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PANTONE 2283

PANTONE 2283

Parameters:
HEX Triplet:
#B3CF8E
RGB:
179, 207, 142
CMYK:
35, 0, 61, 0
HSL:
86°, 31%, 81%
Closest colors:
in PANTONE:
PANTONE 2284
in RAL Classic:
RAL 1000
in RAL Design:
RAL 120 80 30
in RAL Effect:
RAL 760-3
What color is PANTONE 2283? The Case of the Pantone Pop
2024-09-04 Snargl 02:14

What color is PANTONE 2283?

Large green flower with leaves on a white background. Example of CMYK 35,0,61,0 color.
Forest with sun shining through the trees and flowers on the ground and grass on the ground. Color CMYK 35,0,61,0.
Green alien skull with a large head and large eyes and a mechanical body with a mechanical engine in the background
Wolf statue is standing on a rock in front of a full moon and a lake with trees in the foreground. Example of CMYK 35,0,61,0 color.
PANTONE 2283 is a medium light shade of green, with the hexadecimal color code #B3CF8E.

It has a hue of 86° (degrees), a saturation of 31%, and a lightness of 81% in the HSL color space.

This color is composed of 70.2% red, 81.18% green, and 55.69% blue in the RGB color model.

PANTONE 2283 is a vibrant and fresh color that is used for various purposes, such as branding, packaging, fashion, or interior design.

It can be paired with other colors to create different moods and effects.

For example, this color can be combined with white, black, or gray for a modern and minimalist look, or with yellow, orange, or pink for a playful and cheerful vibe.

PANTONE 2283 can also be contrasted with purple, blue, or brown for a more dramatic and sophisticated style.

Example of the palette with the PANTONE 2283 color

Picture with primary colors of Liver, Onyx, Shadow, Pastel gray and Laurel green
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 7024
RAL 9005
RAL 6013
RAL 9018
RAL 7032
RAL Design
RAL 360 30 05
RAL 170 20 20
RAL 080 50 20
RAL 080 80 05
RAL 110 70 10
Author:
Funny stories about the 'PANTONE 2283'

The Case of the Pantone Pop

Far-far away, in the bustling city of Innovopolis, where every corner echoed with the hum of creativity, two remarkable women were about to make color history. Cassandra Steel, the avant-garde painter known for her boundary-pushing designs, and Eva Rodriguez, the ingenious factory worker with a knack for turning the mundane into the magnificent, were about to collaborate on a project that would forever change the world of industrial design.

One crisp autumn morning, Cassandra strode into the factory with an air of excitement. Her latest obsession was a vivid shade she’d discovered in the Pantone color library: Pantone 2283 - a hue that combined the playful charm of bubblegum pink with the sophisticated undertones of lilac. It was as though cotton candy and a twilight sky had decided to have a chic dinner party.
PANTONE 2283 color example: Sculpture of a green object on a shelf with a tree in the background

"Eva!" Cassandra called out, spotting her collaborator amidst a sea of machinery and tools.

Eva, clad in her trademark overalls and a pair of neon safety goggles, looked up from her workbench. "Hey Cassandra! What’s the buzz?"

Cassandra unveiled a swatch of Pantone 2283 with a flourish. "Meet the star of our show! I’ve dubbed it ‘Euphoria Pink’ - it’s going to revolutionize industrial design!"

Eva raised an eyebrow. "Industrial design? Isn’t that usually all about grays, blues, and steel?"

"Precisely!" Cassandra replied, her eyes gleaming with mischief. "That’s why this will be a game-changer. We’re going to make factories fabulous."

Eva chuckled. "Alright, let’s see what Euphoria Pink can do."

And so, the experiment began. Cassandra’s vision was clear: she wanted to infuse the factory’s gritty, utilitarian environment with a splash of glamour and joy. She suggested painting machinery, tool handles, and even safety equipment in Pantone 2283.

Eva was skeptical but intrigued. "You’re thinking of painting the entire assembly line in pink?"
PANTONE 2283 color. Living room with a green couch and a table in it with a potted plant on the table

"Exactly!" Cassandra exclaimed. "Imagine the contrast - a burst of happiness amidst the sea of gray!"

After a few days of painting and re-painting, the factory transformed. Machines sparkled with their new pink sheen, and even the conveyor belts wore a coat of Euphoria Pink. The most unexpected change was the safety helmets. Now, instead of the standard yellow, workers donned helmets in the radiant hue of Pantone 2283.

At first, the workers were bewildered. "Why are we suddenly in a pink wonderland?" grumbled one of them, adjusting his new helmet.

Eva, grinning, replied, "It’s all part of Cassandra’s grand experiment. Who says industrial design can’t have a little fun?"

As days turned into weeks, something magical happened. The factory floor, once a dull place of monotony, became a lively and vibrant workspace. The pink machines seemed to hum with an added cheerfulness, and workers found themselves smiling more often. Productivity surged as the environment lifted everyone’s spirits.

One day, Cassandra and Eva stood back and admired their work. The factory was now a spectacle of Euphoria Pink, with a sense of joy that seemed almost tangible.

"Who would have thought that a color could make such a difference?" Eva mused.

Cassandra grinned. "Sometimes, it’s the smallest things that create the biggest impact. Pantone 2283 has proven that even in the most industrial of places, a splash of whimsy can bring a touch of magic."

As the factory continued to buzz with newfound energy, Cassandra and Eva became known as the dynamic duo who had turned industrial design on its head. Their project was celebrated not just for its innovation but for reminding everyone that a little bit of color could go a long way in brightening up even the grayest of days.

And so, in the heart of Innovopolis, Euphoria Pink became more than just a color - it became a symbol of the joy that creativity and collaboration could bring to even the most unexpected places.
Author:

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