Dark spring green
Onyx
Dark sea green
Pale Sandy Brown
Pale blue
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PANTONE 2250
Parameters:
HEX Triplet:
#21A16DRGB:
33, 161, 109CMYK:
79, 0, 67, 0HSL:
156°, 80%, 63%Closest colors:
in RGB:
Jadein PANTONE:
PANTONE 7724in RAL Classic:
RAL 5018in RAL Design:
RAL 150 60 50in RAL Effect:
RAL 220-2in NCS:
NCS S 3040-G 2024-09-04 Snargl 02:14
What color is PANTONE 2250?
PANTONE 2250 is a medium dark shade of green-cyan with the following color values:
PANTONE 2250 is a vibrant and refreshing color that can be used for various purposes, such as branding, packaging, fashion, home decor, and more.
RGB: 33, 161, 109
HEX: #21A16D
CMYK: 79, 0, 67, 0
HSL: 156, 80, 63
PANTONE 2250 is a vibrant and refreshing color that can be used for various purposes, such as branding, packaging, fashion, home decor, and more.
Example of the palette with the PANTONE 2250 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 2250'
The Spectrum Symphony
In a world where color reigned supreme, Karl Moon, a brilliant inventor, had always been obsessed with pushing the boundaries of what was possible in motion design. Karl was a recluse, known for his eccentric creations and unyielding dedication to his craft. His latest obsession was PANTONE 2250, a color so vivid it seemed to pulse with its own heartbeat. This shade of magenta, with its almost supernatural vibrancy, held the promise of revolutionizing the field of visual art.
Karl had spent years experimenting with PANTONE 2250, blending it with various algorithms and motion patterns. The result was a mesmerizing array of animated visuals that seemed to transcend ordinary design. Yet, something was missing - an element that could articulate the depth and emotion embedded in this extraordinary color.
Enter Tommy Stewart, a writer renowned for his lyrical prose and deep understanding of the human experience. Tommy was captivated by the stories behind visual art, and when he heard about Karl's groundbreaking work with PANTONE 2250, he knew he had to be a part of it. The two met in a quaint coffee shop, where Tommy's eyes sparkled with curiosity.
"Your work with PANTONE 2250 is incredible," Tommy said, sipping his espresso. "But there's a story here waiting to be told. Let me help you find it."
Karl, initially skeptical, agreed. The duo embarked on a journey of discovery, blending Karl's technical genius with Tommy's narrative flair. Together, they explored how PANTONE 2250 could evoke emotions in motion design that words alone could not capture.
Their collaboration led to the creation of "Spectrum Symphony," an animated short that seamlessly integrated PANTONE 2250 into a rich tapestry of motion and narrative. Each frame of the animation was a dance of color and light, choreographed to tell a story of a fantastical world where emotions took physical form and color became a language of its own.
The plot of "Spectrum Symphony" revolved around a realm known as Chromatia, where colors had consciousness and each hue played a distinct role in maintaining harmony. PANTONE 2250, personified as a vibrant, charismatic entity, was the key to restoring balance when the world began to lose its vibrancy. Through a series of visually stunning sequences and poetic narration, the film depicted PANTONE 2250's journey to unite the fragmented colors and reignite the spectrum's brilliance.
As the film debuted at a prestigious motion design festival, it captivated audiences with its breathtaking visuals and profound storytelling. The integration of PANTONE 2250 wasn't just a technical marvel; it was a powerful narrative device that brought the characters and their world to life in ways never before seen.
The success of "Spectrum Symphony" propelled Karl and Tommy into the spotlight, transforming their collaboration into a celebrated example of how color and narrative could intertwine to create something truly extraordinary. PANTONE 2250 had found its voice, and in the hands of these two visionaries, it had reshaped the landscape of motion design forever.
In the end, Karl Moon and Tommy Stewart's partnership was a testament to the idea that even the most unusual applications of color could find their place in the world, not merely as visual elements, but as integral parts of a larger, more profound story.
Karl had spent years experimenting with PANTONE 2250, blending it with various algorithms and motion patterns. The result was a mesmerizing array of animated visuals that seemed to transcend ordinary design. Yet, something was missing - an element that could articulate the depth and emotion embedded in this extraordinary color.
0
0
Enter Tommy Stewart, a writer renowned for his lyrical prose and deep understanding of the human experience. Tommy was captivated by the stories behind visual art, and when he heard about Karl's groundbreaking work with PANTONE 2250, he knew he had to be a part of it. The two met in a quaint coffee shop, where Tommy's eyes sparkled with curiosity.
"Your work with PANTONE 2250 is incredible," Tommy said, sipping his espresso. "But there's a story here waiting to be told. Let me help you find it."
Karl, initially skeptical, agreed. The duo embarked on a journey of discovery, blending Karl's technical genius with Tommy's narrative flair. Together, they explored how PANTONE 2250 could evoke emotions in motion design that words alone could not capture.
0
0
Their collaboration led to the creation of "Spectrum Symphony," an animated short that seamlessly integrated PANTONE 2250 into a rich tapestry of motion and narrative. Each frame of the animation was a dance of color and light, choreographed to tell a story of a fantastical world where emotions took physical form and color became a language of its own.
The plot of "Spectrum Symphony" revolved around a realm known as Chromatia, where colors had consciousness and each hue played a distinct role in maintaining harmony. PANTONE 2250, personified as a vibrant, charismatic entity, was the key to restoring balance when the world began to lose its vibrancy. Through a series of visually stunning sequences and poetic narration, the film depicted PANTONE 2250's journey to unite the fragmented colors and reignite the spectrum's brilliance.
0
0
As the film debuted at a prestigious motion design festival, it captivated audiences with its breathtaking visuals and profound storytelling. The integration of PANTONE 2250 wasn't just a technical marvel; it was a powerful narrative device that brought the characters and their world to life in ways never before seen.
The success of "Spectrum Symphony" propelled Karl and Tommy into the spotlight, transforming their collaboration into a celebrated example of how color and narrative could intertwine to create something truly extraordinary. PANTONE 2250 had found its voice, and in the hands of these two visionaries, it had reshaped the landscape of motion design forever.
In the end, Karl Moon and Tommy Stewart's partnership was a testament to the idea that even the most unusual applications of color could find their place in the world, not merely as visual elements, but as integral parts of a larger, more profound story.
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