Charcoal
Smoky black
Anti-flash White
Pastel violet
Copper rose
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2
5
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PANTONE 2336
Parameters:
HEX Triplet:
#494842RGB:
73, 72, 66CMYK:
76, 69, 68, 33HSL:
51°, 10%, 29%Closest colors:
in RGB:
Outer Spacein PANTONE:
PANTONE 447in RAL Classic:
RAL 7022in RAL Design:
RAL 100 30 05in RAL Effect:
RAL 840-6in NCS:
NCS S 6502-G 2024-09-04 Snargl 02:14
What color is PANTONE 2336?
PANTONE 2336 is a medium dark shade of brown with a slight reddish hue.
It has the following color values in different color models:
It is a versatile color that can be used for different purposes, such as backgrounds, text, logos, or accents.
It has the following color values in different color models:
Hex: #494842
RGB: 73, 72, 66
CMYK: 76, 69, 68, 33
HSL: 51°, 10%, 29%
It is a versatile color that can be used for different purposes, such as backgrounds, text, logos, or accents.
Example of the palette with the PANTONE 2336 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 2336'
The Chromatic Quest: A Symphony in PANTONE 2336
In a world where colors whisper secrets of innovation, Dr. Karl Arrow and Engineer Sandy Abloh stood on the brink of a chromatic breakthrough. Their mission? To unravel the mysteries behind PANTONE 2336 - a shade so vivid it seemed to vibrate with potential.
Dr. Arrow, a seasoned color scientist known for his groundbreaking research on chromatic phenomena, was intrigued by PANTONE 2336. It was a bold, electric hue of magenta with a touch of the avant-garde. The color promised to revolutionize the world of polygraphy, where ink and paper merged into a dance of hues and textures.
Sandy Abloh, a brilliant engineer with a penchant for pushing the boundaries of technology, joined forces with Dr. Arrow. She specialized in integrating colors into high-tech printing processes, turning theoretical possibilities into tangible results. Together, they embarked on an ambitious project: to study PANTONE 2336’s potential in polygraphy and explore its impact on print media.
Their journey began in Dr. Arrow’s lab, a cavern of curious contraptions and colorful experiments. The lab buzzed with activity as they prepared their first series of test prints. "This shade," Dr. Arrow explained, "could redefine visual aesthetics in ways we’ve never imagined."
Sandy nodded, adjusting the settings on a sophisticated printer. "But we need to understand how it interacts with different papers and inks. The devil’s in the details."
As they worked, the lab filled with the scent of fresh ink and the sound of printing presses in motion. Each print revealed a new facet of PANTONE 2336’s character. On glossy paper, the color danced with a vibrant intensity, while on matte surfaces, it took on a subtle, yet equally captivating, quality. The color’s adaptability fascinated them.
One evening, as they analyzed the latest prints, Sandy made a surprising discovery. "Karl, look at this!" she said, pointing to a print where PANTONE 2336 had combined with another hue. The result was a mesmerizing gradient that seemed to pulse with energy. "This color isn’t just vivid - it’s dynamic."
Dr. Arrow’s eyes widened with excitement. "This could be revolutionary for dynamic print designs! Imagine interactive posters or packaging that changes appearance based on viewing angles."
As they delved deeper, their research revealed that PANTONE 2336’s unique properties stemmed from its molecular structure. The color’s ability to shift and adapt could transform how print media engaged with viewers, creating an experience that was as fluid and interactive as digital media.
Their findings culminated in a grand presentation at a leading print technology conference. The audience was spellbound as Dr. Arrow and Sandy demonstrated the astonishing versatility of PANTONE 2336. The color’s vibrant, ever-shifting nature captivated designers and engineers alike.
The impact was profound. PANTONE 2336 became the cornerstone of a new era in polygraphy, sparking a wave of creative innovations. Dr. Arrow and Sandy Abloh’s collaboration had unlocked a new dimension of color, proving that sometimes, the brightest discoveries come from embracing the unexpected.
Their success was a testament to the power of curiosity and collaboration, reminding the world that in the realm of color, the most extraordinary possibilities are just waiting to be explored.
Dr. Arrow, a seasoned color scientist known for his groundbreaking research on chromatic phenomena, was intrigued by PANTONE 2336. It was a bold, electric hue of magenta with a touch of the avant-garde. The color promised to revolutionize the world of polygraphy, where ink and paper merged into a dance of hues and textures.
0
0
Sandy Abloh, a brilliant engineer with a penchant for pushing the boundaries of technology, joined forces with Dr. Arrow. She specialized in integrating colors into high-tech printing processes, turning theoretical possibilities into tangible results. Together, they embarked on an ambitious project: to study PANTONE 2336’s potential in polygraphy and explore its impact on print media.
Their journey began in Dr. Arrow’s lab, a cavern of curious contraptions and colorful experiments. The lab buzzed with activity as they prepared their first series of test prints. "This shade," Dr. Arrow explained, "could redefine visual aesthetics in ways we’ve never imagined."
Sandy nodded, adjusting the settings on a sophisticated printer. "But we need to understand how it interacts with different papers and inks. The devil’s in the details."
As they worked, the lab filled with the scent of fresh ink and the sound of printing presses in motion. Each print revealed a new facet of PANTONE 2336’s character. On glossy paper, the color danced with a vibrant intensity, while on matte surfaces, it took on a subtle, yet equally captivating, quality. The color’s adaptability fascinated them.
0
0
One evening, as they analyzed the latest prints, Sandy made a surprising discovery. "Karl, look at this!" she said, pointing to a print where PANTONE 2336 had combined with another hue. The result was a mesmerizing gradient that seemed to pulse with energy. "This color isn’t just vivid - it’s dynamic."
Dr. Arrow’s eyes widened with excitement. "This could be revolutionary for dynamic print designs! Imagine interactive posters or packaging that changes appearance based on viewing angles."
As they delved deeper, their research revealed that PANTONE 2336’s unique properties stemmed from its molecular structure. The color’s ability to shift and adapt could transform how print media engaged with viewers, creating an experience that was as fluid and interactive as digital media.
0
0
Their findings culminated in a grand presentation at a leading print technology conference. The audience was spellbound as Dr. Arrow and Sandy demonstrated the astonishing versatility of PANTONE 2336. The color’s vibrant, ever-shifting nature captivated designers and engineers alike.
The impact was profound. PANTONE 2336 became the cornerstone of a new era in polygraphy, sparking a wave of creative innovations. Dr. Arrow and Sandy Abloh’s collaboration had unlocked a new dimension of color, proving that sometimes, the brightest discoveries come from embracing the unexpected.
Their success was a testament to the power of curiosity and collaboration, reminding the world that in the realm of color, the most extraordinary possibilities are just waiting to be explored.
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