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PANTONE 2004

PANTONE 2004

Parameters:
HEX Triplet:
#F6DB67
RGB:
246, 219, 103
CMYK:
0, 8, 61, 0
HSL:
49°, 58%, 96%
Closest colors:
in PANTONE:
PANTONE 128
in RAL Classic:
RAL 1018
in RAL Design:
RAL 070 80 50
in RAL Effect:
RAL 270-6
What color is PANTONE 2004? The Scarlet Conundrum
2024-09-03 Snargl 02:14

What color is PANTONE 2004?

Woman in a yellow and black outfit smiling at the camera with a ponytail in her hair and a ponytail in her hair
Close up of a yellow and pink flower with green leaves in the background. Color #F6DB67.
Man in a yellow outfit with a furry hat on his head and a smile on his face. Example of CMYK 0,8,61,0 color.
Man walking down a street next to a tall building with a neon light on it's face. Color CMYK 0,8,61,0.
PANTONE 2004 has different variations depending on the type of material and printing process.

For example, PANTONE 2004 C is for coated paper, PANTONE 2004 U is for uncoated paper, and PANTONE 13-2004 TCX is for textile cotton.

PANTONE 2004 C is a bright neon yellow color with a hue value of 49°, which means it is a warm color.

This color can be converted to other color spaces using the following values:
  • RGB: 246, 219, 103

  • CMYK: 0, 8, 61, 0

  • HEX: #F6DB67

Example of the palette with the PANTONE 2004 color

Picture with primary colors of Goldenrod, Gainsboro, Air Force Blue, Coffee and Dark jungle green
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
Author:
Funny stories about the 'PANTONE 2004'

The Scarlet Conundrum

In a quiet town where the mundane danced with the magical, Cassandra Smith, a skilled car service worker, was unwittingly thrust into a revolutionary tale. Cassandra had spent years tending to the needs of cars at "Smith's Auto Haven," a modest garage known for its quaint charm and honest service. Little did she know that her life was about to intersect with something far beyond engine repairs and tire changes.

Maximilian White, a reclusive professor renowned for his eccentric theories on color psychology and design, had recently made headlines with his audacious claim: the discovery of "PANTONE 2004," a shade of red that was purported to have unparalleled psychological effects. White believed that this color could evoke intense emotions and drive profound changes in human perception.
Painting of a flower and a tree in a forest with rocks and water in the background. Example of #F6DB67 color.

The story began one crisp autumn morning when Cassandra’s boss, Mr. Smith, received an unexpected package at the garage. Inside was a set of sample designs and a note from Professor White, requesting that Cassandra's garage be the first to display a new trademark that incorporated PANTONE 2004. The package was accompanied by a generous payment, sufficient to renovate the entire garage. The catch? Cassandra had to ensure the installation within a week.

Despite her initial reluctance, Cassandra was intrigued. She agreed to meet with Professor White at his imposing, ivy-clad mansion on the outskirts of town. The professor, with his unkempt hair and eyes that sparkled with fervor, welcomed her into his cluttered study filled with color swatches, old manuscripts, and bizarre contraptions.

Maximilian explained his theory with fervent enthusiasm. "PANTONE 2004 is not just a color, Cassandra. It’s a catalyst for change. It has the potential to transform perceptions and challenge conventions. I need your help to test its efficacy."

Cassandra listened, fascinated by the professor’s conviction. White’s plan was to unveil the new trademark at the town’s annual festival, making it a grand spectacle. The design was to be a striking combination of PANTONE 2004 with sleek, futuristic elements that would set the garage apart from its competitors.
Man dressed in a golden outfit with a gold cape and a green necklace on his neck and hands behind his head. Example of PANTONE 2004 color.

As the deadline approached, Cassandra worked tirelessly to implement the professor’s vision. The once modest garage was transformed into a vibrant masterpiece, radiating the intense, captivating hue of PANTONE 2004. The design was bold and audacious, a far cry from the conventional branding of auto services.

The day of the festival arrived, and the unveiling of "Smith’s Auto Haven" drew a crowd. People were immediately drawn to the striking new trademark, their eyes widening as they absorbed the powerful visual impact. The color seemed to pulsate with an almost otherworldly energy, and the atmosphere buzzed with an electric excitement.

Cassandra watched in awe as the crowd reacted. The garage, now a symbol of innovation and transformation, attracted attention from far and wide. People were not only intrigued by the design but also by the story behind it. The professor’s color theory had been validated in the most dramatic fashion.

As the festival drew to a close, Professor White approached Cassandra with a satisfied grin. "You see, Cassandra, PANTONE 2004 is more than just a color. It’s a phenomenon. Your garage has become a beacon of change."

Cassandra smiled, the weight of the week’s work lifting from her shoulders. She had transformed her small corner of the world, not just with a new look but with a sense of possibility. The garage’s success became the talk of the town, and Cassandra and Professor White’s collaboration was celebrated as a groundbreaking moment in design history.

In the end, it wasn’t just the color that had made an impact but the daring spirit of those who dared to embrace it. And as for Cassandra, she realized that sometimes, the most extraordinary adventures began in the most unassuming places.
Author:

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