Onyx
Pale mauve
Canonical aubergine
Sangria
Bisque
0
0
2
9
0
PANTONE 222
Parameters:
HEX Triplet:
#732444RGB:
115, 36, 68CMYK:
20, 100, 22, 61HSL:
336°, 69%, 45%Closest colors:
in RGB:
Pansy purplein PANTONE:
PANTONE 229in RAL Classic:
RAL 3004in RAL Design:
RAL 350 20 30in RAL Effect:
RAL 530-5in NCS:
NCS S 4040-R20B 2024-09-03 Snargl 02:24
What color is PANTONE 222?
PANTONE 222 is a rich and elegant color that can be used to create contrast, drama, or sophistication in various design projects.
In the RGB color model, it has a red value of 115, a green value of 36, and a blue value of 68.
In the CMYK color model, it has a cyan value of 20%, a magenta value of 100%, a yellow value of 22%, and a black value of 61%.
This color can also evoke feelings of passion, romance, or mystery.
In the RGB color model, it has a red value of 115, a green value of 36, and a blue value of 68.
In the CMYK color model, it has a cyan value of 20%, a magenta value of 100%, a yellow value of 22%, and a black value of 61%.
This color can also evoke feelings of passion, romance, or mystery.
Example of the palette with the PANTONE 222 color
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Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 222'
The PANTONE 222 Revolution: Dr. Gold and Billy Clank’s Chromatic Quest
In a world where the colors of the spectrum had long been divided into utilitarian factions, there was one color that few had noticed - PANTONE 222. It was neither flamboyant nor conventional, residing in the realm between magenta and violet, creating an elusive shade known only to a select few. Its brilliance had lain dormant, waiting for the right moment to reveal its true potential.
Dr. Rohan Gold, a visionary in motion design, was renowned for his experiments with colors. He had spent years trying to uncover the secret of PANTONE 222, convinced that it held the key to revolutionizing visual design. His laboratory was filled with swirling vortexes of color, and his experiments often looked like technicolor storms.
One fateful day, while experimenting with PANTONE 222’s properties, Dr. Gold encountered an unexpected complication. His latest creation, a mesmerizing motion design application, was failing miserably. The colors were off, and his intricate designs appeared to have a certain "blandness" that he couldn't quite shake off. Frustrated, he paced his lab, muttering about the lost potential of PANTONE 222.
Enter Billy Clank, a factory worker from the nearby Chromatic Industries, who had just received a peculiar request from his supervisor. The factory, known for its efficiency in producing every imaginable color, had been assigned to deliver a crate of PANTONE 222 to Dr. Gold. Billy, with his grease-stained overalls and perpetually smudged face, was tasked with this unusual delivery.
Billy trundled into Dr. Gold’s lab, the crate of PANTONE 222 in tow. The moment he entered, the air seemed to shimmer with an inexplicable energy. Dr. Gold, momentarily distracted from his frustrations, greeted Billy with a mix of curiosity and skepticism.
"Ah, PANTONE 222! You’ve finally arrived," Dr. Gold exclaimed, eyes wide with anticipation.
Billy, scratching his head, replied, "Yeah, I’m just here to drop this off. But, Doc, can I ask you something? What’s so special about this color anyway?"
Dr. Gold, taken aback by the question, began to explain with an air of grandeur, "PANTONE 222 is said to possess an extraordinary quality. It’s the color of dreams, the shade that can transcend conventional motion design. It’s the key to unlocking infinite possibilities."
Billy, not entirely convinced but intrigued, watched as Dr. Gold began to integrate the color into his design application. As the color was introduced, something magical happened. The motion design came alive in ways Dr. Gold had never imagined. Shapes danced with fluidity, and the color seemed to have a mind of its own, morphing and flowing in a symphony of visual wonder.
Billy was dumbfounded. "So, this color... it’s like a magic trick or something?"
Dr. Gold, equally astonished, nodded. "Precisely! It seems that PANTONE 222 has a unique interaction with motion. It brings designs to life in a way that no other color can. It’s as if it has its own personality."
