Goldenrod
Gainsboro
Air Force Blue
Coffee
Dark jungle green
0
0
2
6
0
PANTONE 2004
Parameters:
HEX Triplet:
#F6DB67RGB:
246, 219, 103CMYK:
0, 8, 61, 0HSL:
49°, 58%, 96%Closest colors:
in RGB:
Orange Yellowin PANTONE:
PANTONE 128in RAL Classic:
RAL 1018in RAL Design:
RAL 070 80 50in RAL Effect:
RAL 270-6in NCS:
NCS S 1040-Y10R 2024-09-03 Snargl 02:14
What color is PANTONE 2004?
PANTONE 2004 has different variations depending on the type of material and printing process.
For example, PANTONE 2004 C is for coated paper, PANTONE 2004 U is for uncoated paper, and PANTONE 13-2004 TCX is for textile cotton.
PANTONE 2004 C is a bright neon yellow color with a hue value of 49°, which means it is a warm color.
This color can be converted to other color spaces using the following values:
For example, PANTONE 2004 C is for coated paper, PANTONE 2004 U is for uncoated paper, and PANTONE 13-2004 TCX is for textile cotton.
PANTONE 2004 C is a bright neon yellow color with a hue value of 49°, which means it is a warm color.
This color can be converted to other color spaces using the following values:
RGB: 246, 219, 103
CMYK: 0, 8, 61, 0
HEX: #F6DB67
Example of the palette with the PANTONE 2004 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 1012
RAL 9002
RAL 5024
RAL 8024
RAL 8022
Funny stories about the 'PANTONE 2004'
The Scarlet Conundrum
In a quiet town where the mundane danced with the magical, Cassandra Smith, a skilled car service worker, was unwittingly thrust into a revolutionary tale. Cassandra had spent years tending to the needs of cars at "Smith's Auto Haven," a modest garage known for its quaint charm and honest service. Little did she know that her life was about to intersect with something far beyond engine repairs and tire changes.
Maximilian White, a reclusive professor renowned for his eccentric theories on color psychology and design, had recently made headlines with his audacious claim: the discovery of "PANTONE 2004," a shade of red that was purported to have unparalleled psychological effects. White believed that this color could evoke intense emotions and drive profound changes in human perception.
The story began one crisp autumn morning when Cassandra’s boss, Mr. Smith, received an unexpected package at the garage. Inside was a set of sample designs and a note from Professor White, requesting that Cassandra's garage be the first to display a new trademark that incorporated PANTONE 2004. The package was accompanied by a generous payment, sufficient to renovate the entire garage. The catch? Cassandra had to ensure the installation within a week.
Despite her initial reluctance, Cassandra was intrigued. She agreed to meet with Professor White at his imposing, ivy-clad mansion on the outskirts of town. The professor, with his unkempt hair and eyes that sparkled with fervor, welcomed her into his cluttered study filled with color swatches, old manuscripts, and bizarre contraptions.
Maximilian explained his theory with fervent enthusiasm. "PANTONE 2004 is not just a color, Cassandra. It’s a catalyst for change. It has the potential to transform perceptions and challenge conventions. I need your help to test its efficacy."
Cassandra listened, fascinated by the professor’s conviction. White’s plan was to unveil the new trademark at the town’s annual festival, making it a grand spectacle. The design was to be a striking combination of PANTONE 2004 with sleek, futuristic elements that would set the garage apart from its competitors.
As the deadline approached, Cassandra worked tirelessly to implement the professor’s vision. The once modest garage was transformed into a vibrant masterpiece, radiating the intense, captivating hue of PANTONE 2004. The design was bold and audacious, a far cry from the conventional branding of auto services.
The day of the festival arrived, and the unveiling of "Smith’s Auto Haven" drew a crowd. People were immediately drawn to the striking new trademark, their eyes widening as they absorbed the powerful visual impact. The color seemed to pulsate with an almost otherworldly energy, and the atmosphere buzzed with an electric excitement.
