Onyx
Cadet grey
Lapis lazuli
Fawn
Platinum
0
0
2
6
0
PANTONE 2117
Parameters:
HEX Triplet:
#3A4C93RGB:
58, 76, 147CMYK:
92, 79, 0, 0HSL:
228°, 61%, 58%Closest colors:
in RGB:
Dark slate bluein PANTONE:
PANTONE 2736in RAL Classic:
RAL 5000in RAL Design:
RAL 260 40 35in RAL Effect:
RAL 640-5in NCS:
NCS S 4040-R80B 2024-09-21 Snargl 02:22
What color is PANTONE 2117?
The color PANTONE 2117 is a dark blue hue with a slight purple tint.
It has a HEX (hexadecimal) value of #3A4C93, which means it is composed of 22.75% red, 29.8% green, and 57.65% blue in the RGB (red, green, blue) color model.
In the CMYK (cyan, magenta, yellow, black) color model, which is commonly used for printing, this color has a value of 92, 79, 0, 0.
PANTONE 2117 is used for various purposes, such as branding, graphic design, fashion, home decor, and more.
It is a color that can evoke a sense of mystery, elegance, sophistication, and creativity.
PANTONE 2117 inspires imagination, innovation, and expression.
It is a color that can be used to create contrast, harmony, and balance in any design or product.
It has a HEX (hexadecimal) value of #3A4C93, which means it is composed of 22.75% red, 29.8% green, and 57.65% blue in the RGB (red, green, blue) color model.
In the CMYK (cyan, magenta, yellow, black) color model, which is commonly used for printing, this color has a value of 92, 79, 0, 0.
PANTONE 2117 is used for various purposes, such as branding, graphic design, fashion, home decor, and more.
It is a color that can evoke a sense of mystery, elegance, sophistication, and creativity.
PANTONE 2117 inspires imagination, innovation, and expression.
It is a color that can be used to create contrast, harmony, and balance in any design or product.
Example of the palette with the PANTONE 2117 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 7001
RAL 5025
RAL 1034
RAL 9001
Funny stories about the 'PANTONE 2117'
The Pantone Prank
Far away, in the bustling heart of New York's fashion district, Cassandra Ming, a rising star in the world of haute couture, was brainstorming her next big collection. Her latest obsession was Pantone 2117, a shade so vibrant it was as if a neon sunset had exploded onto the fabric. It was an intense, eye-watering pink, and Cassandra believed it would either launch her to fame or send her straight to the fashion doghouse.
Cassandra, known for her flair and bold designs, had a playful idea. She was going to infuse this vivid color into a collection, but not just any collection - a collection designed to look like a circus had thrown a rave. Every outfit would be a spectacle, a neon wonderland of sequins and puffed sleeves.
She enlisted the help of Raphael Abloh, an eccentric writer known for his witty columns on fashion faux pas. Raphael had a knack for turning mundane fashion trends into laugh-out-loud narratives. He had once written a piece about "the perilous rise of the polka-dot tie," which had made headlines and caused quite a stir. Cassandra was sure he would bring the right mix of hilarity and insight to her zany project.
Their brainstorming sessions were legendary. In one particularly colorful meeting, Cassandra and Raphael sketched designs of oversized, glittering top hats and sequined jumpsuits. "Imagine," Raphael said, "if the top hats had built-in disco balls. You'd literally light up the room!"
Cassandra laughed. "And what about the jumpsuits? Maybe they should come with their own mini-dance floors."
As the launch date approached, Cassandra and Raphael prepared for the grand reveal: The "PINK-tastic Extravaganza." The fashion show was held at a converted warehouse, its interior splashed with neon lights to match the collection. The runway was a kaleidoscope of Pantone 2117, featuring garments that shimmered, sparkled, and - most impressively - blinked with LED lights.
When the models began to strut their stuff, the audience was stunned into laughter. One model, in a particularly outrageous ensemble, had a sequined cape that, when twirled, created a small gust of wind strong enough to nearly topple a nearby champagne tower. Another had a pair of glowing boots that pulsed to the beat of the music, causing the wearer to slip and slide like an amateur ice skater.
Raphael was stationed at the front, live-tweeting the event with quips like, "Breaking News: Disco ball hats now officially more important than the moon!" and "The new ‘glow-in-the-dark' era is here - literally! Models are being mistaken for traffic signals!"
The show was a riotous success. The fashion world buzzed with laughter and awe. Cassandra's use of Pantone 2117 had turned a bold fashion statement into a comical spectacle, making her the talk of the town. Raphael's commentary added to the fun, transforming what could have been a mere trend into a cultural phenomenon.
In the aftermath, the "PINK-tastic Extravaganza" was hailed as a masterclass in playful design. Cassandra and Raphael became the dynamic duo of fashion, proving that sometimes, the best way to make a splash is to add a little sparkle and a whole lot of humor.
Cassandra, known for her flair and bold designs, had a playful idea. She was going to infuse this vivid color into a collection, but not just any collection - a collection designed to look like a circus had thrown a rave. Every outfit would be a spectacle, a neon wonderland of sequins and puffed sleeves.
She enlisted the help of Raphael Abloh, an eccentric writer known for his witty columns on fashion faux pas. Raphael had a knack for turning mundane fashion trends into laugh-out-loud narratives. He had once written a piece about "the perilous rise of the polka-dot tie," which had made headlines and caused quite a stir. Cassandra was sure he would bring the right mix of hilarity and insight to her zany project.
Their brainstorming sessions were legendary. In one particularly colorful meeting, Cassandra and Raphael sketched designs of oversized, glittering top hats and sequined jumpsuits. "Imagine," Raphael said, "if the top hats had built-in disco balls. You'd literally light up the room!"
Cassandra laughed. "And what about the jumpsuits? Maybe they should come with their own mini-dance floors."
As the launch date approached, Cassandra and Raphael prepared for the grand reveal: The "PINK-tastic Extravaganza." The fashion show was held at a converted warehouse, its interior splashed with neon lights to match the collection. The runway was a kaleidoscope of Pantone 2117, featuring garments that shimmered, sparkled, and - most impressively - blinked with LED lights.
When the models began to strut their stuff, the audience was stunned into laughter. One model, in a particularly outrageous ensemble, had a sequined cape that, when twirled, created a small gust of wind strong enough to nearly topple a nearby champagne tower. Another had a pair of glowing boots that pulsed to the beat of the music, causing the wearer to slip and slide like an amateur ice skater.
Raphael was stationed at the front, live-tweeting the event with quips like, "Breaking News: Disco ball hats now officially more important than the moon!" and "The new ‘glow-in-the-dark' era is here - literally! Models are being mistaken for traffic signals!"
The show was a riotous success. The fashion world buzzed with laughter and awe. Cassandra's use of Pantone 2117 had turned a bold fashion statement into a comical spectacle, making her the talk of the town. Raphael's commentary added to the fun, transforming what could have been a mere trend into a cultural phenomenon.
In the aftermath, the "PINK-tastic Extravaganza" was hailed as a masterclass in playful design. Cassandra and Raphael became the dynamic duo of fashion, proving that sometimes, the best way to make a splash is to add a little sparkle and a whole lot of humor.
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