustafa Lantern demonstrated a profound truth: the magic of design often lies in the unexpected collaborations and the willingness to see beyond the obvious. Pantone 2376, once a challenge, had become a symbol of innovation and creative synergy.
In the end, it wasn’t just the Luminance Prism that had changed the world of color - it was the insightful approach of a cleaner and an inventor who saw beyond the surface.
One crisp autumn morning, Iona found herself in a conundrum. She had designed a marvelous contraption, the Luminance Prism, which could turn any color into a spectrum of shifting shades. However, the Prism had one flaw: it couldn’t quite capture the elusive magic of Pantone 2376. Desperate for a breakthrough, she called upon Mustafa Lantern, the city's most unassuming yet remarkably skilled cleaner.
0
0
Mustafa had a peculiar talent for discovering hidden potential in overlooked places. Though he wielded a mop and a bucket, he had a knack for understanding design principles and color dynamics, a gift few realized. Iona knew that if anyone could help her, it was Mustafa.
Upon entering Iona’s cluttered workshop, Mustafa’s eyes were drawn to a painting of Pantone 2376 on the wall. It was a riot of pink, vibrant and full of promise, but somehow lacking in its application.
"What’s the issue with Pantone 2376?" Mustafa asked, setting his bucket aside.
Iona sighed. "The Luminance Prism can’t seem to fully embrace its eccentricity. The color’s potential remains trapped, unable to shine through the Prism’s effects."
Mustafa looked thoughtful. "Maybe it’s not about how the Prism uses the color, but how the color is used in the design."
0
0
Intrigued, Iona watched as Mustafa began to clean the workshop, using Pantone 2376 to dye the mop water. The pink liquid sparkled as it swirled in the bucket, transforming mundane cleaning tasks into an enchanting display.
"Notice how the color changes when it interacts with different surfaces," Mustafa said, mopping the floor with an elegant dance. "It’s not just the Prism that needs to adapt, but the way we use the color in various contexts."
Inspired by Mustafa’s insight, Iona redesigned the Luminance Prism to harness not just the color but the interaction of Pantone 2376 with its environment. She incorporated reflective materials and textures that responded to the pink’s shifting properties.
The result was breathtaking. The Luminance Prism now showcased Pantone 2376 in its full glory, capturing its whimsical nature in ever-changing patterns that danced across walls, floors, and even clothing.
0
0
Word of the Prism’s transformation spread, and soon Chromopolis was alive with a new wave of creativity. Pantone 2376 became the city’s signature color, celebrated for its vibrant, ever-changing character. Designers and artists embraced the color in ways they had never imagined, from interactive street art to dynamic fashion pieces.
And so, the peculiar partnership between Iona Ming and Mustafa Lantern demonstrated a profound truth: the magic of design often lies in the unexpected collaborations and the willingness to see beyond the obvious. Pantone 2376, once a challenge, had become a symbol of innovation and creative synergy.
In the end, it wasn’t just the Luminance Prism that had changed the world of color - it was the insightful approach of a cleaner and an inventor who saw beyond the surface.
You may find these posts interesting:
