Onyx
Burnt Sienna
Vivid auburn
Mauvelous
Light gray
0
0
2
5
0
PANTONE 2030
Parameters:
HEX Triplet:
#DF6B5CRGB:
223, 107, 92CMYK:
0, 68, 51, 0HSL:
7°, 59%, 87%Closest colors:
in RGB:
Terra cottain PANTONE:
PANTONE 1785in RAL Classic:
RAL 2012in RAL Design:
RAL 040 60 50in RAL Effect:
RAL 430-4in NCS:
NCS S 2050-Y80R 2024-09-03 Snargl 02:10
What color is PANTONE 2030?
PANTONE 2030 has different variations depending on the type of material and coating it is applied to.
For example, PANTONE 2030 C is for coated paper, PANTONE 2030 U is for uncoated paper, and PANTONE 2030 CP is for process printing.
The hexadecimal code of PANTONE 2030 C is #DF6B5C, which is a light shade of red-orange.
It has a hue of 7°, a saturation of 59%, and a brightness of 87%.
In the RGB color model, this colour is composed of 87.45% red, 41.96% green, and 36.08% blue.
It is composed of 0% cyan, 68% magenta, 51% yellow, and 0% black in the CMYK color model.
Some possible color schemes that go well with PANTONE 2030 C are:
For example, PANTONE 2030 C is for coated paper, PANTONE 2030 U is for uncoated paper, and PANTONE 2030 CP is for process printing.
The hexadecimal code of PANTONE 2030 C is #DF6B5C, which is a light shade of red-orange.
It has a hue of 7°, a saturation of 59%, and a brightness of 87%.
In the RGB color model, this colour is composed of 87.45% red, 41.96% green, and 36.08% blue.
It is composed of 0% cyan, 68% magenta, 51% yellow, and 0% black in the CMYK color model.
Some possible color schemes that go well with PANTONE 2030 C are:
Complementary: PANTONE 2030 C and PANTONE 3248 C
Analogous: PANTONE 2030 C, PANTONE 7415 C and PANTONE 7416 C
Triadic: PANTONE 2030 C, PANTONE 583 C and PANTONE 2727 C
Example of the palette with the PANTONE 2030 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 9005
RAL 2012
RAL 3003
RAL 3015
RAL 7047
RAL Design
RAL 170 20 20
RAL 040 60 60
RAL 030 30 45
RAL 010 70 35
RAL 000 85 00
Funny stories about the 'PANTONE 2030'
The Pantone Predicament
Long time ago, far away, in the bustling city of New York, where trends and eccentricities were as common as bagels and lox, there was a curious incident involving the most unusual color choice ever seen in interior design: Pantone 2030. Known for its vibrant, electrifying hue that could only be described as "neon fuchsia with a hint of electric purple," it was not exactly the go-to for subtle elegance.
Our heroes were Manolo Angelos, a perpetually disheveled design student with more ideas than sleep, and Donna Abloh, a top model with a penchant for flamboyance that matched her dazzling career.
The story began when Manolo, in a fit of creative frenzy, boldly declared that Pantone 2030 would be the centerpiece of his final design project. He was convinced this color, which looked like a high-voltage warning sign, would revolutionize room design. Donna, always up for an adventure, agreed to help Manolo transform her sleek, minimalist apartment into a shrine to this audacious color.
Manolo's first task was to paint the walls. Donna, in her infinite glamour, opted to supervise from the comfort of a chaise lounge, where she sipped a latte and flipped through a fashion magazine. As the first coat went up, the apartment transformed into what looked like a giant, glowing flamingo had invaded. Even the usually calm doorman blinked twice when he saw the transformation.
But the true challenge came when Manolo decided to introduce Pantone 2030 into the furniture. He bought an overstuffed couch, a coffee table, and even lamps, all in the same shocking hue. Donna, ever the fashionista, posed in her new electric purple dress beside the couch for a photo shoot, and the result was, well, a bit of a neon nightmare. Her usually chic demeanor looked like it had been set ablaze in a color explosion.
