Medium taupe
Camel
Dark jungle green
Topaz
Pale brown
Smoky black
Indian yellow
Drab
Medium champagne
Rich electric blue
0
0
1
13
0
PANTONE 135
Parameters:
HEX Triplet:
#F1C15CRGB:
241, 193, 92CMYK:
0, 21, 76, 0HSL:
41°, 62%, 95%Closest colors:
in RGB:
Sandy brownin PANTONE:
PANTONE 1225in RAL Classic:
RAL 1017in RAL Design:
RAL 075 80 60in RAL Effect:
RAL 370-1in NCS:
NCS S 1040-Y20R 2024-09-03 Snargl 02:14
What color is PANTONE 135?
PANTONE 135 is a medium light shade of yellow with a warm, golden hue.
It has the following color values:
This color can also evoke feelings of warmth, energy, and happiness.
It has the following color values:
Hexadecimal: #F1C15C
RGB: 241, 193, 92
CMYK: 0, 21, 76, 0
HSL: 41, 62%, 95%
This color can also evoke feelings of warmth, energy, and happiness.
Example of the palette with the PANTONE 135 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
NCS (Natural Color System)
RAL Classic
RAL 7013
RAL 3012
RAL 8022
RAL 1017
RAL 1036
Example of the palette with the PANTONE 135 color
0
0
Top 5 color shades of the illustration. Arranged in descending order of frequency of occurrence (first - more often, last - more rare).
See these colors in NCS, PANTONE, RAL palettes...
See these colors in NCS, PANTONE, RAL palettes...
Funny stories about the 'PANTONE 135'
The Curious Case of PANTONE 135
Far away, in the bustling metropolis of Chromatown, where every hue had a purpose and every shade told a story, there lived two rather peculiar individuals. Dr. Rohan Arrow, a highly respected motion design expert, and Vivienne Abloh, the ever-cheerful cleaner of Chromatown’s legendary Color Lab.
Dr. Arrow was known for his sharp mind and sharper sense of aesthetics. He was the go-to person whenever a tricky color combination needed solving or a design element seemed too bland. Vivienne, on the other hand, had a unique talent for seeing beauty in the mundane. She could polish a floor until it gleamed with the brilliance of a thousand rainbows, and she knew exactly how to arrange the mops and brooms so they appeared as an abstract art installation.
One day, the Color Lab received a mysterious package. Inside was a small vial labeled "PANTONE 135." Dr. Arrow picked it up, squinting at the cheerful shade of warm, buttery yellow inside. "Strange," he muttered, "I’ve never seen this one used in motion design before. It’s too... well, too normal."
Vivienne, who was busily dusting the shelves of vibrant swatches and color wheels, peeked over his shoulder. "It’s lovely, though! Like sunshine in a bottle. Maybe it just needs a bit of a story to come alive!"
Dr. Arrow smiled, amused by her enthusiasm. "Motion design is all about impact, Vivienne. PANTONE 135 doesn’t have the gravitas of a deep blue or the urgency of a fiery red. It’s - "
" - happy!" Vivienne interjected. "It’s like a lazy Sunday morning or a slice of fresh lemon cake. Maybe it doesn’t have gravitas, but it has charm!"
Dr. Arrow shook his head but couldn’t help but chuckle. "Alright, alright. Why don’t we test it out? I’ll create a simple animation, and we’ll see if PANTONE 135 has any hidden potential."
The Doctor got to work. He designed a sequence featuring a rolling ball, a jumping cube, and a spinning wheel. Each was a dull gray, save for the ball, which he filled with PANTONE 135. The animation was clean, the transitions smooth, but as Dr. Arrow suspected, the color felt... bland.
Vivienne watched intently, her brows furrowed in thought. "It’s missing something," she said. "It needs movement that matches its personality."
"What kind of movement would that be?" Dr. Arrow asked, genuinely curious.
Vivienne beamed. "Playful! Something light and bouncy. Let the ball roll in a way that makes people smile, not just follow a straight path. It’s got to zigzag, loop-de-loop, maybe even do a little jig!"
With a skeptical eyebrow raised, Dr. Arrow made the adjustments. The ball, now bathed in the warm hue of PANTONE 135, rolled and bounced with an almost comical liveliness. It wobbled on edges, hopped over obstacles, and at one point, made a perfect figure-eight. To his surprise, the animation didn’t just look good - it felt joyful.
As the animation looped on the screen, something magical happened. The other elements of the design - once dull and lifeless - began to brighten. The cube took on a soft pastel green, and the wheel shimmered with a gentle lavender. It was as if PANTONE 135 had ignited a chain reaction of warmth and whimsy, infusing the entire design with a newfound energy.
Dr. Arrow stared in disbelief. "I don’t understand… how is this possible?"
