Black
Cafe noir
Light gray
Shadow
Lava
0
0
2
8
0
PANTONE 2035
Parameters:
HEX Triplet:
#D12E28RGB:
209, 46, 40CMYK:
0, 97, 100, 3HSL:
2°, 81%, 82%Closest colors:
in RGB:
Fire engine redin PANTONE:
PANTONE 2347in RAL Classic:
RAL 2002in RAL Design:
RAL 040 40 67in RAL Effect:
RAL 450-6in NCS:
NCS S 2070-Y80R 2024-09-21 Snargl 02:18
What color is PANTONE 2035?
PANTONE 2035 is a color code that belongs to the PANTONE Matching System (PMS), which is a proprietary color space used in printing and design.
This colour is a neon red color with a hue value of 2° and a luminance of 82%.
Depending on the type of material and coating, PANTONE 2035 can have different hexadecimal color codes, such as #D12E28 for coated paper and #DE4343 for uncoated paper.
This colour is a neon red color with a hue value of 2° and a luminance of 82%.
Depending on the type of material and coating, PANTONE 2035 can have different hexadecimal color codes, such as #D12E28 for coated paper and #DE4343 for uncoated paper.
Example of the palette with the PANTONE 2035 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 9005
RAL 8016
RAL 7047
RAL 6013
RAL 3020
Funny stories about the 'PANTONE 2035'
The Perils of PANTONE 2035: A Misadventure in Color
Dr. Connor Sirius was a man of precision, a scientist with a love for order, and an obsession with the minutiae of the universe. His latest project was his masterpiece - a cutting-edge color restoration process designed to bring ancient art back to its original glory. And the cornerstone of this project was PANTONE 2035, a vibrant, almost unnervingly bright shade of pink.
PANTONE 2035 was no ordinary color; it was a color with attitude, a shade so intense that it seemed to pulse with its own energy. Dr. Sirius was convinced it was the missing link in his formula, the perfect hue to restore faded Renaissance masterpieces to their former brilliance. The only problem? It was nearly impossible to control.
Enter Stella Chanel, the unassuming janitor of the lab, who had no idea that today would be anything but ordinary. Stella was the antithesis of Dr. Sirius - carefree, slightly chaotic, and with a knack for turning the mundane into the memorable. She had a secret love for art and would often wander around the lab after hours, admiring the test canvases and imagining herself as a world-class painter.
One evening, after Dr. Sirius had left the lab, Stella decided to indulge her artistic fantasies. She spotted a canister labeled "PANTONE 2035" and, without a second thought, grabbed a paintbrush. The color was irresistible - a luscious, almost neon pink that screamed for attention. Stella dipped her brush in and made a bold stroke across a blank canvas.
Instantly, the lab was filled with an eerie, pinkish glow. Stella, intrigued but slightly alarmed, continued painting, but as she did, the PANTONE 2035 seemed to take on a life of its own. The pink began to spread, creeping off the canvas and onto the walls, the floor, even the ceiling. It wasn't long before the entire lab was bathed in an overwhelming pink haze.
Just as Stella was starting to panic, Dr. Sirius burst through the door. His normally composed face was a mask of horror as he took in the scene before him. "What have you done?!" he gasped, seeing his lab transformed into a shocking shade of pink that was both mesmerizing and terrifying.
"I... I was just trying to paint," Stella stammered, holding up the brush like it was a magic wand gone rogue.
Dr. Sirius snatched the brush from her hand, but it was too late. PANTONE 2035 had escaped its confines, and the lab was now a swirling, glowing pink mess. Desperate to regain control, Dr. Sirius began frantically mixing chemicals, trying to neutralize the color, but nothing worked. The pink was relentless, spreading out of the lab and into the corridors, turning everything in its path into a vibrant, blinding pink.
The situation escalated quickly. Soon, the entire building was a beacon of pink light, visible from miles away. People on the street began to gather, gawking at the glowing pink structure that had once been an ordinary research lab. Inside, Dr. Sirius was at his wits' end, and Stella was trying hard not to laugh at the absurdity of it all.
Finally, in a moment of clarity (or perhaps desperation), Dr. Sirius had an idea. He grabbed the original Renaissance painting he had been working on and placed it in the center of the lab. Then, with a deep breath, he began to carefully paint over it with the remaining PANTONE 2035. To his amazement, the color seemed to calm down, settling into the painting with a gentle glow.
