Smoky black
Slate gray
Linen
Falu red
Burnt Sienna
0
0
2
7
0
PANTONE 1795
Parameters:
HEX Triplet:
#D63D36RGB:
214, 61, 54CMYK:
0, 96, 93, 2HSL:
3°, 75%, 84%Closest colors:
in RGB:
Jasperin PANTONE:
PANTONE 485in RAL Classic:
RAL 3028in RAL Design:
RAL 040 50 70in RAL Effect:
RAL 440-1in NCS:
NCS S 0585-Y80R 2024-09-08 Snargl 02:10
What color is PANTONE 1795?
The color of PANTONE 1795 is a shade of red with a slight orange hue.
It has a hexadecimal value of #D63D36, which means it is composed of 83.92% red, 23.92% green, and 21.18% blue in the RGB color model.
It has a hue angle of 3°, a saturation of 75%, and a lightness of 84% in the HSL color space.
It has an approximate wavelength of 608.77 nanometers in the visible spectrum.
PANTONE 1795 is a bold and vibrant color that can convey energy, passion, excitement, and confidence.
This color can also evoke warmth, love, danger, or anger depending on the context.
It is often used for logos, branding, packaging, and signage to attract attention and create a strong impression.
Some examples of brands that use PANTONE 1795 are Coca-Cola, Netflix, YouTube, and Lego.
It has a hexadecimal value of #D63D36, which means it is composed of 83.92% red, 23.92% green, and 21.18% blue in the RGB color model.
It has a hue angle of 3°, a saturation of 75%, and a lightness of 84% in the HSL color space.
It has an approximate wavelength of 608.77 nanometers in the visible spectrum.
PANTONE 1795 is a bold and vibrant color that can convey energy, passion, excitement, and confidence.
This color can also evoke warmth, love, danger, or anger depending on the context.
It is often used for logos, branding, packaging, and signage to attract attention and create a strong impression.
Some examples of brands that use PANTONE 1795 are Coca-Cola, Netflix, YouTube, and Lego.
Example of the palette with the PANTONE 1795 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 1795'
The Crimson Chronicles of Manolo and Raphael
Once upon a time, in the bustling town of Designopolis, where the streets shimmered with hues and the sky was a canvas of pixels, lived two unlikely friends: Manolo Moon, the car service worker with a passion for colors, and Raphael Abloh, the factory worker with an inexplicable knack for creating peculiar gadgets. Their town was known for its vibrant aesthetic, and their friendship was just as colorful.
One day, Designopolis was abuzz with excitement. The Annual Motion Design Extravaganza was approaching, a grand event where creators showcased their most imaginative use of color in motion. This year, the spotlight was on the enigmatic "PANTONE 1795," a shade so bold it was rumored to have once been the chosen color of a royal palace. The catch? No one knew how to use it effectively in motion design.
Manolo Moon, who spent his days repairing cars and his nights dreaming in vibrant shades, was convinced that PANTONE 1795 could be the secret ingredient to make the festival unforgettable. Meanwhile, Raphael Abloh, with his quirky inventions, was convinced that the key to unlocking this color's potential lay in a new contraption he was working on - a device he called the "Hue-o-matic 3000."
Together, they hatched a plan. Manolo, armed with his color expertise, would craft an eye-popping visual concept, while Raphael would build the contraption to bring it to life. Their workshop became a whirlwind of activity: tools clanging, paint splashing, and the occasional explosion of glitter. It was chaos, but the most spectacular kind.
Their idea was simple yet audacious: a grand motion design piece where PANTONE 1795 would transform a mundane object - a car - into a mesmerizing, dynamic work of art. The car, Manolo’s old but trusty sedan, would morph through various stages of motion, each highlighted by the intense and striking PANTONE 1795. Raphael’s Hue-o-matic 3000 was supposed to control the color’s intensity and animation.
The big day arrived. The festival was packed, with attendees eagerly awaiting the reveal of the most anticipated design piece. Manolo and Raphael wheeled out their creation, the sedan now sporting a sleek new paint job in PANTONE 1795. As the car started its motion sequence, a hush fell over the crowd. At first, the car moved slowly, and the intense red seemed almost ordinary. But then, Raphael’s contraption kicked in.
