Medium jungle green
Gray-Tea Green
Pastel gray
Glaucous
Dark slate blue
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0
2
4
0
PANTONE 2124
Parameters:
HEX Triplet:
#637DB7RGB:
99, 125, 183CMYK:
67, 49, 0, 0HSL:
221°, 46%, 72%Closest colors:
in RGB:
Glaucousin PANTONE:
PANTONE 2115in RAL Classic:
RAL 5024in RAL Design:
RAL 270 50 35in RAL Effect:
RAL 610-5in NCS:
NCS S 3040-R70B 2024-09-03 Snargl 02:08
What color is PANTONE 2124?
PANTONE 2124 is a captivating shade that falls within the spectrum of blue hues.
It's described as a medium light shade of blue, with a hexadecimal color code of #637DB7.
In the RGB color model, it is composed of approximately 38.82% red, 49.02% green, and 71.76% blue.
When translated into the CMYK color space, it consists of 67% cyan, 49% magenta, 0% yellow, and 0% black.
This particular color has a hue angle of 221 degrees, a saturation of 46%, and a lightness of 72%.
It's a versatile color that can convey both a sense of calm and a touch of sophistication.
It's described as a medium light shade of blue, with a hexadecimal color code of #637DB7.
In the RGB color model, it is composed of approximately 38.82% red, 49.02% green, and 71.76% blue.
When translated into the CMYK color space, it consists of 67% cyan, 49% magenta, 0% yellow, and 0% black.
This particular color has a hue angle of 221 degrees, a saturation of 46%, and a lightness of 72%.
It's a versatile color that can convey both a sense of calm and a touch of sophistication.
Example of the palette with the PANTONE 2124 color
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0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 6009
RAL 9007
RAL 9018
RAL 5024
RAL 5023
Funny stories about the 'PANTONE 2124'
The Spectrum of Serendipity
In a far away place, in the heart of a bustling metropolis, where steel and glass stretched toward the heavens, an unassuming room awaited a transformation. This was no ordinary room; it was the research laboratory of Dr. Virgil Takemura and Professor Hubert Buffalo. For years, their work had centered around the intricate world of color theory and its effects on human cognition. They had uncovered many truths, but none as groundbreaking as their latest endeavor: the use of PANTONE 2124, a hue that was neither blue nor green but a mysterious shade nestled between the two.
Dr. Takemura was a man of meticulous precision, his eyes perpetually hidden behind a pair of round spectacles that seemed to magnify his intense focus. Professor Buffalo, on the other hand, was a man of grand gestures and bold theories, his once-black hair now streaked with the wisdom of age. Together, they formed an unlikely duo, their contrasting styles complementing one another in their quest to unlock the secrets of PANTONE 2124.
It all began one rainy afternoon when Takemura, tinkering with a set of color samples, stumbled upon a shade that seemed to shimmer and shift with the light. This color, PANTONE 2124, was like no other. It was neither firmly anchored in blue nor green but wavered intriguingly between the two. The moment he saw it, he felt a surge of curiosity. He turned to Professor Buffalo, who was immersed in a pile of dusty old books on color psychology.
"Hubert, look at this," Takemura said, holding up the sample. "This color - it’s unlike anything we’ve seen."
Buffalo looked up, his eyes widening in recognition. "Ah, PANTONE 2124! I’ve read about it, but never seen it in practice. They say it can influence perception in ways we can barely comprehend."
Inspired, the two scholars decided to test their hypothesis: Could PANTONE 2124 truly revolutionize room design and impact human behavior? They chose a room in their laboratory - a bland, uninspired space with white walls and beige furnishings - and set about painting it with this enigmatic color.
As the paint dried, the room began to transform. The hue, while maintaining its elusive quality, seemed to breathe life into the space. It shifted subtly with the changing light, creating a dynamic environment that felt both calming and invigorating. But the true magic began when they invited volunteers to spend time in the room.
