PANTONE 1807

PANTONE 1807 is a medium dark shade of pink-red with a warm hue.
It has a hexadecimal color code of #A4383D, which means it is composed of 64.31% red, 21.96% green and 23.92% blue in the RGB color model.
In the HSL color space, PANTONE 1807 has a hue of 357°, a saturation of 66% and a lightness of 64%.
In the CMYK color model, PANTONE 1807 is made up of 10% cyan, 93% magenta, 71% yellow and 33% black.
PANTONE 1807 is a bold and striking color that can be used to create contrast, attention, or excitement in various design contexts.
It can also convey emotions such as passion, love, anger, or danger.

PANTONE 1807 can be found in the following Pantone products:

• Formula Guide.

• Solid Chips.

• Solid Color Set.

• CAPSURE™.

• Plastic Standard Chips Collection.

PANTONE 1807 is a color that can inspire creativity, expression, and innovation.

In a far away place, in the heart of an extraordinary city where technology mingled with magic, the color Pantone 1807 had achieved legendary status. Known for its vibrant hue of magenta and gold, it was said to possess mysterious properties that could alter reality itself. As such, its use was reserved for the most bizarre and high-stakes of scenarios.

Dr. Nexia Ervin, an eccentric yet brilliant scientist, was obsessed with uncovering the true power of Pantone 1807. She believed the color held the key to unlocking a new dimension of design and reality manipulation. To her, this was no ordinary shade - this was the color that could reshape the fabric of existence.

One day, Dr. Ervin decided to put her theories to the test by collaborating with Hubert Gonzalez, a factory worker who had a knack for fixing things and an inexplicable ability to communicate with machines. Hubert had no idea what he was getting into when he received the invitation. All he knew was that he was about to work with someone who had a laboratory full of whirring gizmos and a wardrobe of wild, color-coded lab coats.

Upon arriving at Dr. Ervin’s lab, Hubert was greeted by an array of blinking contraptions and walls painted in various shades of Pantone 1807. "Welcome, Hubert!" Dr. Ervin exclaimed. "Today, we’re going to discover how Pantone 1807 can revolutionize design!"

The plan was to use the color in a machine Dr. Ervin had invented, called the "Reality Refractor." This contraption was supposed to project the color onto a blank canvas, which would then transform into whatever design was imagined by the user. The catch was that the machine was finicky, and Dr. Ervin needed someone with a unique skill set to help stabilize it. Enter Hubert.

As the two began their experiment, they quickly realized that Pantone 1807 was not behaving as expected. Instead of producing a sleek, modern design, the machine started generating bizarre and nonsensical images: dancing penguins in tuxedos, giant teapots with wings, and an orchestra of flamingos playing electric guitars.

"It seems the color is not just a pigment but a portal to a whimsical dimension!" Dr. Ervin observed, peering at the kaleidoscope of chaos on the canvas.

Hubert, with his pragmatic mindset, suggested, "Maybe we should adjust the calibration. It looks like the color's reality-altering properties are a bit too... lively."

Dr. Ervin agreed, and with Hubert’s help, they began tweaking the machine’s settings. After several trial-and-error attempts and a minor explosion involving an inflatable unicorn, they finally managed to stabilize the Reality Refractor. They could now create coherent and imaginative designs with Pantone 1807, blending reality and fantasy in ways never seen before.

Their breakthrough caught the attention of the city’s elite, leading to a new era of design that mixed the practical with the absurd. Fashion shows featured clothing that shifted colors and patterns in real-time, architecture incorporated playful elements that changed depending on the viewer’s mood, and advertisements became interactive experiences.

Dr. Ervin and Hubert became renowned for their unconventional approach to design, proving that with a little creativity and a lot of Pantone 1807, the possibilities were endless. And so, in the annals of design history, the Pantone Paradox was born - a tale of how a color and a factory worker turned the world into a canvas of endless imagination.

In a far away place, in the heart of an extraordinary city where technology mingled with magic, the color Pantone 1807 had achieved legendary status. Known for its vibrant hue of magenta and gold, it was said to possess mysterious properties that could alter reality itself. As such, its use was reserved for the most bizarre and high-stakes of scenarios.

