Tumbleweed
Dark jungle green
Pang
Light slate gray
Almond
0
0
2
9
0
PANTONE 164
Parameters:
HEX Triplet:
#E68A48RGB:
230, 138, 72CMYK:
0, 59, 80, 0HSL:
25°, 69%, 90%Closest colors:
in RGB:
Tiger eyein PANTONE:
PANTONE 1645in RAL Classic:
RAL 2012in RAL Design:
RAL 050 60 60in RAL Effect:
RAL 390-1in NCS:
NCS S 2040-Y40R 2024-09-03 Snargl 02:16
What color is PANTONE 164?
PANTONE 164 is a light orange color with a warm and vibrant hue.
It has a hexadecimal code of #E68A48, which means it is composed of 90.2% red, 54.12% green, and 28.24% blue in the RGB color space.
It has a CMYK code of 0, 59, 80, 0, which means it is made of 0% cyan, 59% magenta, 80% yellow, and 0% black in the CMYK color space.
PANTONE 164 is a color that can be used to create a cheerful, energetic, and friendly impression.
It can be paired with other colors such as blue, green, or purple to create contrast and harmony.
PANTONE 164 is a color that can be seen in various fields such as fashion, graphic design, advertising, and packaging.
It has a hexadecimal code of #E68A48, which means it is composed of 90.2% red, 54.12% green, and 28.24% blue in the RGB color space.
It has a CMYK code of 0, 59, 80, 0, which means it is made of 0% cyan, 59% magenta, 80% yellow, and 0% black in the CMYK color space.
PANTONE 164 is a color that can be used to create a cheerful, energetic, and friendly impression.
It can be paired with other colors such as blue, green, or purple to create contrast and harmony.
PANTONE 164 is a color that can be seen in various fields such as fashion, graphic design, advertising, and packaging.
Example of the palette with the PANTONE 164 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
NCS S 8005-B80G
NCS S 5020-R60B
NCS S 3020-R90B
RAL Classic
RAL 1001
RAL 8022
RAL 7015
RAL 7000
RAL 1013
RAL Design
RAL 050 70 30
RAL 160 20 20
RAL 290 30 20
RAL 270 50 15
RAL 080 90 10
Funny stories about the 'PANTONE 164'
The Great Pantone Debacle
Far away, in the bustling city of Chromaville, where colors and designs were as vital as air, a crisis was brewing at the trendy new trademark design firm, Spectrum Spectrum. The firm was known for its cutting-edge, vibrant logos, but today they faced an unprecedented dilemma: the fate of their latest trademark hinged on the exact shade of Pantone 164.
Virgil Storm, a shop assistant with an affinity for flamboyant fashion and a penchant for wild ideas, was in the middle of sorting through swatches when the door swung open with dramatic flair. Raj Jacobs, a no-nonsense engineer with a reputation for precision, stormed in.
"Virgil!" Raj’s voice echoed with the intensity of a hundred oscilloscopes. "We’ve got a situation. The client’s approval hinges on Pantone 164, and the printer just ate our color proof!"
Virgil looked up, his rainbow-colored tie swishing as he did. "The printer? That’s not good. We need to get Pantone 164 back on track ASAP. It’s like the unicorn of colors - unique, elusive, and essential!"
Raj’s eyes narrowed. "This is no time for unicorn analogies, Virgil. We need that color to finalize our trademark design, or we’ll lose the client. The design is supposed to be launched at tonight’s gala."
Virgil’s face lit up with a mischievous grin. "I have an idea. It’s a bit out there, but it might just work. We’ll use the old-school method. We’ll create the color manually!"
Raj’s eyebrows shot up. "Manually? You mean...?"
"Yup!" Virgil interrupted, already rummaging through a closet filled with vintage paint cans and brushes. "We’ll mix our own Pantone 164 and apply it to the design by hand."
Raj sighed, realizing arguing would be futile. They had no choice. He watched as Virgil turned the office into a makeshift artist’s studio, splashing red paint everywhere. "Let’s just hope this works."
With every brushstroke, Virgil danced around the room, humming tunes of questionable taste, while Raj monitored the mixing process with an accuracy that bordered on obsessive. Hours ticked by, and the color gradually began to take shape. It was red - brilliant, eye-catching red, but Pantone 164 it wasn’t. It was more of a 'Firetruck Fiasco'.
