Sepia
Pale brown
Blond
Zinnwaldite
Pale mauve
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0
2
5
0
PANTONE 2308
Parameters:
HEX Triplet:
#5A561ARGB:
90, 86, 26CMYK:
10, 7, 98, 77HSL:
56°, 71%, 35%Closest colors:
in RGB:
Army Greenin PANTONE:
PANTONE 3995in RAL Classic:
RAL 8008in RAL Design:
RAL 080 30 26in RAL Effect:
RAL 330-5in NCS:
NCS S 6030-G70Y 2024-09-04 Snargl 02:10
What color is PANTONE 2308?
PANTONE 2308 has different variations depending on the type of material and printing process, such as coated, uncoated, or plastic.
It is not a very bright or vivid color, but rather a muted and earthy tone.
This color could be used for natural or organic themes, or to create contrast with darker or lighter colors.
The hexadecimal color code for PANTONE 2308 is #5A561A, which is composed of 35.29% red, 33.73% green and 10.2% blue.
In the HSL color space, it has a hue of 56° (degrees), 71% saturation and 35% lightness.
It is not a very bright or vivid color, but rather a muted and earthy tone.
This color could be used for natural or organic themes, or to create contrast with darker or lighter colors.
The hexadecimal color code for PANTONE 2308 is #5A561A, which is composed of 35.29% red, 33.73% green and 10.2% blue.
In the HSL color space, it has a hue of 56° (degrees), 71% saturation and 35% lightness.
Example of the palette with the PANTONE 2308 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
Funny stories about the 'PANTONE 2308'
The Pantone Paradox
In a far away place, in the bustling city of Veridion, where every building glowed with a spectrum of colors, an unusual sensation had begun to stir among the fashion elite. The latest buzz centered around an enigmatic shade known as Pantone 2308 - a color so bizarre it defied easy description, a hue that seemed to flicker between deep violet and a ghostly, iridescent green, like moonlight on an alien lake.
Gianni Chun, a car service worker with an unremarkable reputation for fixing transmissions and changing tires, had no interest in high fashion. His world revolved around grease stains and engine noise, until one rainy Thursday afternoon when a peculiar client rolled into his garage.
The client, a striking woman draped in a cloak of shimmering Pantone 2308, introduced herself as Donatella Buffalo, an eccentric writer with a passion for colors and a peculiar habit of scribbling notes in the margins of her notebooks. Her current obsession was the elusive shade that had appeared on the fashion scene, and she had a theory about its origins that she was eager to test.
"I need your help, Gianni," Donatella declared, handing him a frayed notebook filled with sketches of clothes and cryptic notes. "I’ve discovered that Pantone 2308 might not just be a color but a gateway to an alternate reality. I want to create a garment that harnesses its full potential. But first, I need to test the dye’s effects. Can you help me?"
Gianni, more intrigued by the strange woman’s urgency than by the color itself, agreed. The garage, normally a realm of exhaust fumes and engine parts, transformed into a makeshift fashion laboratory. Donatella’s instructions were bizarre, involving mixing dyes under specific moon phases and singing old ballads that seemed entirely unrelated to fabric dyeing.
As the weeks passed, Gianni found himself fascinated by Donatella’s obsession. He meticulously followed her odd procedures, and soon enough, the Pantone 2308 dye had taken on a life of its own. The color began to change unpredictably, shifting from soothing violet to an eerie, otherworldly green. Donatella sewed a dress with the unpredictable dye, and when she wore it, the results were astonishing.
The garment seemed to shimmer with its own internal light, and as Donatella paraded through the city in it, people began to notice that the world around her seemed to distort. Buildings appeared to lean and twist, while the sky above shifted through impossible hues. The color seemed to act as a prism, revealing hidden layers of reality.
Donatella’s fascination grew as she explored this new dimension. She found that Pantone 2308 didn’t just alter perception - it interacted with emotions and thoughts, reflecting back the wearer’s inner world in kaleidoscopic forms. Her experiments led her to write stories that weren’t bound by traditional narrative forms, capturing the essence of experiences that were otherwise inexpressible.
