Coffee
Medium jungle green
Chamoisee
Papaya whip
Burlywood
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0
2
11
0
PANTONE 2335
Parameters:
HEX Triplet:
#555142RGB:
85, 81, 66CMYK:
70, 65, 73, 27HSL:
47°, 22%, 33%Closest colors:
in RGB:
Umberin PANTONE:
PANTONE 7519in RAL Classic:
RAL 7013in RAL Design:
RAL 060 30 10in RAL Effect:
RAL 840-6in NCS:
NCS S 6502-R 2024-09-04 Snargl 02:10
What color is PANTONE 2335?
PANTONE 2335 is a dark brown color with a hint of gray.
It has a HEX code of #555142, which means it is composed of 33.33% red, 31.76% green, and 25.88% blue in the RGB color space.
It also has a lightness value of 33% and a saturation value of 22%.
PANTONE 2335 can be used for various purposes, such as branding, packaging, fashion, or interior design.
It can create a sense of elegance, sophistication, or warmth when paired with other colors.
Some possible harmonies and shades of PANTONE 2335 are #47555E (its complement), #7C6E67 (a lighter shade), and #3F3830 (a darker shade).
PANTONE 2335 is available in different Pantone products, such as guides, chips, and books.
It has a HEX code of #555142, which means it is composed of 33.33% red, 31.76% green, and 25.88% blue in the RGB color space.
It also has a lightness value of 33% and a saturation value of 22%.
PANTONE 2335 can be used for various purposes, such as branding, packaging, fashion, or interior design.
It can create a sense of elegance, sophistication, or warmth when paired with other colors.
Some possible harmonies and shades of PANTONE 2335 are #47555E (its complement), #7C6E67 (a lighter shade), and #3F3830 (a darker shade).
PANTONE 2335 is available in different Pantone products, such as guides, chips, and books.
Example of the palette with the PANTONE 2335 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 2335'
The PANTONE 2335 Paradox
Long time ago, far away, in the bustling city of Innovatia, color was everything. From skyscrapers to subway stations, the city was a kaleidoscope of shades, each chosen for its precise psychological impact. But no color was more baffling and mysterious than PANTONE 2335, a hue so electric it defied description. It was as if someone had mixed neon pink with a splash of cosmic glitter, resulting in a shade that could make even the most mundane objects seem extraterrestrial.
Dr. Connor Powell, an eccentric industrial designer known for his over-the-top inventions, had recently become obsessed with PANTONE 2335. Connor was convinced this color had magical properties that could revolutionize industrial design. He worked tirelessly in his lab, surrounded by a sea of sketches, prototypes, and a particularly disgruntled robotic assistant named Gus.
Donna Honey, a seasoned writer with a knack for weaving tall tales, was intrigued by Connor's latest obsession. She had heard whispers of a project that promised to be as outrageous as it was groundbreaking. As Donna prepared to pen her next feature article, she decided to investigate this curious phenomenon firsthand.
Connor's lab was a riot of color, but PANTONE 2335 stood out like a shimmering beacon. Connor had applied it to everything: his coffee maker, his lab coat, and even Gus, who now resembled a glittery space cowboy. Donna arrived just as Connor was explaining his latest invention: the Quantum Colorifier 3000, a device that he claimed could turn any object into a PANTONE 2335 masterpiece.
"Welcome, Donna! Feast your eyes on this!" Connor exclaimed, his eyes gleaming with excitement. He gestured toward a mundane-looking chair that was about to undergo a transformation. He activated the Quantum Colorifier 3000 with a dramatic flourish, and the chair instantly became an explosion of PANTONE 2335. It sparkled and shimmered, making the chair look like it had been plucked from a galactic amusement park.
Donna, trying to hide her amusement, took meticulous notes while Connor elaborated on his theory. "PANTONE 2335," he explained, "has the power to induce euphoria and spontaneous dance parties. Imagine a world where every office chair, desk, and even traffic light is in this hue. Productivity would skyrocket, and so would dance-offs in the middle of meetings!"
Donna couldn’t resist a chuckle. "And what happens if someone doesn’t like the color? Or worse, if they’re allergic to it?"
Connor waved his hand dismissively. "Allergies? Nonsense! PANTONE 2335 is universally enchanting. I've tested it on myself and Gus here. Gus, perform a dance routine!"
Gus, the robotic assistant, started gyrating with mechanical precision, all the while emitting bursts of PANTONE 2335 from its sensors. Donna couldn’t help but laugh as Gus’s dance routine became increasingly elaborate, with spins and twirls that seemed to defy physics.
Just as Donna was preparing to wrap up her visit, something extraordinary happened. The Quantum Colorifier 3000, in a fit of overzealous enthusiasm, accidentally zapped an entire section of the lab. Everything within the affected area turned PANTONE 2335 - including a stack of blueprints, Connor's prized espresso machine, and even a very bewildered cat who had wandered in for a nap.