What they discovered was extraordinary. People who entered the room experienced a profound sense of peace, their anxiety melting away. Creativity flourished, and productivity surged. The room seemed to adapt to the emotional state of its occupants, offering tranquility when needed and inspiration when sought. It was as if PANTONE 2124 held a mirror to the soul, reflecting and amplifying the person’s innermost feelings.
News of the discovery spread like wildfire. The room, now dubbed "The Spectrum of Serendipity," became a sensation. Architects, designers, and psychologists all clamored to understand the phenomenon. Yet, despite the acclaim, Takemura and Buffalo remained humble, content with their discovery’s impact rather than seeking personal glory.
One day, as they stood in the room, watching a new group of visitors experience the color's magic, Buffalo turned to Takemura with a knowing smile. "You know, Virgil, it’s funny how something as simple as a color can change the way we perceive the world."
Takemura nodded, adjusting his glasses with a thoughtful expression. "Indeed. It’s a reminder that sometimes the most profound revelations come from the most unexpected places."
And so, the legend of PANTONE 2124 grew, a testament to the strange and wise journey of two scholars who had ventured beyond the realm of the ordinary. In their pursuit of understanding, they had uncovered a truth as elusive as the color itself: that in the interplay of light and shade, we find the true spectrum of our existence.
Dr. Takemura was a man of meticulous precision, his eyes perpetually hidden behind a pair of round spectacles that seemed to magnify his intense focus. Professor Buffalo, on the other hand, was a man of grand gestures and bold theories, his once-black hair now streaked with the wisdom of age. Together, they formed an unlikely duo, their contrasting styles complementing one another in their quest to unlock the secrets of PANTONE 2124.
It all began one rainy afternoon when Takemura, tinkering with a set of color samples, stumbled upon a shade that seemed to shimmer and shift with the light. This color, PANTONE 2124, was like no other. It was neither firmly anchored in blue nor green but wavered intriguingly between the two. The moment he saw it, he felt a surge of curiosity. He turned to Professor Buffalo, who was immersed in a pile of dusty old books on color psychology.
"Hubert, look at this," Takemura said, holding up the sample. "This color - it’s unlike anything we’ve seen."
Buffalo looked up, his eyes widening in recognition. "Ah, PANTONE 2124! I’ve read about it, but never seen it in practice. They say it can influence perception in ways we can barely comprehend."
Inspired, the two scholars decided to test their hypothesis: Could PANTONE 2124 truly revolutionize room design and impact human behavior? They chose a room in their laboratory - a bland, uninspired space with white walls and beige furnishings - and set about painting it with this enigmatic color.
As the paint dried, the room began to transform. The hue, while maintaining its elusive quality, seemed to breathe life into the space. It shifted subtly with the changing light, creating a dynamic environment that felt both calming and invigorating. But the true magic began when they invited volunteers to spend time in the room.
What they discovered was extraordinary. People who entered the room experienced a profound sense of peace, their anxiety melting away. Creativity flourished, and productivity surged. The room seemed to adapt to the emotional state of its occupants, offering tranquility when needed and inspiration when sought. It was as if PANTONE 2124 held a mirror to the soul, reflecting and amplifying the person’s innermost feelings.
News of the discovery spread like wildfire. The room, now dubbed "The Spectrum of Serendipity," became a sensation. Architects, designers, and psychologists all clamored to understand the phenomenon. Yet, despite the acclaim, Takemura and Buffalo remained humble, content with their discovery’s impact rather than seeking personal glory.
One day, as they stood in the room, watching a new group of visitors experience the color's magic, Buffalo turned to Takemura with a knowing smile. "You know, Virgil, it’s funny how something as simple as a color can change the way we perceive the world."
Takemura nodded, adjusting his glasses with a thoughtful expression. "Indeed. It’s a reminder that sometimes the most profound revelations come from the most unexpected places."
And so, the legend of PANTONE 2124 grew, a testament to the strange and wise journey of two scholars who had ventured beyond the realm of the ordinary. In their pursuit of understanding, they had uncovered a truth as elusive as the color itself: that in the interplay of light and shade, we find the true spectrum of our existence.
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