Gianni, once an indifferent mechanic, became a reluctant explorer of this altered reality. He witnessed the city’s transformation through the eyes of Pantone 2308, finding beauty in its shifting chaos. He discovered that the color wasn’t merely a spectacle but a gateway to understanding the unseen layers of existence, an extraordinary bridge between the mundane and the magical.
In the end, Donatella’s writing flourished, her tales blending reality with the dreamlike fabric of Pantone 2308. Gianni continued his work at the garage, but he never saw the world the same way again. He often caught glimpses of the extraordinary in the ordinary, thanks to the strange journey he had embarked upon with Donatella.
Veridion’s skyline remained a canvas of shifting colors, but the legend of Pantone 2308 lived on, a reminder that sometimes the most profound experiences can emerge from the most unexpected places, bridging the gap between reality and imagination.
Gianni Chun, a car service worker with an unremarkable reputation for fixing transmissions and changing tires, had no interest in high fashion. His world revolved around grease stains and engine noise, until one rainy Thursday afternoon when a peculiar client rolled into his garage.
0
0
The client, a striking woman draped in a cloak of shimmering Pantone 2308, introduced herself as Donatella Buffalo, an eccentric writer with a passion for colors and a peculiar habit of scribbling notes in the margins of her notebooks. Her current obsession was the elusive shade that had appeared on the fashion scene, and she had a theory about its origins that she was eager to test.
"I need your help, Gianni," Donatella declared, handing him a frayed notebook filled with sketches of clothes and cryptic notes. "I’ve discovered that Pantone 2308 might not just be a color but a gateway to an alternate reality. I want to create a garment that harnesses its full potential. But first, I need to test the dye’s effects. Can you help me?"
Gianni, more intrigued by the strange woman’s urgency than by the color itself, agreed. The garage, normally a realm of exhaust fumes and engine parts, transformed into a makeshift fashion laboratory. Donatella’s instructions were bizarre, involving mixing dyes under specific moon phases and singing old ballads that seemed entirely unrelated to fabric dyeing.
0
0
As the weeks passed, Gianni found himself fascinated by Donatella’s obsession. He meticulously followed her odd procedures, and soon enough, the Pantone 2308 dye had taken on a life of its own. The color began to change unpredictably, shifting from soothing violet to an eerie, otherworldly green. Donatella sewed a dress with the unpredictable dye, and when she wore it, the results were astonishing.
The garment seemed to shimmer with its own internal light, and as Donatella paraded through the city in it, people began to notice that the world around her seemed to distort. Buildings appeared to lean and twist, while the sky above shifted through impossible hues. The color seemed to act as a prism, revealing hidden layers of reality.
Donatella’s fascination grew as she explored this new dimension. She found that Pantone 2308 didn’t just alter perception - it interacted with emotions and thoughts, reflecting back the wearer’s inner world in kaleidoscopic forms. Her experiments led her to write stories that weren’t bound by traditional narrative forms, capturing the essence of experiences that were otherwise inexpressible.
Gianni, once an indifferent mechanic, became a reluctant explorer of this altered reality. He witnessed the city’s transformation through the eyes of Pantone 2308, finding beauty in its shifting chaos. He discovered that the color wasn’t merely a spectacle but a gateway to understanding the unseen layers of existence, an extraordinary bridge between the mundane and the magical.
In the end, Donatella’s writing flourished, her tales blending reality with the dreamlike fabric of Pantone 2308. Gianni continued his work at the garage, but he never saw the world the same way again. He often caught glimpses of the extraordinary in the ordinary, thanks to the strange journey he had embarked upon with Donatella.
Veridion’s skyline remained a canvas of shifting colors, but the legend of Pantone 2308 lived on, a reminder that sometimes the most profound experiences can emerge from the most unexpected places, bridging the gap between reality and imagination.
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