As the pink began to recede from the walls and floors, Dr. Sirius let out a sigh of relief. The lab, though still slightly pink-tinged, was no longer glowing like a radioactive bubblegum factory. The painting, however, was another story. It now radiated with a vibrant energy, the colors almost alive on the canvas.
Stella, who had been watching in awe, finally spoke. "You know, I think you've just created a new art movement, Dr. Sirius. ‘The Pink Renaissance.' It's got a nice ring to it."
Dr. Sirius, still in shock but starting to see the humor in the situation, managed a small smile. "Maybe you're right, Stella. But let's keep this our little secret. The world isn't ready for the full power of PANTONE 2035."
And so, the legend of the Pink Renaissance was born - a story of accidental brilliance, a janitor with a flair for the dramatic, and a scientist who learned the hard way that some colors are just too powerful to contain.
PANTONE 2035 was no ordinary color; it was a color with attitude, a shade so intense that it seemed to pulse with its own energy. Dr. Sirius was convinced it was the missing link in his formula, the perfect hue to restore faded Renaissance masterpieces to their former brilliance. The only problem? It was nearly impossible to control.
Enter Stella Chanel, the unassuming janitor of the lab, who had no idea that today would be anything but ordinary. Stella was the antithesis of Dr. Sirius - carefree, slightly chaotic, and with a knack for turning the mundane into the memorable. She had a secret love for art and would often wander around the lab after hours, admiring the test canvases and imagining herself as a world-class painter.
One evening, after Dr. Sirius had left the lab, Stella decided to indulge her artistic fantasies. She spotted a canister labeled "PANTONE 2035" and, without a second thought, grabbed a paintbrush. The color was irresistible - a luscious, almost neon pink that screamed for attention. Stella dipped her brush in and made a bold stroke across a blank canvas.
Instantly, the lab was filled with an eerie, pinkish glow. Stella, intrigued but slightly alarmed, continued painting, but as she did, the PANTONE 2035 seemed to take on a life of its own. The pink began to spread, creeping off the canvas and onto the walls, the floor, even the ceiling. It wasn't long before the entire lab was bathed in an overwhelming pink haze.
Just as Stella was starting to panic, Dr. Sirius burst through the door. His normally composed face was a mask of horror as he took in the scene before him. "What have you done?!" he gasped, seeing his lab transformed into a shocking shade of pink that was both mesmerizing and terrifying.
"I... I was just trying to paint," Stella stammered, holding up the brush like it was a magic wand gone rogue.
Dr. Sirius snatched the brush from her hand, but it was too late. PANTONE 2035 had escaped its confines, and the lab was now a swirling, glowing pink mess. Desperate to regain control, Dr. Sirius began frantically mixing chemicals, trying to neutralize the color, but nothing worked. The pink was relentless, spreading out of the lab and into the corridors, turning everything in its path into a vibrant, blinding pink.
The situation escalated quickly. Soon, the entire building was a beacon of pink light, visible from miles away. People on the street began to gather, gawking at the glowing pink structure that had once been an ordinary research lab. Inside, Dr. Sirius was at his wits' end, and Stella was trying hard not to laugh at the absurdity of it all.
Finally, in a moment of clarity (or perhaps desperation), Dr. Sirius had an idea. He grabbed the original Renaissance painting he had been working on and placed it in the center of the lab. Then, with a deep breath, he began to carefully paint over it with the remaining PANTONE 2035. To his amazement, the color seemed to calm down, settling into the painting with a gentle glow.
As the pink began to recede from the walls and floors, Dr. Sirius let out a sigh of relief. The lab, though still slightly pink-tinged, was no longer glowing like a radioactive bubblegum factory. The painting, however, was another story. It now radiated with a vibrant energy, the colors almost alive on the canvas.
Stella, who had been watching in awe, finally spoke. "You know, I think you've just created a new art movement, Dr. Sirius. ‘The Pink Renaissance.' It's got a nice ring to it."
Dr. Sirius, still in shock but starting to see the humor in the situation, managed a small smile. "Maybe you're right, Stella. But let's keep this our little secret. The world isn't ready for the full power of PANTONE 2035."
And so, the legend of the Pink Renaissance was born - a story of accidental brilliance, a janitor with a flair for the dramatic, and a scientist who learned the hard way that some colors are just too powerful to contain.
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