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PANTONE 168

PANTONE 168

Parameters:
HEX Triplet:
#6F3B20
RGB:
111, 59, 32
CMYK:
12, 80, 100, 60
HSL:
21°, 71%, 44%
Closest colors:
in RGB:
Dark brown
in PANTONE:
PANTONE 1545
in RAL Classic:
RAL 8029
in RAL Design:
RAL 050 30 36
in RAL Effect:
RAL 350-5
What color is PANTONE 168? The Crimson Conundrum
2024-09-21 Snargl 02:18

What color is PANTONE 168?

Woman in a costume standing in front of a building with a sunset in the background and a building with a tower
Woman in a futuristic suit with a gun in her hand and a light on her chest and arm
Man in armor standing in front of a city with a clock tower in the background
Woman in a red cosplay with a sword and a helmet on her head
Toy car and a monster in the desert with a full moon in the background and a vehicle in the foreground
Woman with a necklace and two candles in front of her face and a window behind her with a curtain
PANTONE 168 is a dark brown color with a reddish hue.

It belongs to the PANTONE Solid Chips Coated catalog, which is a collection of colors for printing and design purposes.

This color can be used to create a warm, earthy, or rustic mood in various projects.

It can also be paired with lighter or contrasting colors to create a dynamic effect.

PANTONE 168 has the following color values:
  • RGB: 111, 59, 32

  • CMYK: 12, 80, 100, 60

  • HEX: #6F3B20

  • HSL: 21, 71, 44

Example of the palette with the PANTONE 168 color

Picture with primary colors of Bulgarian rose, Copper rose, Pastel gray, Wine and Opera mauve
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
RAL Classic
RAL 3007
RAL 1020
RAL 9018
RAL 3009
RAL 4009
RAL Design
RAL 040 20 19
RAL 030 50 20
RAL 080 80 05
RAL 040 30 30
RAL 330 60 25
Author:
Funny stories about the 'PANTONE 168'

The Crimson Conundrum

Cassandra Smith was no ordinary student. In the world of design, she was known for her radical ideas and avant-garde approaches. Her latest fascination was a peculiar color: PANTONE 168, a deep, unsettling shade of crimson that had everyone in her university buzzing. Professor Leonardo Phoenix, a man whose reputation for pushing the boundaries of design was as renowned as his rather flamboyant wardrobe, was her mentor.

One crisp autumn morning, Cassandra burst into Professor Phoenix's office, her eyes gleaming with manic excitement. "Professor, I've got it!" she declared, waving a swatch of PANTONE 168.
White creature with big yellow eyes and a brown leather jacket on

Phoenix looked up from his desk, adjusting his neon green bow tie. "Ah, Cassandra! I see you've been inspired by our latest color study. What's the grand idea?"

"It's not just an idea. It's a revolution!" Cassandra said. "Imagine PANTONE 168, but not just in fashion or interior design. I'm talking about a complete sensory overhaul!"

Phoenix raised an eyebrow, intrigued. "Go on."

Cassandra leaned in conspiratorially. "Picture this: a line of clothing that's embedded with micro-sensors. These sensors adjust the color of the garment based on the wearer's emotions, and the base color is PANTONE 168! It's like mood rings but way more fashionable."

Phoenix's eyes widened. "Fascinating. But how does this integrate with design in a broader sense?"

"Here's the kicker," Cassandra said. "Not only does the color change with the mood, but it also interacts with augmented reality (AR) glasses. When someone looks at the wearer through AR glasses, they see a different color palette overlay based on their own emotions."

Phoenix was visibly impressed. "That's quite ambitious. But let's push it further. How about using PANTONE 168 in an immersive art installation?"
Man with a beard and a brown jacket on a street with asian buildings in the background and a lantern

Cassandra's grin widened. "Imagine an entire gallery space painted in PANTONE 168. As visitors walk through, the walls subtly shift in shades of red, reacting to their heart rates. The furniture and sculptures, all in PANTONE 168, would interact with motion sensors to alter their forms and colors dynamically."

Phoenix rubbed his chin, his mind racing with possibilities. "And the ultimate twist?"

"Right!" Cassandra said. "The installation could culminate in a live performance where dancers wear the color-shifting garments. As they move and interact with the space, their emotions and the gallery's ambiance create a unique, ever-changing art experience."

Professor Phoenix's eyes twinkled with excitement. "Cassandra, you've not only used PANTONE 168 in new ways, but you've created an entirely new medium of design!"

The idea quickly gained traction, and the project was greenlit for a major exhibition. The gallery was transformed into an extraordinary experience where visitors were enveloped in a world of shifting crimson shades. The color's intensity created a visceral, almost hypnotic atmosphere. Dancers glided through the space, their garments changing hue with every step and emotion, while the walls pulsed in sync with the gallery's heartbeat.

The exhibition was a smash hit, redefining how color could interact with human experience. Cassandra and Professor Phoenix became legends in the design world, not just for their audacious use of PANTONE 168, but for their vision of a future where art, emotion, and technology converged in breathtakingly new ways.

As the exhibition closed, Cassandra and Phoenix stood amidst the lingering echoes of the audience's awe. "We've pushed the boundaries," Cassandra said, a satisfied smile on her face.

Phoenix, adjusting his now-famous bow tie, replied, "Indeed, Cassandra. Who knew PANTONE 168 would lead us into such a thrilling abyss?"

And with that, the world of design had forever changed, all thanks to a single shade of crimson and the imagination of two audacious visionaries.
Author:

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