Smoky black
French lilac
Medium electric blue
Pale cerulean
Pacific Blue
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0
1
8
0
PANTONE 2175
Parameters:
HEX Triplet:
#006CB4RGB:
0, 108, 180CMYK:
99, 47, 0, 0HSL:
204°, 100%, 71%Closest colors:
in RGB:
French bluein PANTONE:
PANTONE 300in RAL Classic:
RAL 5015in RAL Design:
RAL 220 50 40in RAL Effect:
RAL 650-Min NCS:
NCS S 2065-R90B 2024-09-04 Snargl 02:12
What color is PANTONE 2175?
PANTONE 2175 is a dark azure color with a hue value of 204°, indicating that it is a cold color.
It has a hexadecimal color code of #006CB4, which is composed of 0% red, 42.35% green, and 70.59% blue in the RGB color model.
The saturation of this color is 100%, and the lightness is 71% .
PANTONE 2175 can be found in various Pantone products, such as guides, chips, and books.
It has a hexadecimal color code of #006CB4, which is composed of 0% red, 42.35% green, and 70.59% blue in the RGB color model.
The saturation of this color is 100%, and the lightness is 71% .
PANTONE 2175 can be found in various Pantone products, such as guides, chips, and books.
Example of the palette with the PANTONE 2175 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 4005
RAL 5017
RAL 6027
RAL 5012
Funny stories about the 'PANTONE 2175'
The PANTONE Conundrum
Karl Yamamoto, a flamboyant artist known for his extravagant taste, was on a mission to find the perfect shade for his latest project - a boutique art gallery in downtown New York. After weeks of sifting through color swatches, he stumbled upon PANTONE 2175, a shade so bold it looked like someone had squeezed a raspberry smoothie into a paint can. The color was destined to make a statement - or, as Karl put it, "a blaring, neon scream."
He enlisted Sandy Phoenix, a meticulous engineer with a love for precision and order, to help him bring his vision to life. Sandy was initially skeptical. "Are you sure about this shade? It’s practically radioactive."
Karl, with his trademark flair, replied, "Absolutely! This color will make our gallery the talk of the town!"
The gallery's walls were soon coated in the electrifying PANTONE 2175. But as the first coat dried, something strange happened. The once vibrant hue seemed to pulsate like a living thing, almost as if it were in sync with the rhythm of a very loud bassline.
Sandy, driven by both curiosity and a touch of concern, decided to investigate. As she walked around the gallery with a notebook, she noticed an unusual phenomenon. Whenever she drew closer to a wall, the gallery's ambient lights flickered in time with her footsteps. It was as if the color was emitting a low-frequency pulse that interacted with the room's lighting system.
Karl, who was busy hanging abstract art pieces that seemed to blend into the PANTONE 2175 walls, didn't notice the lights flickering until Sandy pointed it out. "Karl, I think there’s something weird going on. The walls are somehow making the lights flash."
Karl chuckled. "Sandy, it’s just the power of art. This color is so alive that it’s affecting the entire room."
Sandy rolled her eyes but decided to dig deeper. She pulled out her trusty multimeter and began measuring the electromagnetic fields around the walls. To her astonishment, the readings were off the charts. The color, combined with the specific paint formula used, was somehow creating a subtle electromagnetic field that interfered with the lighting circuits.
"It’s not just art," Sandy said, her voice tinged with disbelief. "Your color choice is literally causing electrical interference!"
Karl, ever the showman, saw the opportunity for a new angle. "Think about it, Sandy! We’ve created the first ever ‘living’ art gallery. It’s a fusion of visual and sensory stimulation!"
The grand opening arrived, and the gallery was a sensation. Guests marveled at the pulsating walls, some even dancing in sync with the light flickers. The media dubbed it "The Gallery That Feels the Beat."
Sandy, still bemused but somewhat proud, reflected on the whole affair. "Well, Karl, I guess you were right. PANTONE 2175 has a life of its own."
Karl grinned, "Told you! Who knew that art and engineering could collide so spectacularly?"
As the night wore on, the gallery's walls continued their rhythmic dance, proving that sometimes, a splash of color can indeed change the world - sometimes in the most unexpected ways.
He enlisted Sandy Phoenix, a meticulous engineer with a love for precision and order, to help him bring his vision to life. Sandy was initially skeptical. "Are you sure about this shade? It’s practically radioactive."
Karl, with his trademark flair, replied, "Absolutely! This color will make our gallery the talk of the town!"
The gallery's walls were soon coated in the electrifying PANTONE 2175. But as the first coat dried, something strange happened. The once vibrant hue seemed to pulsate like a living thing, almost as if it were in sync with the rhythm of a very loud bassline.
Sandy, driven by both curiosity and a touch of concern, decided to investigate. As she walked around the gallery with a notebook, she noticed an unusual phenomenon. Whenever she drew closer to a wall, the gallery's ambient lights flickered in time with her footsteps. It was as if the color was emitting a low-frequency pulse that interacted with the room's lighting system.
Karl, who was busy hanging abstract art pieces that seemed to blend into the PANTONE 2175 walls, didn't notice the lights flickering until Sandy pointed it out. "Karl, I think there’s something weird going on. The walls are somehow making the lights flash."
Karl chuckled. "Sandy, it’s just the power of art. This color is so alive that it’s affecting the entire room."
Sandy rolled her eyes but decided to dig deeper. She pulled out her trusty multimeter and began measuring the electromagnetic fields around the walls. To her astonishment, the readings were off the charts. The color, combined with the specific paint formula used, was somehow creating a subtle electromagnetic field that interfered with the lighting circuits.
"It’s not just art," Sandy said, her voice tinged with disbelief. "Your color choice is literally causing electrical interference!"
Karl, ever the showman, saw the opportunity for a new angle. "Think about it, Sandy! We’ve created the first ever ‘living’ art gallery. It’s a fusion of visual and sensory stimulation!"
The grand opening arrived, and the gallery was a sensation. Guests marveled at the pulsating walls, some even dancing in sync with the light flickers. The media dubbed it "The Gallery That Feels the Beat."
Sandy, still bemused but somewhat proud, reflected on the whole affair. "Well, Karl, I guess you were right. PANTONE 2175 has a life of its own."
Karl grinned, "Told you! Who knew that art and engineering could collide so spectacularly?"
As the night wore on, the gallery's walls continued their rhythmic dance, proving that sometimes, a splash of color can indeed change the world - sometimes in the most unexpected ways.
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