As the two men watched the kaleidoscopic display unfold, an epiphany struck Dr. Gold. He realized that the real magic wasn’t just in the color itself but in the way it inspired creativity and innovation. Billy, though not a designer, had become an unexpected muse. His simple question had led to a breakthrough that changed everything.
From that day forward, Dr. Gold and Billy Clank became an unlikely duo in the world of motion design. The factory worker’s down-to-earth perspective and the doctor’s visionary expertise combined to push the boundaries of what was possible with PANTONE 222. The color’s revolutionary potential was celebrated across the globe, and Billy, now a celebrated figure in the art world, was known for his unassuming role in the chromatic revolution.
In the end, the tale of Dr. Gold and Billy Clank became a legend - a reminder that sometimes, the most profound discoveries come from the most unexpected places and that even the most mundane tasks can lead to extraordinary breakthroughs.
Dr. Rohan Gold, a visionary in motion design, was renowned for his experiments with colors. He had spent years trying to uncover the secret of PANTONE 222, convinced that it held the key to revolutionizing visual design. His laboratory was filled with swirling vortexes of color, and his experiments often looked like technicolor storms.
0
0
One fateful day, while experimenting with PANTONE 222’s properties, Dr. Gold encountered an unexpected complication. His latest creation, a mesmerizing motion design application, was failing miserably. The colors were off, and his intricate designs appeared to have a certain "blandness" that he couldn't quite shake off. Frustrated, he paced his lab, muttering about the lost potential of PANTONE 222.
Enter Billy Clank, a factory worker from the nearby Chromatic Industries, who had just received a peculiar request from his supervisor. The factory, known for its efficiency in producing every imaginable color, had been assigned to deliver a crate of PANTONE 222 to Dr. Gold. Billy, with his grease-stained overalls and perpetually smudged face, was tasked with this unusual delivery.
Billy trundled into Dr. Gold’s lab, the crate of PANTONE 222 in tow. The moment he entered, the air seemed to shimmer with an inexplicable energy. Dr. Gold, momentarily distracted from his frustrations, greeted Billy with a mix of curiosity and skepticism.
"Ah, PANTONE 222! You’ve finally arrived," Dr. Gold exclaimed, eyes wide with anticipation.
Billy, scratching his head, replied, "Yeah, I’m just here to drop this off. But, Doc, can I ask you something? What’s so special about this color anyway?"
0
0
Dr. Gold, taken aback by the question, began to explain with an air of grandeur, "PANTONE 222 is said to possess an extraordinary quality. It’s the color of dreams, the shade that can transcend conventional motion design. It’s the key to unlocking infinite possibilities."
Billy, not entirely convinced but intrigued, watched as Dr. Gold began to integrate the color into his design application. As the color was introduced, something magical happened. The motion design came alive in ways Dr. Gold had never imagined. Shapes danced with fluidity, and the color seemed to have a mind of its own, morphing and flowing in a symphony of visual wonder.
Billy was dumbfounded. "So, this color... it’s like a magic trick or something?"
Dr. Gold, equally astonished, nodded. "Precisely! It seems that PANTONE 222 has a unique interaction with motion. It brings designs to life in a way that no other color can. It’s as if it has its own personality."
0
0
As the two men watched the kaleidoscopic display unfold, an epiphany struck Dr. Gold. He realized that the real magic wasn’t just in the color itself but in the way it inspired creativity and innovation. Billy, though not a designer, had become an unexpected muse. His simple question had led to a breakthrough that changed everything.
From that day forward, Dr. Gold and Billy Clank became an unlikely duo in the world of motion design. The factory worker’s down-to-earth perspective and the doctor’s visionary expertise combined to push the boundaries of what was possible with PANTONE 222. The color’s revolutionary potential was celebrated across the globe, and Billy, now a celebrated figure in the art world, was known for his unassuming role in the chromatic revolution.
In the end, the tale of Dr. Gold and Billy Clank became a legend - a reminder that sometimes, the most profound discoveries come from the most unexpected places and that even the most mundane tasks can lead to extraordinary breakthroughs.
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