Dr. Nexia Ervin, an eccentric yet brilliant scientist, was obsessed with uncovering the true power of Pantone 1807. She believed the color held the key to unlocking a new dimension of design and reality manipulation. To her, this was no ordinary shade - this was the color that could reshape the fabric of existence.

One day, Dr. Ervin decided to put her theories to the test by collaborating with Hubert Gonzalez, a factory worker who had a knack for fixing things and an inexplicable ability to communicate with machines. Hubert had no idea what he was getting into when he received the invitation. All he knew was that he was about to work with someone who had a laboratory full of whirring gizmos and a wardrobe of wild, color-coded lab coats.

Upon arriving at Dr. Ervin’s lab, Hubert was greeted by an array of blinking contraptions and walls painted in various shades of Pantone 1807. "Welcome, Hubert!" Dr. Ervin exclaimed. "Today, we’re going to discover how Pantone 1807 can revolutionize design!"

The plan was to use the color in a machine Dr. Ervin had invented, called the "Reality Refractor." This contraption was supposed to project the color onto a blank canvas, which would then transform into whatever design was imagined by the user. The catch was that the machine was finicky, and Dr. Ervin needed someone with a unique skill set to help stabilize it. Enter Hubert.

As the two began their experiment, they quickly realized that Pantone 1807 was not behaving as expected. Instead of producing a sleek, modern design, the machine started generating bizarre and nonsensical images: dancing penguins in tuxedos, giant teapots with wings, and an orchestra of flamingos playing electric guitars.

"It seems the color is not just a pigment but a portal to a whimsical dimension!" Dr. Ervin observed, peering at the kaleidoscope of chaos on the canvas.

Hubert, with his pragmatic mindset, suggested, "Maybe we should adjust the calibration. It looks like the color's reality-altering properties are a bit too... lively."

Dr. Ervin agreed, and with Hubert’s help, they began tweaking the machine’s settings. After several trial-and-error attempts and a minor explosion involving an inflatable unicorn, they finally managed to stabilize the Reality Refractor. They could now create coherent and imaginative designs with Pantone 1807, blending reality and fantasy in ways never seen before.

Their breakthrough caught the attention of the city’s elite, leading to a new era of design that mixed the practical with the absurd. Fashion shows featured clothing that shifted colors and patterns in real-time, architecture incorporated playful elements that changed depending on the viewer’s mood, and advertisements became interactive experiences.

Dr. Ervin and Hubert became renowned for their unconventional approach to design, proving that with a little creativity and a lot of Pantone 1807, the possibilities were endless. And so, in the annals of design history, the Pantone Paradox was born - a tale of how a color and a factory worker turned the world into a canvas of endless imagination.

In a far away place, in the heart of an extraordinary city where technology mingled with magic, the color Pantone 1807 had achieved legendary status. Known for its vibrant hue of magenta and gold, it was said to possess mysterious properties that could alter reality itself. As such, its use was reserved for the most bizarre and high-stakes of scenarios.

Dr. Nexia Ervin, an eccentric yet brilliant scientist, was obsessed with uncovering the true power of Pantone 1807. She believed the color held the key to unlocking a new dimension of design and reality manipulation. To her, this was no ordinary shade - this was the color that could reshape the fabric of existence.

One day, Dr. Ervin decided to put her theories to the test by collaborating with Hubert Gonzalez, a factory worker who had a knack for fixing things and an inexplicable ability to communicate with machines. Hubert had no idea what he was getting into when he received the invitation. All he knew was that he was about to work with someone who had a laboratory full of whirring gizmos and a wardrobe of wild, color-coded lab coats.

Upon arriving at Dr. Ervin’s lab, Hubert was greeted by an array of blinking contraptions and walls painted in various shades of Pantone 1807. "Welcome, Hubert!" Dr. Ervin exclaimed. "Today, we’re going to discover how Pantone 1807 can revolutionize design!"

The plan was to use the color in a machine Dr. Ervin had invented, called the "Reality Refractor." This contraption was supposed to project the color onto a blank canvas, which would then transform into whatever design was imagined by the user. The catch was that the machine was finicky, and Dr. Ervin needed someone with a unique skill set to help stabilize it. Enter Hubert.

As the two began their experiment, they quickly realized that Pantone 1807 was not behaving as expected. Instead of producing a sleek, modern design, the machine started generating bizarre and nonsensical images: dancing penguins in tuxedos, giant teapots with wings, and an orchestra of flamingos playing electric guitars.