The next phase was the grand opening of the "Pantone 2030" room. They invited everyone they knew - friends, family, and even a few puzzled strangers. The reactions were, predictably, mixed. Some guests were in awe, claiming the room was "a bold statement of audacity and avant-garde brilliance." Others were less kind, calling it "an assault on the eyes" and "the color equivalent of a circus tent."
As the night went on, Donna, trying to salvage her reputation, began giving guided tours of the room, describing it as "an immersive experience in the future of color," while Manolo held a makeshift workshop on how to embrace one’s inner chromatic rebel.
Despite the chaotic responses, the Pantone 2030 room became the talk of the town. People came from all over just to see the infamous space. It wasn’t long before designers, intrigued by the daring use of color, began incorporating Pantone 2030 into their own designs - albeit in much more subdued doses.
Manolo, though exhausted, was delighted with the unexpected success. He and Donna laughed about their wild venture over late-night pizza, agreeing that their experiment had been a spectacular, if garish, triumph. They had proven that sometimes, even the most outlandish ideas can turn into something memorable and, in their own strange way, beautiful.
And so, in a city where the ordinary is often overshadowed by the extraordinary, Manolo and Donna's Pantone 2030 room became a quirky landmark, celebrated for its audacious spirit and its unapologetic embrace of the bizarre.
Our heroes were Manolo Angelos, a perpetually disheveled design student with more ideas than sleep, and Donna Abloh, a top model with a penchant for flamboyance that matched her dazzling career.
The story began when Manolo, in a fit of creative frenzy, boldly declared that Pantone 2030 would be the centerpiece of his final design project. He was convinced this color, which looked like a high-voltage warning sign, would revolutionize room design. Donna, always up for an adventure, agreed to help Manolo transform her sleek, minimalist apartment into a shrine to this audacious color.
Manolo's first task was to paint the walls. Donna, in her infinite glamour, opted to supervise from the comfort of a chaise lounge, where she sipped a latte and flipped through a fashion magazine. As the first coat went up, the apartment transformed into what looked like a giant, glowing flamingo had invaded. Even the usually calm doorman blinked twice when he saw the transformation.
But the true challenge came when Manolo decided to introduce Pantone 2030 into the furniture. He bought an overstuffed couch, a coffee table, and even lamps, all in the same shocking hue. Donna, ever the fashionista, posed in her new electric purple dress beside the couch for a photo shoot, and the result was, well, a bit of a neon nightmare. Her usually chic demeanor looked like it had been set ablaze in a color explosion.
The next phase was the grand opening of the "Pantone 2030" room. They invited everyone they knew - friends, family, and even a few puzzled strangers. The reactions were, predictably, mixed. Some guests were in awe, claiming the room was "a bold statement of audacity and avant-garde brilliance." Others were less kind, calling it "an assault on the eyes" and "the color equivalent of a circus tent."
As the night went on, Donna, trying to salvage her reputation, began giving guided tours of the room, describing it as "an immersive experience in the future of color," while Manolo held a makeshift workshop on how to embrace one’s inner chromatic rebel.
Despite the chaotic responses, the Pantone 2030 room became the talk of the town. People came from all over just to see the infamous space. It wasn’t long before designers, intrigued by the daring use of color, began incorporating Pantone 2030 into their own designs - albeit in much more subdued doses.
Manolo, though exhausted, was delighted with the unexpected success. He and Donna laughed about their wild venture over late-night pizza, agreeing that their experiment had been a spectacular, if garish, triumph. They had proven that sometimes, even the most outlandish ideas can turn into something memorable and, in their own strange way, beautiful.
And so, in a city where the ordinary is often overshadowed by the extraordinary, Manolo and Donna's Pantone 2030 room became a quirky landmark, celebrated for its audacious spirit and its unapologetic embrace of the bizarre.
You may find these posts interesting:
