Onyx
Eggshell
Sea Green
Coffee
Cambridge Blue
0
0
2
9
0
PANTONE 2238
Parameters:
HEX Triplet:
#00666CRGB:
0, 102, 108CMYK:
100, 2, 46, 49HSL:
183°, 100%, 42%Closest colors:
in RGB:
Skobeloffin PANTONE:
PANTONE 7715in RAL Classic:
RAL 6016in RAL Design:
RAL 190 40 35in RAL Effect:
RAL 710-5in NCS:
NCS S 4040-B10G 2024-09-03 Snargl 02:14
What color is PANTONE 2238?
PANTONE 2238 is a color code that belongs to the PANTONE MATCHING SYSTEM™ (PMS), which is a standardized color reproduction system used by designers, printers, and manufacturers.
It is a dark cyan color with a hue value of 183° and a luminance of 42%.
The hexadecimal color code for PANTONE 2238 is #00666C, which is composed of 0% red, 40% green and 42.35% blue in the RGB color model.
It is a dark cyan color with a hue value of 183° and a luminance of 42%.
The hexadecimal color code for PANTONE 2238 is #00666C, which is composed of 0% red, 40% green and 42.35% blue in the RGB color model.
Example of the palette with the PANTONE 2238 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 9001
RAL 6000
RAL 8024
RAL 7038
Funny stories about the 'PANTONE 2238'
The Unbelievable Rise of PANTONE 2238
In a world where colors are as fleeting as trends, one hue was about to make history. The saga began in a dimly lit studio cluttered with paint cans and coffee cups, where the renowned but eccentric artist Ravindra Sirius toiled away. His newest obsession? A color that was so elusive, even the color wheel seemed to have forgotten it.
Ravindra had been experimenting with shades for weeks, driven by a vision he couldn’t quite articulate. One rainy afternoon, as he mixed an absurd amount of pigments, something extraordinary happened. A new color emerged - neither blue nor purple, but something in-between that made everyone’s eyes widen in confusion. He dubbed it PANTONE 2238.
Excited and slightly delirious from inhaling paint fumes, Ravindra reached out to his longtime friend Mustafa Rodriguez, a writer known for his flair for the dramatic and the absurd. Mustafa had just finished his latest novel, "The Ballad of the Blinking Donkey," a wild ride about a donkey with a mystical power to make people laugh uncontrollably.
Mustafa’s curiosity was piqued when Ravindra sent him a cryptic message: "Come over. I’ve discovered the color of the future." Mustafa arrived, eyes twinkling with skepticism. When he saw PANTONE 2238, he was at a loss for words. "What is this? It looks like a cosmic error," he mused.
Determined to spread the word, Ravindra and Mustafa devised a plan. They decided to host an art exhibition showcasing PANTONE 2238. The catch? Every piece in the gallery was entirely covered in the color. "Imagine the possibilities!" Ravindra declared. Mustafa, never one to shy away from spectacle, agreed to pen a series of articles about the mysterious color’s ‘magical’ properties.
The exhibition was a resounding flop. Visitors left baffled, scratching their heads and questioning their sanity. "It’s like staring into the void," one critic noted. The only people who seemed to enjoy it were the artists' eccentric friends who found it hilarious to pretend they were enchanted by the monochromatic display.
Desperate for a breakthrough, Ravindra and Mustafa took a bold step: they claimed PANTONE 2238 had the power to make people laugh uncontrollably. They concocted a wild story about an ancient legend in which the color was said to bring joy to those who gazed upon it. Mustafa’s articles, dripping with hyperbole, only added fuel to the fire.
To their astonishment, the story went viral. People were intrigued by the "mystical" properties of the color and its supposed effects on human emotions. The exhibition, once a laughingstock, became a global sensation. People flocked to see the color they had never really seen but had heard so much about.
Ravindra and Mustafa reveled in their newfound fame. The color PANTONE 2238 was no longer just a peculiar pigment; it had become a symbol of joy, absurdity, and the power of a well-timed story. They even started selling merchandise, from T-shirts to mugs, all in the gloriously perplexing hue of PANTONE 2238.
In the end, PANTONE 2238 wasn’t just a color; it was a testament to the duo’s creativity and audacity. As for Ravindra and Mustafa, they continued their eccentric ventures, always on the lookout for the next color or story that would turn the world upside down.
And so, in a realm where the unexpected reigned supreme, PANTONE 2238 stood as a reminder: sometimes, it’s not about what you see but the story you tell about it.
Ravindra had been experimenting with shades for weeks, driven by a vision he couldn’t quite articulate. One rainy afternoon, as he mixed an absurd amount of pigments, something extraordinary happened. A new color emerged - neither blue nor purple, but something in-between that made everyone’s eyes widen in confusion. He dubbed it PANTONE 2238.
0
0
Excited and slightly delirious from inhaling paint fumes, Ravindra reached out to his longtime friend Mustafa Rodriguez, a writer known for his flair for the dramatic and the absurd. Mustafa had just finished his latest novel, "The Ballad of the Blinking Donkey," a wild ride about a donkey with a mystical power to make people laugh uncontrollably.
Mustafa’s curiosity was piqued when Ravindra sent him a cryptic message: "Come over. I’ve discovered the color of the future." Mustafa arrived, eyes twinkling with skepticism. When he saw PANTONE 2238, he was at a loss for words. "What is this? It looks like a cosmic error," he mused.
Determined to spread the word, Ravindra and Mustafa devised a plan. They decided to host an art exhibition showcasing PANTONE 2238. The catch? Every piece in the gallery was entirely covered in the color. "Imagine the possibilities!" Ravindra declared. Mustafa, never one to shy away from spectacle, agreed to pen a series of articles about the mysterious color’s ‘magical’ properties.
0
0
The exhibition was a resounding flop. Visitors left baffled, scratching their heads and questioning their sanity. "It’s like staring into the void," one critic noted. The only people who seemed to enjoy it were the artists' eccentric friends who found it hilarious to pretend they were enchanted by the monochromatic display.
Desperate for a breakthrough, Ravindra and Mustafa took a bold step: they claimed PANTONE 2238 had the power to make people laugh uncontrollably. They concocted a wild story about an ancient legend in which the color was said to bring joy to those who gazed upon it. Mustafa’s articles, dripping with hyperbole, only added fuel to the fire.
To their astonishment, the story went viral. People were intrigued by the "mystical" properties of the color and its supposed effects on human emotions. The exhibition, once a laughingstock, became a global sensation. People flocked to see the color they had never really seen but had heard so much about.
Ravindra and Mustafa reveled in their newfound fame. The color PANTONE 2238 was no longer just a peculiar pigment; it had become a symbol of joy, absurdity, and the power of a well-timed story. They even started selling merchandise, from T-shirts to mugs, all in the gloriously perplexing hue of PANTONE 2238.
In the end, PANTONE 2238 wasn’t just a color; it was a testament to the duo’s creativity and audacity. As for Ravindra and Mustafa, they continued their eccentric ventures, always on the lookout for the next color or story that would turn the world upside down.
And so, in a realm where the unexpected reigned supreme, PANTONE 2238 stood as a reminder: sometimes, it’s not about what you see but the story you tell about it.
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