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PANTONE 147

PANTONE 147

Parameters:
HEX Triplet:
#786428
RGB:
120, 100, 40
CMYK:
19, 38, 90, 58
HSL:
45°, 67%, 47%
Closest colors:
in RGB:
Field drab
in PANTONE:
PANTONE 7560
in RAL Classic:
RAL 8008
in RAL Design:
RAL 075 40 38
in RAL Effect:
RAL 320-6
What color is PANTONE 147? The Pantone Predicament: A Colorful Conundrum
2024-09-21 Snargl 02:18

What color is PANTONE 147?

Fantasy tree house with a staircase leading to it
Clock with a gold case and a black background with a clock face and numbers on it
Robot with red eyes and a yellow suit with a red light on it's chest
Golden dragon statue in a garden at sunset or dawn with a sun setting behind it and trees and bushes
Dirt road in the middle of a forest with trees and bushes on both sides of it and a sunset in the background
Statue of a demon standing in a graveyard at sunset with a cross in the background and a sun setting behind it
PANTONE 147 is a medium dark shade of yellow with a hint of brown.

Its hexadecimal color code is #786428, which means it is composed of 47.06% red, 39.22% green and 15.69% blue in the RGB color model.

Its CMYK values are 19% cyan, 38% magenta, 90% yellow and 58% black, which means it is mostly made of yellow and black pigments.

PANTONE 147 is a warm and earthy color that can evoke a sense of nature, autumn, or vintage.

This color can be used to create contrast or harmony with other colors, depending on the desired effect.

Example of the palette with the PANTONE 147 color

Picture with primary colors of Dark jungle green, Gray-asparagus, Light apricot, Cafe au lait and Grullo
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
Author:
Funny stories about the 'PANTONE 147'

The Pantone Predicament: A Colorful Conundrum

Once upon a time in the bustling city of Technotropolis, where the skyscrapers gleamed like disco balls and robots did everything from cooking dinner to walking the dog, a curious color was about to change the course of industrial design forever. This was no ordinary hue - it was Pantone 147, a zesty yellow that had all the flair of a sunrise and none of the subtlety.

Our story begins in the lively studio of Shivansh Takemura, the most eccentric painter in the city. Known for his wild ideas and even wilder wardrobe, Shivansh was famous for transforming drab, mundane objects into masterpieces. He had recently become obsessed with Pantone 147, convinced that it was the missing ingredient for his next revolutionary project.
Green and white office with a black chair and a laptop on a desk in front of a green wall

Meanwhile, in the very same building, working on the opposite end of the spectrum, was Betsey Goowanni, the cleaner. Betsey was a master of cleanliness and order, her mop and bucket always at the ready. She had a knack for tidying up even the messiest of situations, which proved especially useful in a studio where Shivansh's creative genius often left chaos in its wake.

One sunny morning, as Shivansh was in the midst of painting an oversized canvas with Pantone 147, he had a flash of brilliance. "This color," he declared, "could revolutionize industrial design!" His studio was an explosion of yellow swirls, and the walls were practically glowing with optimism.

Betsey, on the other hand, was diligently scrubbing a giant splatter of Pantone 147 from the floor. She had already cleaned up several yellow splashes from the walls and furniture. "Shivansh, are you sure this color isn't too... loud?" she asked, her mop creating a little whirlpool of yellow on the floor.

"Nonsense!" Shivansh exclaimed, "It's bold, it's bright, and it's going to change the world!"

Determined to make his vision a reality, Shivansh set up a grand unveiling of his latest project: a line of industrial products - everything from cars to toasters - painted in the audacious Pantone 147. The launch was set to take place at the city's largest exhibition hall, and the entire Technotropolis was buzzing with excitement.
Bedroom with a bed and two lamps on either side of the bed and a painting on the wall

On the big day, the exhibition hall was a sea of yellow. The once-staid designs of everyday objects were now vibrant, eye-catching, and impossible to ignore. There were yellow bicycles, yellow vending machines, and even yellow toilet seats. Shivansh beamed with pride as he showed off his creations, while Betsey made sure the yellow remained pristine, her mop working overtime.

But as the day progressed, something unexpected happened. The sheer brilliance of Pantone 147 had a peculiar effect on the visitors. They were so overwhelmed by the saturation of yellow that they couldn't focus on the actual products. People were stumbling around like bees in a field of sunflowers, bumping into each other and getting lost in the labyrinth of yellow displays.

Betsey noticed this phenomenon and, with a mix of concern and amusement, pointed it out to Shivansh. "Maybe we went a bit overboard with the yellow," she suggested.

Shivansh looked around and saw what she meant. The once-proud displays now seemed like a yellow frenzy. His revolutionary idea had indeed revolutionized chaos. He chuckled, scratching his head. "Maybe Pantone 147 needs a little moderation," he admitted.

In the end, Shivansh and Betsey came to a compromise. They decided that Pantone 147 was perfect for accents and highlights but perhaps not for every single surface in sight. The exhibition was a success, not because of the overwhelming use of yellow but because it sparked conversations about innovation and the fine balance between creativity and practicality.

As for Shivansh and Betsey, they learned an important lesson: sometimes, even the most revolutionary ideas need a touch of moderation. And so, Pantone 147 found its place in the world - not as a blinding force of nature but as a lively splash that brightened up design in all the right ways.

And in Technotropolis, amidst the yellow-tinted memories and the many new designs, Shivansh and Betsey continued to innovate, ensuring that their next idea would be as balanced as it was brilliant.
Author:

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