The lab was now a riot of shimmering PANTONE 2335 chaos. Connor looked around, dazed. "Well, this wasn’t in the plans. I suppose this is one way to test the color’s effects."
Donna, laughing uncontrollably, took out her phone to capture the surreal scene. "Connor, you’ve done it. You’ve turned your lab into a PANTONE 2335 wonderland. I think the world might just need a bit of this chaos."
And so, the story of Dr. Connor Powell’s quest to infuse every facet of life with PANTONE 2335 spread far and wide. Donna’s article, with its humorous take on the "PANTONE 2335 Paradox," became a sensation, and while the world didn’t exactly embrace a total PANTONE 2335 takeover, it did inspire a new trend: a splash of PANTONE 2335 here and there, proving that sometimes, a little chaos is exactly what’s needed to spark joy.
As for Connor and Donna, they remained friends, forever bonded by their shared adventure. The lab returned to normal, but the memory of the PANTONE 2335 escapade lived on - proof that even in the realm of industrial design, a bit of whimsy and wonder could make all the difference.
Dr. Connor Powell, an eccentric industrial designer known for his over-the-top inventions, had recently become obsessed with PANTONE 2335. Connor was convinced this color had magical properties that could revolutionize industrial design. He worked tirelessly in his lab, surrounded by a sea of sketches, prototypes, and a particularly disgruntled robotic assistant named Gus.
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0
Donna Honey, a seasoned writer with a knack for weaving tall tales, was intrigued by Connor's latest obsession. She had heard whispers of a project that promised to be as outrageous as it was groundbreaking. As Donna prepared to pen her next feature article, she decided to investigate this curious phenomenon firsthand.
Connor's lab was a riot of color, but PANTONE 2335 stood out like a shimmering beacon. Connor had applied it to everything: his coffee maker, his lab coat, and even Gus, who now resembled a glittery space cowboy. Donna arrived just as Connor was explaining his latest invention: the Quantum Colorifier 3000, a device that he claimed could turn any object into a PANTONE 2335 masterpiece.
"Welcome, Donna! Feast your eyes on this!" Connor exclaimed, his eyes gleaming with excitement. He gestured toward a mundane-looking chair that was about to undergo a transformation. He activated the Quantum Colorifier 3000 with a dramatic flourish, and the chair instantly became an explosion of PANTONE 2335. It sparkled and shimmered, making the chair look like it had been plucked from a galactic amusement park.
Donna, trying to hide her amusement, took meticulous notes while Connor elaborated on his theory. "PANTONE 2335," he explained, "has the power to induce euphoria and spontaneous dance parties. Imagine a world where every office chair, desk, and even traffic light is in this hue. Productivity would skyrocket, and so would dance-offs in the middle of meetings!"
Donna couldn’t resist a chuckle. "And what happens if someone doesn’t like the color? Or worse, if they’re allergic to it?"
0
0
Connor waved his hand dismissively. "Allergies? Nonsense! PANTONE 2335 is universally enchanting. I've tested it on myself and Gus here. Gus, perform a dance routine!"
Gus, the robotic assistant, started gyrating with mechanical precision, all the while emitting bursts of PANTONE 2335 from its sensors. Donna couldn’t help but laugh as Gus’s dance routine became increasingly elaborate, with spins and twirls that seemed to defy physics.
Just as Donna was preparing to wrap up her visit, something extraordinary happened. The Quantum Colorifier 3000, in a fit of overzealous enthusiasm, accidentally zapped an entire section of the lab. Everything within the affected area turned PANTONE 2335 - including a stack of blueprints, Connor's prized espresso machine, and even a very bewildered cat who had wandered in for a nap.
The lab was now a riot of shimmering PANTONE 2335 chaos. Connor looked around, dazed. "Well, this wasn’t in the plans. I suppose this is one way to test the color’s effects."
Donna, laughing uncontrollably, took out her phone to capture the surreal scene. "Connor, you’ve done it. You’ve turned your lab into a PANTONE 2335 wonderland. I think the world might just need a bit of this chaos."
And so, the story of Dr. Connor Powell’s quest to infuse every facet of life with PANTONE 2335 spread far and wide. Donna’s article, with its humorous take on the "PANTONE 2335 Paradox," became a sensation, and while the world didn’t exactly embrace a total PANTONE 2335 takeover, it did inspire a new trend: a splash of PANTONE 2335 here and there, proving that sometimes, a little chaos is exactly what’s needed to spark joy.
As for Connor and Donna, they remained friends, forever bonded by their shared adventure. The lab returned to normal, but the memory of the PANTONE 2335 escapade lived on - proof that even in the realm of industrial design, a bit of whimsy and wonder could make all the difference.
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