Pale gold
Mauve taupe
Dark olive
Wine
Cool grey
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3
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PANTONE 2338
Parameters:
HEX Triplet:
#E1A59CRGB:
225, 165, 156CMYK:
4, 39, 29, 0HSL:
8°, 31%, 88%Closest colors:
in RGB:
Tumbleweedin PANTONE:
PANTONE 1775in RAL Classic:
RAL 3015in RAL Design:
RAL 030 70 20in RAL Effect:
RAL 490-3in NCS:
NCS S 2020-R 2024-09-04 Snargl 02:08
What color is PANTONE 2338?
PANTONE 2338 has two variants: PANTONE 2338 C and PANTONE 2338 XGC.
The letter C stands for coated, which means the color is printed on a coated paper stock, while the letters XGC stand for extended gamut coated, which means the color is printed using a seven-color process that expands the range of colors available.
PANTONE 2338 is a bright and vibrant shade of pink with a hint of purple.
It has the following color values:
The letter C stands for coated, which means the color is printed on a coated paper stock, while the letters XGC stand for extended gamut coated, which means the color is printed using a seven-color process that expands the range of colors available.
PANTONE 2338 is a bright and vibrant shade of pink with a hint of purple.
It has the following color values:
RGB: 225, 165, 156
CMYK: 4, 39, 29, 0
HEX: #EE1A59C
Example of the palette with the PANTONE 2338 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 1000
RAL 4001
RAL 6025
RAL 3009
RAL 7001
Funny stories about the 'PANTONE 2338'
The Fabulous Fuchsia Fiasco: A Pantone Adventure
Long time ago, far away, in the whimsical world of Coloropolis, where every hue had its own personality and quirks, the latest sensation was Pantone 2338 - a shade of fuchsia so vibrant it practically danced. The denizens of Coloropolis were abuzz with excitement, but the ultimate question was: how could this bold color be used in industrial design without causing a riot of hilarity?
Enter Amir Ming, a renowned artist with a penchant for flamboyance and an uncanny ability to make the mundane magnificent. His studio was a riot of color, with paint splatters that had achieved sentience and were plotting their own art careers. Amir had been commissioned to integrate Pantone 2338 into an industrial design project, and he was determined to make it unforgettable.
Meanwhile, in the esteemed halls of the Coloropolis Institute of Design, Professor Vivienne McLeod was renowned for her analytical approach to aesthetics. Her office was a testament to her obsession with precision, with color swatches neatly arranged and a calendar that tracked the precise hue of each day. When she heard about Amir’s new project, she was intrigued but skeptical. The idea of using such an outrageous color in industrial design seemed both thrilling and terrifying.
Their worlds collided one bright morning in Amir’s studio. Professor McLeod arrived, armed with her trusty color wheel and an air of scholarly skepticism. Amir, in contrast, greeted her wearing a pair of fuchsia overalls and a matching beret.
"Ah, Professor McLeod!" Amir exclaimed, his voice bubbling with enthusiasm. "Welcome to the epicenter of fabulousness!"
Vivienne adjusted her glasses and surveyed the chaos. "Amir, I must admit, your enthusiasm is… unique. But can Pantone 2338 really be integrated into something as utilitarian as industrial design?"
Amir grinned, holding up a prototype - a vending machine for novelty socks. "Behold! This machine will dispense socks in any wild pattern you can imagine, all in Pantone 2338!"
Vivienne’s eyes widened. "A vending machine for novelty socks?"
"Yes!" Amir declared, twirling dramatically. "Imagine the possibilities! You’ll be at the office, in desperate need of comfort, and - bam! Out pops a pair of socks that could make even the dreariest of workdays shine!"
Professor McLeod’s skepticism began to waver as she saw the vending machine in action. With a press of a button, the machine whirred and out popped socks covered in everything from zebras wearing sunglasses to dancing tacos. The Pantone 2338 hue was dazzling, transforming each sock into a mini fashion statement.
Vivienne’s analytical mind was caught in a paradox. "I must admit, this is… unexpected. But how do you plan to make this practical?"