Cassandra watched in awe as the crowd reacted. The garage, now a symbol of innovation and transformation, attracted attention from far and wide. People were not only intrigued by the design but also by the story behind it. The professor’s color theory had been validated in the most dramatic fashion.
As the festival drew to a close, Professor White approached Cassandra with a satisfied grin. "You see, Cassandra, PANTONE 2004 is more than just a color. It’s a phenomenon. Your garage has become a beacon of change."
Cassandra smiled, the weight of the week’s work lifting from her shoulders. She had transformed her small corner of the world, not just with a new look but with a sense of possibility. The garage’s success became the talk of the town, and Cassandra and Professor White’s collaboration was celebrated as a groundbreaking moment in design history.
In the end, it wasn’t just the color that had made an impact but the daring spirit of those who dared to embrace it. And as for Cassandra, she realized that sometimes, the most extraordinary adventures began in the most unassuming places.
Maximilian White, a reclusive professor renowned for his eccentric theories on color psychology and design, had recently made headlines with his audacious claim: the discovery of "PANTONE 2004," a shade of red that was purported to have unparalleled psychological effects. White believed that this color could evoke intense emotions and drive profound changes in human perception.
0
0
The story began one crisp autumn morning when Cassandra’s boss, Mr. Smith, received an unexpected package at the garage. Inside was a set of sample designs and a note from Professor White, requesting that Cassandra's garage be the first to display a new trademark that incorporated PANTONE 2004. The package was accompanied by a generous payment, sufficient to renovate the entire garage. The catch? Cassandra had to ensure the installation within a week.
Despite her initial reluctance, Cassandra was intrigued. She agreed to meet with Professor White at his imposing, ivy-clad mansion on the outskirts of town. The professor, with his unkempt hair and eyes that sparkled with fervor, welcomed her into his cluttered study filled with color swatches, old manuscripts, and bizarre contraptions.
Maximilian explained his theory with fervent enthusiasm. "PANTONE 2004 is not just a color, Cassandra. It’s a catalyst for change. It has the potential to transform perceptions and challenge conventions. I need your help to test its efficacy."
Cassandra listened, fascinated by the professor’s conviction. White’s plan was to unveil the new trademark at the town’s annual festival, making it a grand spectacle. The design was to be a striking combination of PANTONE 2004 with sleek, futuristic elements that would set the garage apart from its competitors.
As the deadline approached, Cassandra worked tirelessly to implement the professor’s vision. The once modest garage was transformed into a vibrant masterpiece, radiating the intense, captivating hue of PANTONE 2004. The design was bold and audacious, a far cry from the conventional branding of auto services.
The day of the festival arrived, and the unveiling of "Smith’s Auto Haven" drew a crowd. People were immediately drawn to the striking new trademark, their eyes widening as they absorbed the powerful visual impact. The color seemed to pulsate with an almost otherworldly energy, and the atmosphere buzzed with an electric excitement.
Cassandra watched in awe as the crowd reacted. The garage, now a symbol of innovation and transformation, attracted attention from far and wide. People were not only intrigued by the design but also by the story behind it. The professor’s color theory had been validated in the most dramatic fashion.
As the festival drew to a close, Professor White approached Cassandra with a satisfied grin. "You see, Cassandra, PANTONE 2004 is more than just a color. It’s a phenomenon. Your garage has become a beacon of change."
Cassandra smiled, the weight of the week’s work lifting from her shoulders. She had transformed her small corner of the world, not just with a new look but with a sense of possibility. The garage’s success became the talk of the town, and Cassandra and Professor White’s collaboration was celebrated as a groundbreaking moment in design history.
In the end, it wasn’t just the color that had made an impact but the daring spirit of those who dared to embrace it. And as for Cassandra, she realized that sometimes, the most extraordinary adventures began in the most unassuming places.
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