Vivienne laughed, her eyes twinkling with delight. "Because PANTONE 135 is the color of simple joys. It’s not about standing out or making a statement; it’s about bringing everything together. It’s the little bit of sunshine that makes everything else seem brighter."
Dr. Arrow couldn’t help but agree. "You’re right, Vivienne. Sometimes, it’s the unassuming things that have the greatest impact. PANTONE 135 doesn’t need to shout to be noticed - it just needs to be itself."
From that day on, PANTONE 135 became a staple in Dr. Arrow’s designs. It was never the star of the show, but it didn’t need to be. It was the unsung hero that brought warmth, joy, and a touch of silliness to every project.
As for Vivienne, she continued to see beauty where others did not. And every so often, she’d remind Dr. Arrow to "add a little sunshine," knowing that sometimes, the simplest things can make the biggest difference.
And so, in the colorful world of Chromatown, PANTONE 135 lived happily ever after, bringing smiles and warmth to all who encountered its gentle glow.
Dr. Arrow was known for his sharp mind and sharper sense of aesthetics. He was the go-to person whenever a tricky color combination needed solving or a design element seemed too bland. Vivienne, on the other hand, had a unique talent for seeing beauty in the mundane. She could polish a floor until it gleamed with the brilliance of a thousand rainbows, and she knew exactly how to arrange the mops and brooms so they appeared as an abstract art installation.
0
0
One day, the Color Lab received a mysterious package. Inside was a small vial labeled "PANTONE 135." Dr. Arrow picked it up, squinting at the cheerful shade of warm, buttery yellow inside. "Strange," he muttered, "I’ve never seen this one used in motion design before. It’s too... well, too normal."
Vivienne, who was busily dusting the shelves of vibrant swatches and color wheels, peeked over his shoulder. "It’s lovely, though! Like sunshine in a bottle. Maybe it just needs a bit of a story to come alive!"
Dr. Arrow smiled, amused by her enthusiasm. "Motion design is all about impact, Vivienne. PANTONE 135 doesn’t have the gravitas of a deep blue or the urgency of a fiery red. It’s - "
" - happy!" Vivienne interjected. "It’s like a lazy Sunday morning or a slice of fresh lemon cake. Maybe it doesn’t have gravitas, but it has charm!"
Dr. Arrow shook his head but couldn’t help but chuckle. "Alright, alright. Why don’t we test it out? I’ll create a simple animation, and we’ll see if PANTONE 135 has any hidden potential."
The Doctor got to work. He designed a sequence featuring a rolling ball, a jumping cube, and a spinning wheel. Each was a dull gray, save for the ball, which he filled with PANTONE 135. The animation was clean, the transitions smooth, but as Dr. Arrow suspected, the color felt... bland.
Vivienne watched intently, her brows furrowed in thought. "It’s missing something," she said. "It needs movement that matches its personality."
"What kind of movement would that be?" Dr. Arrow asked, genuinely curious.
Vivienne beamed. "Playful! Something light and bouncy. Let the ball roll in a way that makes people smile, not just follow a straight path. It’s got to zigzag, loop-de-loop, maybe even do a little jig!"
With a skeptical eyebrow raised, Dr. Arrow made the adjustments. The ball, now bathed in the warm hue of PANTONE 135, rolled and bounced with an almost comical liveliness. It wobbled on edges, hopped over obstacles, and at one point, made a perfect figure-eight. To his surprise, the animation didn’t just look good - it felt joyful.
As the animation looped on the screen, something magical happened. The other elements of the design - once dull and lifeless - began to brighten. The cube took on a soft pastel green, and the wheel shimmered with a gentle lavender. It was as if PANTONE 135 had ignited a chain reaction of warmth and whimsy, infusing the entire design with a newfound energy.
Dr. Arrow stared in disbelief. "I don’t understand… how is this possible?"
Vivienne laughed, her eyes twinkling with delight. "Because PANTONE 135 is the color of simple joys. It’s not about standing out or making a statement; it’s about bringing everything together. It’s the little bit of sunshine that makes everything else seem brighter."
Dr. Arrow couldn’t help but agree. "You’re right, Vivienne. Sometimes, it’s the unassuming things that have the greatest impact. PANTONE 135 doesn’t need to shout to be noticed - it just needs to be itself."
From that day on, PANTONE 135 became a staple in Dr. Arrow’s designs. It was never the star of the show, but it didn’t need to be. It was the unsung hero that brought warmth, joy, and a touch of silliness to every project.
As for Vivienne, she continued to see beauty where others did not. And every so often, she’d remind Dr. Arrow to "add a little sunshine," knowing that sometimes, the simplest things can make the biggest difference.
And so, in the colorful world of Chromatown, PANTONE 135 lived happily ever after, bringing smiles and warmth to all who encountered its gentle glow.
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