"It seems the color is not just a pigment but a portal to a whimsical dimension!" Dr. Ervin observed, peering at the kaleidoscope of chaos on the canvas.

Hubert, with his pragmatic mindset, suggested, "Maybe we should adjust the calibration. It looks like the color's reality-altering properties are a bit too... lively."

Dr. Ervin agreed, and with Hubert’s help, they began tweaking the machine’s settings. After several trial-and-error attempts and a minor explosion involving an inflatable unicorn, they finally managed to stabilize the Reality Refractor. They could now create coherent and imaginative designs with Pantone 1807, blending reality and fantasy in ways never seen before.

Their breakthrough caught the attention of the city’s elite, leading to a new era of design that mixed the practical with the absurd. Fashion shows featured clothing that shifted colors and patterns in real-time, architecture incorporated playful elements that changed depending on the viewer’s mood, and advertisements became interactive experiences.

Dr. Ervin and Hubert became renowned for their unconventional approach to design, proving that with a little creativity and a lot of Pantone 1807, the possibilities were endless. And so, in the annals of design history, the Pantone Paradox was born - a tale of how a color and a factory worker turned the world into a canvas of endless imagination.

In a far away place, in the heart of an extraordinary city where technology mingled with magic, the color Pantone 1807 had achieved legendary status. Known for its vibrant hue of magenta and gold, it was said to possess mysterious properties that could alter reality itself. As such, its use was reserved for the most bizarre and high-stakes of scenarios.

Dr. Nexia Ervin, an eccentric yet brilliant scientist, was obsessed with uncovering the true power of Pantone 1807. She believed the color held the key to unlocking a new dimension of design and reality manipulation. To her, this was no ordinary shade - this was the color that could reshape the fabric of existence.

One day, Dr. Ervin decided to put her theories to the test by collaborating with Hubert Gonzalez, a factory worker who had a knack for fixing things and an inexplicable ability to communicate with machines. Hubert had no idea what he was getting into when he received the invitation. All he knew was that he was about to work with someone who had a laboratory full of whirring gizmos and a wardrobe of wild, color-coded lab coats.

Upon arriving at Dr. Ervin’s lab, Hubert was greeted by an array of blinking contraptions and walls painted in various shades of Pantone 1807. "Welcome, Hubert!" Dr. Ervin exclaimed. "Today, we’re going to discover how Pantone 1807 can revolutionize design!"

The plan was to use the color in a machine Dr. Ervin had invented, called the "Reality Refractor." This contraption was supposed to project the color onto a blank canvas, which would then transform into whatever design was imagined by the user. The catch was that the machine was finicky, and Dr. Ervin needed someone with a unique skill set to help stabilize it. Enter Hubert.

As the two began their experiment, they quickly realized that Pantone 1807 was not behaving as expected. Instead of producing a sleek, modern design, the machine started generating bizarre and nonsensical images: dancing penguins in tuxedos, giant teapots with wings, and an orchestra of flamingos playing electric guitars.

"It seems the color is not just a pigment but a portal to a whimsical dimension!" Dr. Ervin observed, peering at the kaleidoscope of chaos on the canvas.

Hubert, with his pragmatic mindset, suggested, "Maybe we should adjust the calibration. It looks like the color's reality-altering properties are a bit too... lively."

Dr. Ervin agreed, and with Hubert’s help, they began tweaking the machine’s settings. After several trial-and-error attempts and a minor explosion involving an inflatable unicorn, they finally managed to stabilize the Reality Refractor. They could now create coherent and imaginative designs with Pantone 1807, blending reality and fantasy in ways never seen before.

Their breakthrough caught the attention of the city’s elite, leading to a new era of design that mixed the practical with the absurd. Fashion shows featured clothing that shifted colors and patterns in real-time, architecture incorporated playful elements that changed depending on the viewer’s mood, and advertisements became interactive experiences.

Dr. Ervin and Hubert became renowned for their unconventional approach to design, proving that with a little creativity and a lot of Pantone 1807, the possibilities were endless. And so, in the annals of design history, the Pantone Paradox was born - a tale of how a color and a factory worker turned the world into a canvas of endless imagination.