Amir’s eyes sparkled. "Practical? It’s not just practical; it’s revolutionary! We’re bringing joy to the workplace, one pair of fuchsia socks at a time!"
As the days went by, the vending machine became a sensation. Employees lined up during their breaks, eager to add a splash of fuchsia to their drab office wardrobes. The socks were so popular that soon the vending machine was commissioned for offices worldwide.
Professor McLeod found herself unexpectedly charmed. "Amir, I never thought I’d say this, but you’ve turned Pantone 2338 into something truly remarkable. Perhaps there’s more to this color than I realized."
Amir bowed theatrically. "Thank you, Professor! It’s all about embracing the extraordinary and adding a touch of whimsy to the everyday."
And so, Pantone 2338 became synonymous with joy and creativity, proving that even the most outlandish ideas could bring a splash of brilliance to the world of industrial design. Amir and Vivienne, once an odd couple, had forged a partnership that transformed their skepticism into celebration, all thanks to a little fuchsia magic.
Enter Amir Ming, a renowned artist with a penchant for flamboyance and an uncanny ability to make the mundane magnificent. His studio was a riot of color, with paint splatters that had achieved sentience and were plotting their own art careers. Amir had been commissioned to integrate Pantone 2338 into an industrial design project, and he was determined to make it unforgettable.
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0
Meanwhile, in the esteemed halls of the Coloropolis Institute of Design, Professor Vivienne McLeod was renowned for her analytical approach to aesthetics. Her office was a testament to her obsession with precision, with color swatches neatly arranged and a calendar that tracked the precise hue of each day. When she heard about Amir’s new project, she was intrigued but skeptical. The idea of using such an outrageous color in industrial design seemed both thrilling and terrifying.
Their worlds collided one bright morning in Amir’s studio. Professor McLeod arrived, armed with her trusty color wheel and an air of scholarly skepticism. Amir, in contrast, greeted her wearing a pair of fuchsia overalls and a matching beret.
"Ah, Professor McLeod!" Amir exclaimed, his voice bubbling with enthusiasm. "Welcome to the epicenter of fabulousness!"
Vivienne adjusted her glasses and surveyed the chaos. "Amir, I must admit, your enthusiasm is… unique. But can Pantone 2338 really be integrated into something as utilitarian as industrial design?"
Amir grinned, holding up a prototype - a vending machine for novelty socks. "Behold! This machine will dispense socks in any wild pattern you can imagine, all in Pantone 2338!"
Vivienne’s eyes widened. "A vending machine for novelty socks?"
"Yes!" Amir declared, twirling dramatically. "Imagine the possibilities! You’ll be at the office, in desperate need of comfort, and - bam! Out pops a pair of socks that could make even the dreariest of workdays shine!"
Professor McLeod’s skepticism began to waver as she saw the vending machine in action. With a press of a button, the machine whirred and out popped socks covered in everything from zebras wearing sunglasses to dancing tacos. The Pantone 2338 hue was dazzling, transforming each sock into a mini fashion statement.
Vivienne’s analytical mind was caught in a paradox. "I must admit, this is… unexpected. But how do you plan to make this practical?"
Amir’s eyes sparkled. "Practical? It’s not just practical; it’s revolutionary! We’re bringing joy to the workplace, one pair of fuchsia socks at a time!"
As the days went by, the vending machine became a sensation. Employees lined up during their breaks, eager to add a splash of fuchsia to their drab office wardrobes. The socks were so popular that soon the vending machine was commissioned for offices worldwide.
Professor McLeod found herself unexpectedly charmed. "Amir, I never thought I’d say this, but you’ve turned Pantone 2338 into something truly remarkable. Perhaps there’s more to this color than I realized."
Amir bowed theatrically. "Thank you, Professor! It’s all about embracing the extraordinary and adding a touch of whimsy to the everyday."
And so, Pantone 2338 became synonymous with joy and creativity, proving that even the most outlandish ideas could bring a splash of brilliance to the world of industrial design. Amir and Vivienne, once an odd couple, had forged a partnership that transformed their skepticism into celebration, all thanks to a little fuchsia magic.
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