Sepia
Smoky black
Pastel gray
Pale gold
Fulvous
0
0
2
8
0
PANTONE 2279
Parameters:
HEX Triplet:
#587528RGB:
88, 117, 40CMYK:
54, 0, 96, 51HSL:
83°, 66%, 46%Closest colors:
in RGB:
Sap greenin PANTONE:
PANTONE 364in RAL Classic:
RAL 6025in RAL Design:
RAL 110 40 40in RAL Effect:
RAL 250-6in NCS:
NCS S 4040-G50Y 2024-09-04 Snargl 02:12
What color is PANTONE 2279?
PANTONE 2279 is a medium dark shade of green with a hint of yellow.
This color has the following color values:
It is a vibrant and lively color that can evoke feelings of nature, freshness, and growth.
This color can also be associated with health, safety, and harmony.
Some possible applications of PANTONE 2279 are logos, packaging, posters, and clothing.
This color has the following color values:
RGB: 88, 117, 40
CMYK: 54, 0, 96, 51
HEX: #587528
It is a vibrant and lively color that can evoke feelings of nature, freshness, and growth.
This color can also be associated with health, safety, and harmony.
Some possible applications of PANTONE 2279 are logos, packaging, posters, and clothing.
Example of the palette with the PANTONE 2279 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 8029
RAL 9005
RAL 9018
RAL 1000
RAL 2000
Funny stories about the 'PANTONE 2279'
The Pantone Predicament
Long time ago, in the quirky town of Colorville, where everyone knew the exact shade of their neighbor's mood, a peculiar event was unfolding. Pantone 2279, a vibrant shade of pink dubbed "Fuchsia Frenzy," had just been released, and everyone was buzzing about how to use this bold color in their designs. Enter Anna Storm, the local car service worker with a penchant for unconventional problem-solving, and Donna Chanel, the writer whose creative flair was matched only by her collection of colorful pens.
Anna Storm, known for her aptitude for fixing cars with a wrench in one hand and a bright pink donut in the other, was having a particularly dull day. Her garage, which usually brimmed with the sound of engines and the smell of motor oil, had been quiet. The only excitement came from the new Pantone color sample that had arrived in the mail, which she had pinned up on her bulletin board out of sheer curiosity.
Donna Chanel, meanwhile, was wrestling with writer’s block at her cozy café-desk, staring at the very same Pantone 2279 color swatch that Anna had. She had been tasked with designing a new book cover that incorporated the fuchsia hue, but every idea she sketched seemed either too outrageous or just plain baffling.
Their paths crossed when Donna, in need of inspiration, decided to take her car to Anna’s garage for a much-needed oil change. As she waited, Donna’s eyes wandered to the bulletin board and landed on the Pantone sample.
"That's the new Pantone 2279, isn't it?" Donna asked, pointing to the swatch with a hopeful look.
Anna, wiping her greasy hands on a pink rag that clashed hilariously with her coveralls, nodded. "Yep, that’s the one. I’ve been wondering what to do with it myself. Any ideas?"
Donna sighed dramatically. "None that won’t get me laughed out of the publishing world. I’m supposed to use this fuchsia for a book cover, but everything I’ve come up with is either a disaster or something that looks like a neon circus."
Anna chuckled. "Neon circus, huh? I can see it now. Maybe we should just embrace the chaos. Sometimes the best designs come from the craziest ideas."
With that, the two women decided to brainstorm together. They started by combining their talents: Donna’s imagination and Anna’s mechanical ingenuity. They drew inspiration from the unlikely place - the garage. What if they transformed the book cover into something truly extraordinary?
Anna suggested, "Why not turn the fuchsia into something that’s never been seen before? How about a book cover that’s actually a pop-up car garage?"
Donna’s eyes widened. "A pop-up garage with cars in Pantone 2279! That’s insane!"
But they were just getting started. They spent the afternoon gluing together mini cardboard cars, painting them with the fuchsia hue, and creating a cover that unfolded into a tiny, working garage scene. The cars, though slightly crooked and hilariously disproportionate, sparkled in their vibrant pink glory.
