Onyx
Ube
Pink pearl
Charcoal
Dark lavender
0
0
1
0
0
PANTONE 2367
Parameters:
HEX Triplet:
#5F599BRGB:
95, 89, 155CMYK:
80, 72, 0, 0HSL:
245°, 43%, 61%Closest colors:
in RGB:
UCLA Bluein PANTONE:
PANTONE 2725in RAL Classic:
RAL 5023in RAL Design:
RAL 290 40 40in RAL Effect:
RAL 610-6in NCS:
NCS S 2060-R70B 2024-09-04 Snargl 02:20
What color is PANTONE 2367?
PANTONE 2367 is a shade of blue-magenta with the following color values:
HEX: #5F599B
RGB: 95, 89, 155
CMYK: 80, 72, 0, 0
HSL: 245°, 43%, 61%
Example of the palette with the PANTONE 2367 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 4011
RAL 3015
RAL 7026
RAL 4005
Funny stories about the 'PANTONE 2367'
The Chromatic Revolution: A Tale of Pantone 2367
In a far away place, in the bustling cityscape of Neon Heights, a groundbreaking idea was about to unfold. Alexander Yamamoto, a visionary entrepreneur known for his daring ventures, and Eva Black, a brilliant engineer with an uncanny knack for color technology, were about to collaborate on something extraordinary.
Alexander had always been captivated by the intersection of art and technology. He was the founder of ColorWave Innovations, a company dedicated to revolutionizing how color was used in various industries. His latest obsession was Pantone 2367, a vibrant shade of pink that had recently gained attention for its striking, dynamic appearance. Alexander believed it had the potential to transform the world of polygraphy - a field steeped in tradition and dominated by mundane hues.
Eva Black was the lead engineer at Spectrum Labs, a cutting-edge facility specializing in color printing technologies. Her expertise in color calibration and material science was unparalleled. When Alexander approached her with his idea, Eva was intrigued but skeptical. She knew the risks involved in deviating from established norms, but her curiosity and passion for innovation got the better of her.
Their collaboration began with a series of intense brainstorming sessions. They envisioned a new kind of polygraphy that went beyond mere visual appeal. They wanted to create a multi-sensory experience where color could be felt as well as seen. The key was Pantone 2367 - a color they believed could trigger an emotional response in ways traditional colors could not.
The breakthrough came when Eva developed a revolutionary new ink blend. This special ink not only retained the vividness of Pantone 2367 but also interacted with light in such a way that it created dynamic, shifting patterns on the page. It was as if the ink had a life of its own, reacting to different angles and intensities of light, giving every printed material a unique, interactive quality.
Their first major test was a limited-edition art book named "The Chromatic Symphony," which featured works from leading contemporary artists. The book was printed using the new Pantone 2367 ink, and the results were nothing short of mesmerizing. Each page seemed to pulsate with energy, shifting from delicate pastels to vibrant bursts of color as the light hit it from various angles. The art leaped off the page, creating an immersive experience that captivated everyone who laid eyes on it.
The launch event for "The Chromatic Symphony" was held in the grand atrium of Neon Heights’ most prestigious gallery. As Alexander and Eva unveiled the book, the crowd gasped in awe. The book’s pages seemed to come alive under the gallery lights, transforming the space into a pulsating, colorful wonderland. People marveled at the way the ink interacted with the light, creating an ever-changing visual display.
But the true shocker came when the attendees realized the ink’s potential for applications beyond art. As the news spread, industries from advertising to interior design began exploring how Pantone 2367 could revolutionize their practices. The ink became a symbol of creativity and innovation, a testament to the power of daring ideas and collaborative spirit.
Alexander and Eva’s work had sparked a chromatic revolution. They had turned a simple color into a dynamic, immersive experience, proving that even the most traditional fields could be transformed with a touch of imagination and a splash of innovation. In the heart of Neon Heights, the legacy of Pantone 2367 lived on, reminding everyone that the boundaries of art and technology were only limited by their willingness to dream big.
Alexander had always been captivated by the intersection of art and technology. He was the founder of ColorWave Innovations, a company dedicated to revolutionizing how color was used in various industries. His latest obsession was Pantone 2367, a vibrant shade of pink that had recently gained attention for its striking, dynamic appearance. Alexander believed it had the potential to transform the world of polygraphy - a field steeped in tradition and dominated by mundane hues.
0
0
Eva Black was the lead engineer at Spectrum Labs, a cutting-edge facility specializing in color printing technologies. Her expertise in color calibration and material science was unparalleled. When Alexander approached her with his idea, Eva was intrigued but skeptical. She knew the risks involved in deviating from established norms, but her curiosity and passion for innovation got the better of her.
Their collaboration began with a series of intense brainstorming sessions. They envisioned a new kind of polygraphy that went beyond mere visual appeal. They wanted to create a multi-sensory experience where color could be felt as well as seen. The key was Pantone 2367 - a color they believed could trigger an emotional response in ways traditional colors could not.
The breakthrough came when Eva developed a revolutionary new ink blend. This special ink not only retained the vividness of Pantone 2367 but also interacted with light in such a way that it created dynamic, shifting patterns on the page. It was as if the ink had a life of its own, reacting to different angles and intensities of light, giving every printed material a unique, interactive quality.
Their first major test was a limited-edition art book named "The Chromatic Symphony," which featured works from leading contemporary artists. The book was printed using the new Pantone 2367 ink, and the results were nothing short of mesmerizing. Each page seemed to pulsate with energy, shifting from delicate pastels to vibrant bursts of color as the light hit it from various angles. The art leaped off the page, creating an immersive experience that captivated everyone who laid eyes on it.
The launch event for "The Chromatic Symphony" was held in the grand atrium of Neon Heights’ most prestigious gallery. As Alexander and Eva unveiled the book, the crowd gasped in awe. The book’s pages seemed to come alive under the gallery lights, transforming the space into a pulsating, colorful wonderland. People marveled at the way the ink interacted with the light, creating an ever-changing visual display.
But the true shocker came when the attendees realized the ink’s potential for applications beyond art. As the news spread, industries from advertising to interior design began exploring how Pantone 2367 could revolutionize their practices. The ink became a symbol of creativity and innovation, a testament to the power of daring ideas and collaborative spirit.
Alexander and Eva’s work had sparked a chromatic revolution. They had turned a simple color into a dynamic, immersive experience, proving that even the most traditional fields could be transformed with a touch of imagination and a splash of innovation. In the heart of Neon Heights, the legacy of Pantone 2367 lived on, reminding everyone that the boundaries of art and technology were only limited by their willingness to dream big.
You may find these posts interesting:
