Pale chestnut
Timberwolf
Sangria
Turkish rose
Liver
0
0
2
17
0
PANTONE 210
Parameters:
HEX Triplet:
#E9ABC2RGB:
233, 171, 194CMYK:
0, 45, 4, 0HSL:
338°, 27%, 91%Closest colors:
in RGB:
Pink pearlin PANTONE:
PANTONE 700in RAL Classic:
RAL 3015in RAL Design:
RAL 010 80 15in RAL Effect:
RAL 520-3in NCS:
NCS S 1030-R30B 2024-09-03 Snargl 02:18
What color is PANTONE 210?
PANTONE 210 is a light shade of pink that has a hexadecimal value of #E9ABC2.
In the RGB color model, it is composed of 91.37% red, 67.06% green, and 76.08% blue.
In the HSL color space, this color has a hue of 338° (degrees), 27% saturation and 91% lightness.
PANTONE 210 is a popular color for various products, such as fabrics, caps, monitors, and power cables.
It is a beautiful and versatile color that can be used for different purposes and occasions.
This color evokes feelings of warmth, romance, and femininity.
It can also be paired with other colors to create stunning contrasts or harmonies.
In the RGB color model, it is composed of 91.37% red, 67.06% green, and 76.08% blue.
In the HSL color space, this color has a hue of 338° (degrees), 27% saturation and 91% lightness.
PANTONE 210 is a popular color for various products, such as fabrics, caps, monitors, and power cables.
It is a beautiful and versatile color that can be used for different purposes and occasions.
This color evokes feelings of warmth, romance, and femininity.
It can also be paired with other colors to create stunning contrasts or harmonies.
Example of the palette with the PANTONE 210 color
1
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 3015
RAL 9002
RAL 3033
RAL 3014
RAL 7024
Funny stories about the 'PANTONE 210'
The Chromatic Revolution
Long time ago, far away, in the heart of the bustling city of Spectra, a revolution was about to unfold - not with guns or politics, but with color. The key player in this movement was not a daring rebel, but a precise scientist and an ingenious engineer.
Dr. Anna Krang, a color theorist with a penchant for the unusual, had long been fascinated by the emotional power of color. Her latest obsession was PANTONE 210, a bold and striking shade of red. This particular hue, once relegated to fashion and marketing, was about to be thrust into the limelight in ways no one had imagined.
Her partner in this chromatic revolution was Kate Chanel, an engineer known for her unconventional approaches to design. Kate had a unique talent for translating abstract concepts into tangible, functional designs. Together, Anna and Kate were about to unleash the true potential of PANTONE 210.
It all started with a simple idea. Anna had been researching the psychological impact of colors when she stumbled upon an intriguing finding: PANTONE 210 could induce a sense of urgency and excitement far beyond what other colors achieved. It was more than just eye-catching; it had the power to transform spaces and experiences.
Kate, intrigued by Anna's theory, proposed an audacious plan. What if they could use PANTONE 210 to redesign the city’s public spaces? Their vision was to create environments where the color would influence mood, behavior, and even productivity. It wasn’t just about aesthetics; it was about harnessing the color’s psychological effects to reshape urban life.
Their first project was an abandoned subway station, a drab and forgotten space. Kate and Anna transformed it into a vibrant hub of activity. The walls were painted in varying shades of PANTONE 210, with interactive installations designed to change the color dynamically based on user interactions. The result was a mesmerizing kaleidoscope of red that seemed to breathe with the energy of its occupants.
The transformation was nothing short of miraculous. The subway station, once a bleak and neglected place, became a hotspot of creativity and inspiration. People were drawn to the space, and the color seemed to ignite a new level of enthusiasm and collaboration among the city’s inhabitants.
Encouraged by their success, Anna and Kate expanded their efforts. They redeveloped parks, libraries, and even residential areas, each time incorporating PANTONE 210 in innovative ways. Parks were designed with red-hued lighting that shifted in intensity, creating a dynamic atmosphere that evolved throughout the day. Libraries featured interactive walls where the color would change based on the books being read, creating a personalized experience for each visitor.
As the city embraced the transformation, other cities began to take notice. Anna and Kate were invited to share their work at international conferences, where they spoke about the revolutionary potential of color in urban design. Their ideas sparked a global movement, and soon, PANTONE 210 was being used in ways that had never been imagined before.
The Chromatic Revolution had begun, all thanks to the vision of a scientist and an engineer who saw beyond the surface of color. Through their work, they had demonstrated that even something as seemingly simple as a color could have a profound impact on how we experience the world.
In the end, it wasn’t just about the color itself, but about the power of creativity and innovation. Anna and Kate had shown that by reimagining the ordinary, we could create extraordinary experiences. Their story became a testament to the idea that true revolutions don’t always come from grand gestures, but from the quiet brilliance of seeing the world in a new light.
Dr. Anna Krang, a color theorist with a penchant for the unusual, had long been fascinated by the emotional power of color. Her latest obsession was PANTONE 210, a bold and striking shade of red. This particular hue, once relegated to fashion and marketing, was about to be thrust into the limelight in ways no one had imagined.
2
0
Her partner in this chromatic revolution was Kate Chanel, an engineer known for her unconventional approaches to design. Kate had a unique talent for translating abstract concepts into tangible, functional designs. Together, Anna and Kate were about to unleash the true potential of PANTONE 210.
It all started with a simple idea. Anna had been researching the psychological impact of colors when she stumbled upon an intriguing finding: PANTONE 210 could induce a sense of urgency and excitement far beyond what other colors achieved. It was more than just eye-catching; it had the power to transform spaces and experiences.
Kate, intrigued by Anna's theory, proposed an audacious plan. What if they could use PANTONE 210 to redesign the city’s public spaces? Their vision was to create environments where the color would influence mood, behavior, and even productivity. It wasn’t just about aesthetics; it was about harnessing the color’s psychological effects to reshape urban life.
1
0
Their first project was an abandoned subway station, a drab and forgotten space. Kate and Anna transformed it into a vibrant hub of activity. The walls were painted in varying shades of PANTONE 210, with interactive installations designed to change the color dynamically based on user interactions. The result was a mesmerizing kaleidoscope of red that seemed to breathe with the energy of its occupants.
The transformation was nothing short of miraculous. The subway station, once a bleak and neglected place, became a hotspot of creativity and inspiration. People were drawn to the space, and the color seemed to ignite a new level of enthusiasm and collaboration among the city’s inhabitants.
Encouraged by their success, Anna and Kate expanded their efforts. They redeveloped parks, libraries, and even residential areas, each time incorporating PANTONE 210 in innovative ways. Parks were designed with red-hued lighting that shifted in intensity, creating a dynamic atmosphere that evolved throughout the day. Libraries featured interactive walls where the color would change based on the books being read, creating a personalized experience for each visitor.
As the city embraced the transformation, other cities began to take notice. Anna and Kate were invited to share their work at international conferences, where they spoke about the revolutionary potential of color in urban design. Their ideas sparked a global movement, and soon, PANTONE 210 was being used in ways that had never been imagined before.
The Chromatic Revolution had begun, all thanks to the vision of a scientist and an engineer who saw beyond the surface of color. Through their work, they had demonstrated that even something as seemingly simple as a color could have a profound impact on how we experience the world.
In the end, it wasn’t just about the color itself, but about the power of creativity and innovation. Anna and Kate had shown that by reimagining the ordinary, we could create extraordinary experiences. Their story became a testament to the idea that true revolutions don’t always come from grand gestures, but from the quiet brilliance of seeing the world in a new light.
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