Suddenly, the printer’s whirring noise resumed, followed by a loud chime. Virgil and Raj exchanged panicked glances. The printer, now miraculously operational, had spat out the exact shade of Pantone 164 just as the clock struck midnight.
"Forget manual mixing! We’ve got the real thing!" Raj shouted, grabbing the print with a triumphant flourish.
Virgil’s face was streaked with paint, his hair now a vibrant shade of crimson. "Fantastic! Now, let’s just hope the client appreciates our little ‘color adventure’."
At the gala, as the client marveled at the brilliantly executed Pantone 164 design, they were equally fascinated by the story behind it. The color’s unexpected journey became the talk of the evening, and Spectrum Spectrum’s logo was celebrated not just for its design but for the memorable saga that accompanied it.
Virgil Storm and Raj Jacobs, now unofficial heroes of the design world, exchanged a look of exhausted triumph. "Well," Raj said with a smirk, "looks like your unicorn analogy wasn’t so far off."
Virgil, still dripping with paint, grinned back. "You know, Raj, sometimes the best designs come from the most unexpected places."
And so, in the annals of Chromaville’s color history, the legend of Pantone 164 became a cherished tale of creativity, chaos, and a very colorful misadventure.
Virgil Storm, a shop assistant with an affinity for flamboyant fashion and a penchant for wild ideas, was in the middle of sorting through swatches when the door swung open with dramatic flair. Raj Jacobs, a no-nonsense engineer with a reputation for precision, stormed in.
"Virgil!" Raj’s voice echoed with the intensity of a hundred oscilloscopes. "We’ve got a situation. The client’s approval hinges on Pantone 164, and the printer just ate our color proof!"
Virgil looked up, his rainbow-colored tie swishing as he did. "The printer? That’s not good. We need to get Pantone 164 back on track ASAP. It’s like the unicorn of colors - unique, elusive, and essential!"
Raj’s eyes narrowed. "This is no time for unicorn analogies, Virgil. We need that color to finalize our trademark design, or we’ll lose the client. The design is supposed to be launched at tonight’s gala."
Virgil’s face lit up with a mischievous grin. "I have an idea. It’s a bit out there, but it might just work. We’ll use the old-school method. We’ll create the color manually!"
Raj’s eyebrows shot up. "Manually? You mean...?"
"Yup!" Virgil interrupted, already rummaging through a closet filled with vintage paint cans and brushes. "We’ll mix our own Pantone 164 and apply it to the design by hand."
Raj sighed, realizing arguing would be futile. They had no choice. He watched as Virgil turned the office into a makeshift artist’s studio, splashing red paint everywhere. "Let’s just hope this works."
With every brushstroke, Virgil danced around the room, humming tunes of questionable taste, while Raj monitored the mixing process with an accuracy that bordered on obsessive. Hours ticked by, and the color gradually began to take shape. It was red - brilliant, eye-catching red, but Pantone 164 it wasn’t. It was more of a 'Firetruck Fiasco'.
Suddenly, the printer’s whirring noise resumed, followed by a loud chime. Virgil and Raj exchanged panicked glances. The printer, now miraculously operational, had spat out the exact shade of Pantone 164 just as the clock struck midnight.
"Forget manual mixing! We’ve got the real thing!" Raj shouted, grabbing the print with a triumphant flourish.
Virgil’s face was streaked with paint, his hair now a vibrant shade of crimson. "Fantastic! Now, let’s just hope the client appreciates our little ‘color adventure’."
At the gala, as the client marveled at the brilliantly executed Pantone 164 design, they were equally fascinated by the story behind it. The color’s unexpected journey became the talk of the evening, and Spectrum Spectrum’s logo was celebrated not just for its design but for the memorable saga that accompanied it.
Virgil Storm and Raj Jacobs, now unofficial heroes of the design world, exchanged a look of exhausted triumph. "Well," Raj said with a smirk, "looks like your unicorn analogy wasn’t so far off."
Virgil, still dripping with paint, grinned back. "You know, Raj, sometimes the best designs come from the most unexpected places."
And so, in the annals of Chromaville’s color history, the legend of Pantone 164 became a cherished tale of creativity, chaos, and a very colorful misadventure.
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