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PANTONE 2360
Parameters:
HEX Triplet:
#84808FRGB:
132, 128, 143CMYK:
55, 45, 27, 10HSL:
256°, 10%, 56%Closest colors:
in RGB:
Battleship Greyin PANTONE:
PANTONE 2359in RAL Classic:
RAL 7046in RAL Design:
RAL 000 55 00in RAL Effect:
RAL 820-4in NCS:
NCS S 4010-R50B 2024-09-04 Snargl 01:00
What color is PANTONE 2360?
PANTONE 2360 has two variants: PANTONE 2360 C and PANTONE 2360 XGC.
The C stands for coated paper, while the XGC stands for extended gamut coated paper.
The color of PANTONE 2360 is a dark blue with a hint of purple.
It has a HEX value of #84808F and a CMYK value of 55, 45, 27, 10.
PANTONE 2360 can be used to create a professional, elegant, and sophisticated look.
It can also evoke feelings of trust, loyalty, and wisdom.
The C stands for coated paper, while the XGC stands for extended gamut coated paper.
The color of PANTONE 2360 is a dark blue with a hint of purple.
It has a HEX value of #84808F and a CMYK value of 55, 45, 27, 10.
PANTONE 2360 can be used to create a professional, elegant, and sophisticated look.
It can also evoke feelings of trust, loyalty, and wisdom.
Funny stories about the 'PANTONE 2360'
The Spectrum of Imagination
Far away, in the vibrant city of Veridia, where every corner burst with color, two unlikely friends were about to embark on an extraordinary journey. Connor Ford, a dedicated car service worker with a knack for fixing engines and an appreciation for simple joys, had always admired the colorful murals that adorned Veridia's streets. Then there was Professor Hubert Rodriguez, a retired art professor with a deep passion for the nuances of color theory and a penchant for whimsical ideas.
One sunny afternoon, Connor was under the hood of a classic car at his modest garage when Professor Rodriguez, carrying a portfolio of vibrant samples, strolled in. His eyes twinkled behind his glasses as he glanced around.
"Connor, my friend, I’ve been experimenting with a new color," Professor Rodriguez said, his voice carrying a hint of excitement. "It’s PANTONE 2360, and it’s absolutely magnificent."
Connor wiped his hands on a rag, curious. "PANTONE 2360? What’s so special about it?"
"Ah, it’s a lovely shade of pink, almost ethereal," the Professor explained. "But its true magic lies in how it interacts with light and shadow. I believe it has the potential to transform the world of print."
Connor nodded, intrigued. "So, what’s the plan?"
Professor Rodriguez’s eyes lit up. "I need your help to test this theory. Imagine if we could use PANTONE 2360 in a polygraphy project to create something truly captivating. I’ve always wanted to design a series of prints that tell a story through color. And I think your garage is the perfect backdrop for this experiment."
Connor’s curiosity was piqued. "My garage? How do you figure?"
"Think about it," the Professor said, spreading out the vibrant samples. "We can use the car’s surface as a canvas. PANTONE 2360 could be applied to create a visual narrative. The contrasting colors in the background and how the light reflects off the car could make for an incredible display."
Connor, always up for a new challenge, agreed. Over the next few days, they meticulously painted the car with PANTONE 2360, blending it with complementary colors and intricate designs that danced across the vehicle’s surface. Each stroke was deliberate, meant to showcase the unique qualities of the pink hue.
As they worked, the garage transformed into a lively studio, with Connor’s mechanical tools interspersed among paintbrushes and swatches. Their collaboration turned the project into a blend of art and engineering, with Connor’s practical skills enhancing the Professor’s artistic vision.
When the car was finally finished, it was nothing short of spectacular. The PANTONE 2360 shimmered under the sunlight, shifting from soft pink to deeper hues depending on the angle of the light. Passersby stopped in awe, drawn to the car’s vibrant display. The colors seemed to tell a story, capturing the imagination of everyone who saw it.
The project didn’t just showcase the power of PANTONE 2360; it highlighted the magic that happens when different perspectives come together. The garage, once a place of routine repairs, had become a canvas for creativity.
The local art community embraced the work, and soon, Connor and Professor Rodriguez were collaborating on more projects, blending their talents to push the boundaries of what could be achieved with color and design.
In the end, their experiment with PANTONE 2360 had not only created a masterpiece but also strengthened their bond. They learned that creativity knows no bounds and that sometimes, the most unexpected partnerships can lead to the most wonderful outcomes.
And so, in the city of Veridia, where color and imagination danced together, Connor Ford and Professor Hubert Rodriguez continued to explore new horizons, one vibrant hue at a time.
One sunny afternoon, Connor was under the hood of a classic car at his modest garage when Professor Rodriguez, carrying a portfolio of vibrant samples, strolled in. His eyes twinkled behind his glasses as he glanced around.
"Connor, my friend, I’ve been experimenting with a new color," Professor Rodriguez said, his voice carrying a hint of excitement. "It’s PANTONE 2360, and it’s absolutely magnificent."
Connor wiped his hands on a rag, curious. "PANTONE 2360? What’s so special about it?"
"Ah, it’s a lovely shade of pink, almost ethereal," the Professor explained. "But its true magic lies in how it interacts with light and shadow. I believe it has the potential to transform the world of print."
Connor nodded, intrigued. "So, what’s the plan?"
Professor Rodriguez’s eyes lit up. "I need your help to test this theory. Imagine if we could use PANTONE 2360 in a polygraphy project to create something truly captivating. I’ve always wanted to design a series of prints that tell a story through color. And I think your garage is the perfect backdrop for this experiment."
Connor’s curiosity was piqued. "My garage? How do you figure?"
"Think about it," the Professor said, spreading out the vibrant samples. "We can use the car’s surface as a canvas. PANTONE 2360 could be applied to create a visual narrative. The contrasting colors in the background and how the light reflects off the car could make for an incredible display."
Connor, always up for a new challenge, agreed. Over the next few days, they meticulously painted the car with PANTONE 2360, blending it with complementary colors and intricate designs that danced across the vehicle’s surface. Each stroke was deliberate, meant to showcase the unique qualities of the pink hue.
As they worked, the garage transformed into a lively studio, with Connor’s mechanical tools interspersed among paintbrushes and swatches. Their collaboration turned the project into a blend of art and engineering, with Connor’s practical skills enhancing the Professor’s artistic vision.
When the car was finally finished, it was nothing short of spectacular. The PANTONE 2360 shimmered under the sunlight, shifting from soft pink to deeper hues depending on the angle of the light. Passersby stopped in awe, drawn to the car’s vibrant display. The colors seemed to tell a story, capturing the imagination of everyone who saw it.
The project didn’t just showcase the power of PANTONE 2360; it highlighted the magic that happens when different perspectives come together. The garage, once a place of routine repairs, had become a canvas for creativity.
The local art community embraced the work, and soon, Connor and Professor Rodriguez were collaborating on more projects, blending their talents to push the boundaries of what could be achieved with color and design.
In the end, their experiment with PANTONE 2360 had not only created a masterpiece but also strengthened their bond. They learned that creativity knows no bounds and that sometimes, the most unexpected partnerships can lead to the most wonderful outcomes.
And so, in the city of Veridia, where color and imagination danced together, Connor Ford and Professor Hubert Rodriguez continued to explore new horizons, one vibrant hue at a time.
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