The finished book cover looked like a mad scientist’s dream: a pop-up mechanic shop with fuchsia cars, bright pink tools, and even a mini Anna Storm and Donna Chanel made out of paper. It was outrageous, unforgettable, and undeniably eye-catching.
When the cover hit the bookstores, it became an instant sensation - not necessarily for its literary content, but for the sheer audacity of its design. Readers lined up to see the "world’s first pop-up car book cover" and couldn’t stop talking about the hilariously unexpected use of Pantone 2279.
Anna and Donna, basking in their newfound fame, decided that maybe the world was ready for a little chaos after all. And though they never quite solved the mystery of fuchsia’s true purpose, they learned that sometimes the best ideas come from mixing a little creativity with a lot of laughter.
And so, in the end, Colorville had not only a new book sensation but also two friends who’d embraced the absurdity and turned it into an unforgettable adventure.
Anna Storm, known for her aptitude for fixing cars with a wrench in one hand and a bright pink donut in the other, was having a particularly dull day. Her garage, which usually brimmed with the sound of engines and the smell of motor oil, had been quiet. The only excitement came from the new Pantone color sample that had arrived in the mail, which she had pinned up on her bulletin board out of sheer curiosity.
Donna Chanel, meanwhile, was wrestling with writer’s block at her cozy café-desk, staring at the very same Pantone 2279 color swatch that Anna had. She had been tasked with designing a new book cover that incorporated the fuchsia hue, but every idea she sketched seemed either too outrageous or just plain baffling.
Their paths crossed when Donna, in need of inspiration, decided to take her car to Anna’s garage for a much-needed oil change. As she waited, Donna’s eyes wandered to the bulletin board and landed on the Pantone sample.
"That's the new Pantone 2279, isn't it?" Donna asked, pointing to the swatch with a hopeful look.
Anna, wiping her greasy hands on a pink rag that clashed hilariously with her coveralls, nodded. "Yep, that’s the one. I’ve been wondering what to do with it myself. Any ideas?"
Donna sighed dramatically. "None that won’t get me laughed out of the publishing world. I’m supposed to use this fuchsia for a book cover, but everything I’ve come up with is either a disaster or something that looks like a neon circus."
Anna chuckled. "Neon circus, huh? I can see it now. Maybe we should just embrace the chaos. Sometimes the best designs come from the craziest ideas."
With that, the two women decided to brainstorm together. They started by combining their talents: Donna’s imagination and Anna’s mechanical ingenuity. They drew inspiration from the unlikely place - the garage. What if they transformed the book cover into something truly extraordinary?
Anna suggested, "Why not turn the fuchsia into something that’s never been seen before? How about a book cover that’s actually a pop-up car garage?"
Donna’s eyes widened. "A pop-up garage with cars in Pantone 2279! That’s insane!"
But they were just getting started. They spent the afternoon gluing together mini cardboard cars, painting them with the fuchsia hue, and creating a cover that unfolded into a tiny, working garage scene. The cars, though slightly crooked and hilariously disproportionate, sparkled in their vibrant pink glory.
The finished book cover looked like a mad scientist’s dream: a pop-up mechanic shop with fuchsia cars, bright pink tools, and even a mini Anna Storm and Donna Chanel made out of paper. It was outrageous, unforgettable, and undeniably eye-catching.
When the cover hit the bookstores, it became an instant sensation - not necessarily for its literary content, but for the sheer audacity of its design. Readers lined up to see the "world’s first pop-up car book cover" and couldn’t stop talking about the hilariously unexpected use of Pantone 2279.
Anna and Donna, basking in their newfound fame, decided that maybe the world was ready for a little chaos after all. And though they never quite solved the mystery of fuchsia’s true purpose, they learned that sometimes the best ideas come from mixing a little creativity with a lot of laughter.
And so, in the end, Colorville had not only a new book sensation but also two friends who’d embraced the absurdity and turned it into an unforgettable adventure.
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