Suddenly, the car began to spin and twirl, transforming into a dazzling kaleidoscope of motion. PANTONE 1795 pulsed, shimmered, and danced across the car’s surface, creating patterns that looked like fiery galaxies. The crowd gasped, then erupted into applause and laughter as the car made a grand finale by popping open its trunk to reveal a confetti explosion of matching PANTONE 1795.
In the midst of the spectacle, Manolo and Raphael were caught up in their own whirlwind of joy. Manolo’s face was painted with an exaggerated smile, while Raphael’s hat had somehow gotten tangled in a strand of confetti. They looked at each other and laughed, realizing that their chaotic journey had paid off.
The judges were thoroughly impressed, awarding them the top prize and declaring PANTONE 1795 the new star of the festival. But beyond the accolades, Manolo and Raphael had shown Designopolis that creativity knows no bounds - and that sometimes, the greatest triumphs come from a splash of color and a lot of laughter.
And so, the Crimson Chronicles of Manolo and Raphael became legendary in Designopolis, a testament to the magic that happens when friendship, color, and a touch of madness collide.
One day, Designopolis was abuzz with excitement. The Annual Motion Design Extravaganza was approaching, a grand event where creators showcased their most imaginative use of color in motion. This year, the spotlight was on the enigmatic "PANTONE 1795," a shade so bold it was rumored to have once been the chosen color of a royal palace. The catch? No one knew how to use it effectively in motion design.
0
0
Manolo Moon, who spent his days repairing cars and his nights dreaming in vibrant shades, was convinced that PANTONE 1795 could be the secret ingredient to make the festival unforgettable. Meanwhile, Raphael Abloh, with his quirky inventions, was convinced that the key to unlocking this color's potential lay in a new contraption he was working on - a device he called the "Hue-o-matic 3000."
Together, they hatched a plan. Manolo, armed with his color expertise, would craft an eye-popping visual concept, while Raphael would build the contraption to bring it to life. Their workshop became a whirlwind of activity: tools clanging, paint splashing, and the occasional explosion of glitter. It was chaos, but the most spectacular kind.
Their idea was simple yet audacious: a grand motion design piece where PANTONE 1795 would transform a mundane object - a car - into a mesmerizing, dynamic work of art. The car, Manolo’s old but trusty sedan, would morph through various stages of motion, each highlighted by the intense and striking PANTONE 1795. Raphael’s Hue-o-matic 3000 was supposed to control the color’s intensity and animation.
0
0
The big day arrived. The festival was packed, with attendees eagerly awaiting the reveal of the most anticipated design piece. Manolo and Raphael wheeled out their creation, the sedan now sporting a sleek new paint job in PANTONE 1795. As the car started its motion sequence, a hush fell over the crowd. At first, the car moved slowly, and the intense red seemed almost ordinary. But then, Raphael’s contraption kicked in.
Suddenly, the car began to spin and twirl, transforming into a dazzling kaleidoscope of motion. PANTONE 1795 pulsed, shimmered, and danced across the car’s surface, creating patterns that looked like fiery galaxies. The crowd gasped, then erupted into applause and laughter as the car made a grand finale by popping open its trunk to reveal a confetti explosion of matching PANTONE 1795.
In the midst of the spectacle, Manolo and Raphael were caught up in their own whirlwind of joy. Manolo’s face was painted with an exaggerated smile, while Raphael’s hat had somehow gotten tangled in a strand of confetti. They looked at each other and laughed, realizing that their chaotic journey had paid off.
The judges were thoroughly impressed, awarding them the top prize and declaring PANTONE 1795 the new star of the festival. But beyond the accolades, Manolo and Raphael had shown Designopolis that creativity knows no bounds - and that sometimes, the greatest triumphs come from a splash of color and a lot of laughter.
And so, the Crimson Chronicles of Manolo and Raphael became legendary in Designopolis, a testament to the magic that happens when friendship, color, and a touch of madness collide.
You may find these posts interesting:
